Á¦Á¶»ç(»ý»êÀÚ), ¼öÀÔÀÚ |
Hal Leonard/(ÁÖ)½ºÄð¹ÂÁ÷ |
»ö»ó |
ÇÏ´Ü À̹ÌÁö ÂüÁ¶ |
»óÇ°º° ¼¼ºÎ»ç¾ç |
ÇÏ´Ü ½ºÆå ÂüÁ¶ |
Á¦Á¶±¹(¿ø»êÁö) |
Hal Leonard/USA [ºê·£µå »óÇ° º¸±â] |
Å©±â |
ÇÏ´Ü ½ºÆå ÂüÁ¶ |
Ç°Áúº¸Áõ±âÁØ |
ÇÏ´Ü ¼³¸í ÂüÁ¶ |
Ç°¸í ¹× ¸ðµ¨¸í |
º£À̽º Ç÷¹À̾ À§ÇÑ °¡ÀÌµå ºÏ Stuff! Good Bass Players Should Know [00696014] |
µ¿Àϸðµ¨ÀÇ Ãâ½Ã³â¿ù (Á¦Á¶ÀÏÀÚ ¾Æ´Ô) |
2013³â 07¿ù 26ÀÏ |
A/S ¾È³» |
(ÁÖ) ½ºÄð¹ÂÁ÷ / 1566-5150
|
ÀçÁú |
ÇÏ´Ü ½ºÆå ÂüÁ¶ |
Á¦Ç°±¸¼º |
ÇÏ´Ü À̹ÌÁö ÂüÁ¶ |
|
|
|
|
Stuff! Good Bass Players Should Know º£À̽º Ç÷¹À̾ À§ÇÑ °¡ÀÌµå ºÏ | An A-Z Guide to Getting Better Book & Online Audio
| | | ÃâÆÇ»ç | Hal Leonard
| ÀúÀÚ | Glenn Letsch
| ¾ÆÀÌÅÛ # | 00696014 | ºÐ·® | 128 ÆäÀÌÁö
| ¿ø»êÁö | ¹Ì±¹
| | |
º£À̽ýºÆ®¸¦ À§ÇØ Á¦ÀÛµÈ ÀÌ Ã¥/¿Â¶óÀÎ À½¿ø ±³º»À» ÅëÇØ ÀÚ½ÅÀÇ ¿¬ÁÖ¸¦ ÀÏ»óÀûÀÎ ¼öÁØ¿¡¼ Ưº°ÇÑ ¼öÁØÀ¸·Î ²ø¾î¿Ã¸± ¼ö ÀÖ½À´Ï´Ù. °ø¿¬, ·¹ÄÚµù, ¹ÂÁ÷ ºñÁö´Ï½º, ¾Ç±â¿Í Àåºñ(Àü±âÀûÀÎ Áö½ÄÀ» Æ÷ÇÔÇÑ), ±×·çºê, ÇÊ, ¼Ö·Î¿¬ÁÖ Å×Å©´Ð, ¾Ç±âÀÇ °ü¸® µî ¿©·¯ ¸é¿¡¼ÀÇ °¡Ä¡ÀÖ´Â ÆÁµéÀÌ ¼ö·ÏµÇ¾î ÀÖ½À´Ï´Ù. ¶ô, ÀçÁî, ºí·ç½º, R&B, ÆãÅ© µîÀÇ ´Ù¾çÇÑ À帣¿¡ °ÉÄ£ ·¹½¼ÀÌ µ¥¸ð Æ®·¢°ú ÇÔ²² ½Ç·ÁÀÖ½À´Ï´Ù. ¿Â¶óÀÎÀ¸·Î Á¦°øµÇ´Â À½¿ø¿¡´Â Ã¥¿¡ ¼ö·ÏµÈ ¿¹Á¦µéÀÌ ¼Ö·Î º£À̽º ¿¬ÁÖ¿Í Ç® ¹êµå µ¥¸ð µî ´Ù¾çÇÑ ¹æ¹ýÀ¸·Î ³ìÀ½µÇ¾î ÀÖ½À´Ï´Ù. ¶ÇÇÑ ¸¹Àº ¿¹Á¦µéÀÌ Ç®¹êµå ¼¼ÆÃÀ¸·Î ´Ù¸¥ ¾Ç±âµé°ú ÇÔ²² ³ìÀ½µÇ¾î ÀÖ¾î ´Ù¸¥ ¾Ç±âµé°ú Á¶È¸¦ ÀÌ·ç´Â °ÍÀÌ ¾ó¸¶³ª Áß¿äÇÑÁö ¾Ë ¼ö ÀÖ°Ô ÇÕ´Ï´Ù.
