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¹öŬ¸® À½´ë ¸á·Îµð ÀÛ°î ±³º» Melody In Songwriting (Berklee) [50449419]
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Melody In Songwriting (Berklee) ¹öŬ¸® À½´ë ¸á·Îµð ÀÛ°î ±³º» Tools and Techniques for Writing Hit Songs ÃâÆÇ»ç Berklee Press ÀúÀÚ Jack Perricone ¾ÆÀÌÅÛ # 50449419 ºÐ·® 192 ÆäÀÌÁö ¿ø»êÁö ¹Ì±¹ ¸á·Îµð´Â À½¾ÇÀÇ Áß¿äÇÑ ¿ä¼ÒÁö¸¸ À½¾Ç ±³À°¿¡¼´Â Á¾Á¾ °£°úµÇ´Â ºÎºÐÀ̱⵵ ÇÕ´Ï´Ù. ¹öŬ¸® À½´ëÀÇ ÀÛ°î ¼ö¾÷¿¡ »ç¿ëµÇ´Â ÀÌ ±³º»¿¡´Â ¸á·ÎµðÀÇ Á߿伺°ú ÇÔ²² ¸á·Îµð¸¦ ¸¸µå´Â ¹æ¹ýµéÀÌ ¼Ò°³µÇ¾î ÀÖ½À´Ï´Ù. Èï¹Ì·Î¿î ¸á·Îµð¸¦ ¸¸µå´Â ¹æ¹ý, ¸á·ÎµñÇÑ ¸®µëÀÌ ¶óÀÓ¿¡ ¾î¶»°Ô ¿µÇâÀ» ³¢Ä¡´ÂÁö, Çϸð´Ï¸¦ ÁøÇàÇÏ°Ô ÇÏ´Â ¿ä¼Ò´Â ¹«¾ùÀÎÁö, ±×¸®°í ¸á·Îµð¿Í Çϸð´ÏÀÇ ¼ö¸¹Àº ¿ªµ¿Àû °ü°èµé¿¡ ´ëÇÑ ¼³¸íÀÌ ½Ç·ÁÀÖ½À´Ï´Ù. ÀÛ°î¿¡ ´ëÇÑ ¸íÈ®ÇÏ°íµµ Á¾ÇÕÀûÀÎ Á¢±Ù ¹æ½ÄÀ¸·Î Àαâ ÀÖ´Â °îµéÀÌ ¾î¶»°Ô ¸¸µé¾îÁö´ÂÁö ¹àÇôÁÝ´Ï´Ù. ·¹³í°ú ¸ÅÄ«Æ®´Ï, ´ÙÀÌ¾Ø ¿ö·», ·Î¹öÆ® ÆÄ¸Ó µîÀ» ºñ·ÔÇÑ ¸¹Àº ¶Ù¾î³ ´ëÁßÀ½¾Ç ÀÛ°î°¡µéÀÇ ÀÛÇ°µéÀ» ¿¹·Î µç ¼³¸íÀº ÀÌ·ÐÀÌ ½ÇÁ¦¿¡ ¾î¶»°Ô ¾²ÀÌ´ÂÁö¿¡ ´ëÇÑ ÀÌÇظ¦ µ½½À´Ï´Ù. ¸á·ÎµñÇÑ È÷Æ®¼Û ÀÛ°î¿¡ °ü½ÉÀÌ ÀÖ´Â ¹ÂÁö¼ÇµéÀ» À§ÇÑ Ã¥ÀÔ´Ï´Ù. - Contents - Preface Acknowledgments IntroductionPart 1. Melody: Its Components 1. Melody: Some Basics 2. Pitch 3. Rhythm 4. Tone Tendencies 5. Symmetry/Assymetry 6. Melody Minor 7. Melodic Outline; Melodic Contour 8. Controlling the Speed of Your Song 9. Melodic Pacement 10. Building Sections 11. Developmental Techniques 12. FormPart 2. Melody-Harmony Relationships 13. Functional Harmony and Harmonic Progression 14. A Unified Theory of Melody and Harmony 15. Non-Chord Tones and Tensions 16. Making Harmonic Choices 17. Melody/Bass Relationships 18. Harmony in Minor 19. Additional Melodic/Harmonic Considerations 20. Starting with a Chord Progression 21. Pedal Point, Sus Chords, and Chords without Thirds 22. Blues/Rock 23. Modes Afterword Biography Index
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