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Pentatonic Scales For Jazz Improvisation (00-SB9)
µ¿Àϸðµ¨ÀÇ Ãâ½Ã³â¿ù (Á¦Á¶ÀÏÀÚ ¾Æ´Ô)
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(ÁÖ) ½ºÄð¹ÂÁ÷ / 1566-5150
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Pentatonic Scales for Jazz Improvisation
ÃâÆÇ»ç Alfred ÀúÀÚ Ramon Ricker ¾ÆÀÌÅÛ # 00-SB9 ºÐ·® 80 ÆäÀÌÁö ¿ø»êÁö ¹Ì±¹
1976³â óÀ½ ÃâÆǵǾî ÀçÁî ¼Ö·Î¸¦ À§ÇÑ ÆæŸÅä´Ð ½ºÄÉÀÏ¿¡ °üÇÑ °íÀüÀÌ µÈ ±³º»ÀÔ´Ï´Ù. 80 ÆäÀÌÁö ºÐ·®À¸·Î ÀçÁî¿¡ »ç¿ëµÇ´Â ÆæŸÅä´Ð ½ºÄÉÀÏ µÚ¿¡ ÀÖ´Â À̷п¡ ´ëÇÑ ¼³¸í°ú ±×¿¡ °üÇÑ ¼Ö·Î ¹× ¿¬½À ¿¹Á¦µéÀÌ ½Ç·ÁÀÖ½À´Ï´Ù. Ÿºê¾Çº¸´Â ¾øÀ¸¸ç ¼ÕÀ¸·Î ±×¸° ¿À¼±¾Çº¸·Î ÀμâµÇ¾î ÀÖ½À´Ï´Ù.
- Contents -
INTRODUCTION
Chapter
I. CONSTRUCTION OF PENTATONIC SCALES
II. APPLICATION OF PENTATONIC SCALES TO VARIOUS CHORD TYPES Dominant Seventh Chords Minor Seventh Chords Major Seventh Chords
III. APPLICATION OF PENTATONIC SCALES TO CHORD PROGRESSIONS Modal or Static Harmony Blues
IV. ALTERED PENTATONICS
V. IMPROVISED SOLOS (Transcribed by Bill Dobbins) Joe Farrell, Moon Germs Wayne Shorter, Ginger Bread Boy Joe Henderson, No Me Esqueca Chick Corea, Matrix Keith Jarrett, Forest Flower Herbie Hancock, Hand Jive
VI. EXERCISES Diatonic Chromatic II-V-l Turnarounds Circle of Fifths Altered Pentatonics
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