- Contents -
Track List Introduction Acknowledgments About the Author
A Alternate Plucking Fingers Amplifiers Analyze Your Bass Playing Arpeggios
B Battling Stage Fright Bi-Amping Blues Scales Breathe Bridge
C Chord Chart Reading Made Easy Chord Theory Made Easy Chromatic Intervals Chucking Compound Intervals Cycle of 5ths
D Diatonic Chord Theory Made Easy Diatonic Modes Double Stops
E Ear Training Effects
F Fingerboard Five-String Bass Foam Fretless Bass Funk
G Ghost Notes Good Practice Habits Great Live Sound Grounding Problems
H Hard Rock Bass Styles Harmonic Minor Scale Harmonics
I Inner Cycle of 5ths Intervals Intonating Your Bass Inversions Isometrics
J Jazz Bass Jazz Fake Book Chord Chart Jazz Scales
K Key Signatures Keyboard Cues Kink Drum KISS
L Left Hand Technique Lessons Limiter/Compressor Locking Your Groove
M Major Scale Metronome
N Necks Neck-thru vs. Bolt-on Necks
O Octaves Open String Muting
P Parallel Modes Pentatonic Scales and Modes Picking
Q Quadruple Stops Quiet Practice Quiltuple Time
R Raking Russian Dragon
S Slapping Slapping and Popping Soloing Sorbothane Subdividing Measures
T Ten-Inch Speakers Thumb and Palm Muting
U Uber Bassmen Unison
V Vibrato Virtuoso
W Walking
X Xenophobic Bassists XXX - Things Your Should Never Do
Y "Yankee Doodle" and Other Melodies
Z Zydeco Bass Zzzzzzzzzzzzzz's
|
|
|
|
|
½ºÄð¹ÂÁ÷ ÀÌ´ÞÀÇ À̺¥Æ® |
|
½ºÄð¹ÂÁ÷ ¹«·á ¹ÝÇ°! |
2019. 4. 25. ~ |
|
|
Hotone Ampero ±¸ÀԽà Àü¿ë ±ã¹é ÁõÁ¤ |
2024.02.01. ~ |
|
|
ÀáÀÚ´Â ºê·£µå ´õ ½Î°Ô! ¿À¹ö½ºÅ¹ ÇÒÀÎÀü |
2024.05.01. ~ 05.19 |
|
|
·¹Àüµå¿Í ·çÅ°ÀÇ ¸¸³²! ƼÄÏ ÁõÁ¤ À̺¥Æ® |
2024.04.23 ~ 05.24 |
|
|
¹Úâ°ï 5Áý ¹ß¸Å ±â³ä ÄܼƮ |
2024.03.25. ~ 04.20 |
|
|
|
|
°ÔÀÌÅͶû °¡Æ¼ ³ª°¥±î~ |
2023. 3.30. ~ |
|
|
Å©·¡ÇÁÅÍ ±âŸ ÀÔÁ¡ ±â³ä »çÀºÇ° ÁõÁ¤ |
