A Modern Method For Guitar-Volume 2 (50449410)

A Modern Method For Guitar - Volume 2

버클리 음악 대학에서 기타 프로그램의 기본 교재로 사용하는 매우 실용적이면서도 이해하기 쉬운 기타 교본입니다.

Volume 2에는 중급 레벨의 기타리스트를 위한 멜로디, 스케일, 아르페지오와 코드 등과 함께 인터벌, 코드 보이싱,
임프로바이제이션, 리듬기타 테크닉, 듀엣 연주 등의 내용이 수록되어 있습니다.
타브악보로는 표기되어 있지 않으며 일반 오선악보로만 표기되어 있습니다.


- Contents -

Section One
Four Basic Major-Scale Fingering Patterns
C Major Scale - Ascending (Five Positions)
C Major Scale - Descending (Five Positions)
    "Getting Up There" (Duet)
    "Chord Etude N0. 6"
    "Melodic Rhythm Study No. 2"
    (￠ and 2/4)
Triads (Three-Note Chords)
F Major Scale - Ascending (Five Positions)
F Major Scale - Descending (Five Positions)
    "Another Waltz for Two" (duet)
Chord Forms
Speed Study
Triads (F Chords)
Rhythm Guitar - The Right Hand (4/4 and 2 beat)
    "Chord Etude No. 7"
G Major Scale - Ascending (Five Positions)
G Major Scale - Descending (Five Positions)
    "Sea-See-Si" (duet)
Chord Forms
Triads (G Chords)
Finger-Stretching Exercises
D Major Scale - Ascending (Five Positions)
D Major Scale - Descending (Five Positions)
    "Melodic Rhythm Study No. 3" (duet)
Intervals
Triads (D Chords)
A Major Scale - Ascending (Five Positions)
A Major Scale - Descending (Five Positions)
    "Chord Etude No. 8"
Rhythm Guitar - The Right Hand (Rock-Style Ballad)
Chord Forms
    "Tranquility" (duet)
Triads (A Chords)
Bb Major Scale - Ascending (Five Position)
Bb Major Scale - Descending (Five Position)
    "Waltz in Bb" (duet)
    "Melodic Rhythm Study No. 4"(6/8)
Finger-Stretching Exercises
Triads (Bb Chords)
Pentatonic Scales
Tremolo Study
Eb Major Scale - Ascending (Five Positions)
Eb Major Scale - Descending (Five Positions)
Chord Forms
Major Scale Review (Positions II,III,V)
Triads (Eb Chords)
Theory: Diatonic Triads in Major Keys (Explanation)
Diatonic Triads - Arpeggios and Scales
    Key of G Major
    Key of F Major
    Key of Bb Major
    Key of Eb Major
    "5th Position Study" (duet)
Major Triad Exercise
Minor Triad Exercise

Section Two
One-Octave Arpeggios - G Triads
    Glissando
Real Melodic (or Jazz) Minor Scale
C Real Melodic Minor (Five Positions)
Rhythm Guitar - The Right Hand (Shuffle Rhythm)
Speed Study
Chord Forms
    "Melodic Rhythm Study No. 5" (duet)
One-Octave Arpeggios - D and C Triads
F Real Melodic Minor (Five Positions)
    "5th Position Study No. 2" (duet)
One-Octave Arpeggios - A and F Triads
Chord Forms
    Slur
    Trill
Theory: Diatonic 7th Chords (Major Keys)
Arpeggios - G Diatonic Sevenths
Arpeggios - C Diatonic Sevenths
G Real Melodic Minor (Five Positions)
Chord Forms
Two-Octave Arpeggios - C Major Triad from the Root
    "Chord Etude No. 9"
    "The Wanderer" (duet)
Rhythm Guitar - The Right Hand (Waltz)
Arpeggios - F Diatonic Sevenths
Theory: Chord-Scale Relationships with Diatonic Structures
D Real Melodic Minor (Five Positions)
Chord Forms - 3rd in the Bass
    "Chord Etude No. 10"
Two-Octave Arpeggios
    G Major Triad from the 3rd
    F Major Triad from the 5th
Rhythm Guitar - The Right Hand (Jazz Waltz)
    Inverted Mordent and Mordent (Explanation)
Arpeggios: Bb Diatonic Sevenths
A Real Melodic Minor (Five Positions)
Chord Forms
Two-Octave Arpeggios - C Minor Triad from the Root
    Appoggiatura and Turn or Grupeto
    "Melodic Rhythm Study No. 6" (duet)
Rhythm Guitar - The Right Hand (Cha Cha and Beguine)
Arpeggios - Eb Diatonic Sevenths
Theory: Chord Scale Relationships (Nondiatonic Minor 7 and Major 7)
    "7th Position Study" (duet)
    "Solo in G"
Bb Real Melodic Minor (Five Positions)
Chord Forms - 7th in the Bass
:"Chord Etude No. 11"
Two-Octave Arpeggios
    G Minor Triads from the 3rd
    F Minor Triads from the 5th
Key Signatures (Explanation)
Theory: Chord-to-Chord Motion
Chromatic Scale
Eb Real Melodic Minor (Five Positions)
Chord Forms
    "Chord Etude No. 12"
Speed Study
Two-Octave Arpeggios
    C Diminished Triad from the Root
    G Diminished Triad from the 3rd
    F Diminished Triad from the 5th
    "Melodic Rhythm Study No. 12" (duet)
Whole Tone Scales
Rhythm Guitar - The Right Hand (Bossa Nova)
Two-Octave Arpeggios - Bb, F#, and D Augmented Triads
Theory: Chord Scale Relationships - Nondiatonic Minor 6th and (Unaltered)
    Dominant 7th Chords
    "Solo in D"
Index