버클리 음대 리하모니제이션 테크닉
Reharmonization Techniques (Berklee) [50449496]

버클리 음대에서 출판한 리하모니제이션에 관한 교본입니다.
리하모니제이션은 하모니를 바꿔서 기존 멜로디에 새로운 색채를 더하는 작업입니다.
밴드나 합창단을 지휘하거나, 피아노나 기타를 연주하거나, 영화 음악을 작곡하는 등의 작업을 할 때 유용하게 사용할 수 있는 수 백 가지의 실제 편곡 예들이 실려있습니다.
간단한 치환, 다이아토닉 접근법, 도미넌트와 서브도미넌트 코드를 더하는 법, 하모닉 디스플레이스먼트, 모달 인터체인지 등의 다양한 내용들이 수록되어 있습니다.


- Contents -

Chapter 1: Simple Substitution
Substituting chords with others in the same harmonic family is a good way to vary folk and easy pop tunes while maintaining the color of the original tune.

Chapter 2: Diatonic Approach
Reharmonizing with chords from a single key creates a harmonic change that is appropriate in most standard jazz and pop contexts.

Chapter 3: Tritone Substitution Extended Dominant Seventh Chords/ and Extended II-V7 Patterns
Adding dominant and subdominant chords—or their substitutions—to musical phrases creates a sophisticated harmonic sound commonly heard in mainstream jazz.

Chapter 4: Displacement
Relocating important cadential points in a phrase creates open space that can then be filled with new chords. Displacement may be used in both pop and mainstream jazz.

Chapter 5: Modal Interchange
Chords borrowed from common minor keys "darken" the harmonic color of phrases. This technique works well in pop and mainstream jazz styles.

Chapter 6: Reharmonization Using Bass Lines
Writing a counterline in the bass can reveal many new harmonic possibilities.

Chapter 7: Correction of Faulty Chord Symbols
Using clear chord symbols ensures that your harmonic ideas will be interpreted correctly.

Chapter 8: Turnarounds
Reharmonizing with short cadences at the ends of phrases can lead the listener to the next phrase in unexpected ways.

Chapter 9: Extended Endings and Modulatory Interludes
Adding interludes or extended endings breathes life into old song arrangements and works in almost any musical context.

Chapter 10: Basic Piano Voicing Techniques
Knowing basic piano voicings will help you compose effective orchestrations of reharmonized melodies.

Chapter 11: Line Cliches
Stepwise bass lines that move against a single stationary chord may be used to reharmonize diatonic melodic phrases.

Chapter 12: Diminished Seventh Chords
Transforming the diminished seventh chords to dominant seventh chords found in classic standard tunes creates a more modern sound.

Chapter 13: Modal Reharmonization
Modal reharmonization produces a more dramatic textural change that works well with folk, film music, and jazz.

Chapter 14: Hybrid Chord Voicings
Deliberately ambiguous and mildly dissonant, hybrid chord voicings are often used in contexts where "impressionistic" sounds are effective: film music, contemporary jazz, and more adventurous pop.

Chapter 15: Constant Structure Patterns
Sequences of identical-quality chords emphasize texture and root motion at the expense of clear-cut tonality. These constant structure patterns are well-suited to recent pop, jazz, and film styles.

Chapter 16: Combining Modal Patterns/ Hybrid Chord Voicings/ and Constant Structures
Combine the concepts in chapters 13-15 to create a more complex reharmonization, which will work best in modern music.

Reference Examples

Glossary

Index of Credits