2024.03.01. ~ |
|
|
½ºÆÄÅ©40 Àü¿ë ±ã¹é ÁõÁ¤ À̺¥ |
2024.03.28.~ |
|
|
½ºÄð¹ÂÁ÷ ESP ÇÁ¸®¿À´õ ¼ºñ½º |
2020. 6. 5. ~ |
|
|
5¿ù Ŭ¸®¾î·±½º ÇÒÀÎ + »çÀº |
2024.05.01. ~ 05.31 |
|
|
|
|
ÆǸÅÁßÀÎ
µµ¼ Ä«Å×°í¸® ½Ç½Ã°£ Àαâ»óÇ° |
|
|
|
±³È¯/¹ÝÇ°/ȯºÒ/ºÒ°¡ »çÀ¯ ¾È³» |
°øÅë |
»óÇ° ¶Ç´Â Æ÷ÀåÀÌ ÈÑ¼ÕµÇ¾î »óÇ°ÀÇ °¡Ä¡°¡ °¨¼ÒÇÑ °æ¿ì
±³È¯ ¶Ç´Â ȯºÒ ½Åû ±â°£ÀÌ °æ°úÇÑ °æ¿ì(7ÀÏÀ̳»)
±¸¸Å ÈÄ »ç¿ë¿¡ ÀÇÇØ »óÇ°ÀÇ °¡Ä¡°¡ °¨¼ÒÇÑ °æ¿ì
±¸¼º»óÇ°ÀÇ ÀϺΰ¡ ´©¶ôµÇ°Å³ª ÈÑ¼ÕµÈ °æ¿ì
¿äû¿¡ ÀÇÇÑ ÁÖ¹® Á¦ÀÛ »óÇ°ÀÎ °æ¿ì
|
¾ÚÇÁ µî ÀüÀÚ ÀåÄ¡·ù |
»ç¿ëÀÚÀÇ °ú½Ç·Î ÇÕ¼±µî »óÇ°¿¡ °íÀåÀÌ ¹ß»ýÇÑ °æ¿ì |
¼³Ä¡Çü ¾Ç±â (°Ç¹Ý¾Ç±â/Ÿ¾Ç±â) |
»óÇ°¿¡ ÇÏÀÚ°¡ ¾ø°í ¼³Ä¡°¡ ¿Ï·áµÈ °æ¿ì |
ÃëÁ־DZâ |
»óÇ°À» »ç¿ëÇÑ °æ¿ì |
½ºÆ®¸µ/ÄÉÀ̺í |
»óÇ°À» °³ºÀÇÑ °æ¿ì |
µµ¼ |
»óÇ°ÀÇ Æ÷ÀåÀ» °³ºÀÇÏ¿© º¹Á¦ÀÇ ¿©Áö°¡ ÀÖ´Â °æ¿ì |
¾×¼¼¼¸® |
»óÇ°À» »ç¿ëÇÏ¿© º¯ÇüÀÌ »ý±ä °æ¿ì |
|
|
|
Ç°Áú º¸Áõ ±âÁØ |
±¸ÀÔ ÈÄ 7ÀÏ À̳» |
»óÇ° ¹× Æ÷ÀåÀÇ ÈÑ¼Õ ¾øÀ½ |
¹«»ó A/S, ±³È¯, ȯºÒ °¡´É |
»óÇ° ¹× Æ÷ÀåÀÇ ÈÑ¼Õ |
A/S °¡´É |
|
±¸ÀÔ ÈÄ 20ÀÏ À̳» |
¿À¹è¼Û,´©¶ô,¹è¼ÛÁß ÆÄ¼Õ |
¹«»ó A/S,±³È¯,ȯºÒ °¡´É |
Á¦Ç°ÀÇ Ãʱ⠺ҷ® |
¹«»ó A/S,±³È¯ °¡´É |
Á¦°øÇÑ »óÇ° Á¤º¸¿Í ºÒÀÏÄ¡ |
¹«»ó A/S,±³È¯,ȯºÒ °¡´É |
»ç¿ëÁß ¹ß»ýÇÑ ÈÑ¼Õ ¹× ÇÏÀÚ |
A/S °¡´É |
|
±¸ÀÔ ÈÄ 30ÀÏ À̳» |
Á¦Ç°ÀÇ Ãʱ⠺ҷ® |
¹«»ó A/S, ±³È¯ °¡´É |
Á¦°øÇÑ »óÇ° Á¤º¸¿Í ºÒÀÏÄ¡ |
¹«»ó A/S, ±³È¯, ȯºÒ °¡´É |
»ç¿ëÁß ¹ß»ýÇÑ ÈÑ¼Õ ¹× ÇÏÀÚ |
A/S °¡´É |
|
±¸ÀÔ ÈÄ 90ÀÏ À̳» |
Á¦°øÇÑ »óÇ° Á¤º¸¿Í ºÒÀÏÄ¡ |
¹«»ó A/S, ±³È¯, ȯºÒ °¡´É |
»ç¿ëÁß ¹ß»ýÇÑ ÈÑ¼Õ ¹× ÇÏÀÚ |
A/S °¡´É |
|
|
|
|
Ç°Áú º¸Áõ ±âÁØ |
ȯºÒ °úÁ¤ |
¹ÝÇ°µÈ »óÇ°ÀÌ ÆǸÅÀÚ¿¡°Ô µµÂøÇÑ ÈÄ 3ÀÏ À̳»¿¡ ȯºÒ ¾È³» ¹× ó¸® |
ȯºÒ Áö¿¬ |
¹ÝÇ°µÈ »óÇ°ÀÌ ÆǸÅÀÚ¿¡°Ô µµÂøÇÑ ÈÄ È¯ºÒ ó¸® ¿Ï·á±îÁö 3ÀÏ ÀÌ»ó °æ°ú |
ȯºÒ Áö¿¬ ¹è»ó±Ý |
ȯºÒ Áö¿¬ÀÌ ¹ß»ýÇÏ´Â °æ¿ì ÇØ´ç ȸ¿ø°í°´¿¡°Ô 5,000¿øÀÇ ¸¶Àϸ®Áö º¸»ó |
|
½ºÄð¹ÂÁ÷ ¼îÇθôÀº °øÁ¤°Å·¡À§¿øȸ¿¡¼ ½ÉÀÇÇÑ Ç¥Áؾà°üÀ» »ç¿ëÇÏ°í ÀÖ½À´Ï´Ù. ¾à°üº¸±â |
|
|
|
|
|
|
|
|
|