Section One Four Basic Major-Scale Fingering Patterns C Major Scale - Ascending (Five Positions) C Major Scale - Descending (Five Positions) "Getting Up There" (Duet) "Chord Etude N0. 6" "Melodic Rhythm Study No. 2" (¢ and 2/4) Triads (Three-Note Chords) F Major Scale - Ascending (Five Positions) F Major Scale - Descending (Five Positions) "Another Waltz for Two" (duet) Chord Forms Speed Study Triads (F Chords) Rhythm Guitar - The Right Hand (4/4 and 2 beat) "Chord Etude No. 7" G Major Scale - Ascending (Five Positions) G Major Scale - Descending (Five Positions) "Sea-See-Si" (duet) Chord Forms Triads (G Chords) Finger-Stretching Exercises D Major Scale - Ascending (Five Positions) D Major Scale - Descending (Five Positions) "Melodic Rhythm Study No. 3" (duet) Intervals Triads (D Chords) A Major Scale - Ascending (Five Positions) A Major Scale - Descending (Five Positions) "Chord Etude No. 8" Rhythm Guitar - The Right Hand (Rock-Style Ballad) Chord Forms "Tranquility" (duet) Triads (A Chords) Bb Major Scale - Ascending (Five Position) Bb Major Scale - Descending (Five Position) "Waltz in Bb" (duet) "Melodic Rhythm Study No. 4"(6/8) Finger-Stretching Exercises Triads (Bb Chords) Pentatonic Scales Tremolo Study Eb Major Scale - Ascending (Five Positions) Eb Major Scale - Descending (Five Positions) Chord Forms Major Scale Review (Positions II,III,V) Triads (Eb Chords) Theory: Diatonic Triads in Major Keys (Explanation) Diatonic Triads - Arpeggios and Scales Key of G Major Key of F Major Key of Bb Major Key of Eb Major "5th Position Study" (duet) Major Triad Exercise Minor Triad Exercise
Section Two One-Octave Arpeggios - G Triads Glissando Real Melodic (or Jazz) Minor Scale C Real Melodic Minor (Five Positions) Rhythm Guitar - The Right Hand (Shuffle Rhythm) Speed Study Chord Forms "Melodic Rhythm Study No. 5" (duet) One-Octave Arpeggios - D and C Triads F Real Melodic Minor (Five Positions) "5th Position Study No. 2" (duet) One-Octave Arpeggios - A and F Triads Chord Forms Slur Trill Theory: Diatonic 7th Chords (Major Keys) Arpeggios - G Diatonic Sevenths Arpeggios - C Diatonic Sevenths G Real Melodic Minor (Five Positions) Chord Forms Two-Octave Arpeggios - C Major Triad from the Root "Chord Etude No. 9" "The Wanderer" (duet) Rhythm Guitar - The Right Hand (Waltz) Arpeggios - F Diatonic Sevenths Theory: Chord-Scale Relationships with Diatonic Structures D Real Melodic Minor (Five Positions) Chord Forms - 3rd in the Bass "Chord Etude No. 10" Two-Octave Arpeggios G Major Triad from the 3rd F Major Triad from the 5th Rhythm Guitar - The Right Hand (Jazz Waltz) Inverted Mordent and Mordent (Explanation) Arpeggios: Bb Diatonic Sevenths A Real Melodic Minor (Five Positions) Chord Forms Two-Octave Arpeggios - C Minor Triad from the Root Appoggiatura and Turn or Grupeto "Melodic Rhythm Study No. 6" (duet) Rhythm Guitar - The Right Hand (Cha Cha and Beguine) Arpeggios - Eb Diatonic Sevenths Theory: Chord Scale Relationships (Nondiatonic Minor 7 and Major 7) "7th Position Study" (duet) "Solo in G" Bb Real Melodic Minor (Five Positions) Chord Forms - 7th in the Bass :"Chord Etude No. 11" Two-Octave Arpeggios G Minor Triads from the 3rd F Minor Triads from the 5th Key Signatures (Explanation) Theory: Chord-to-Chord Motion Chromatic Scale Eb Real Melodic Minor (Five Positions) Chord Forms "Chord Etude No. 12" Speed Study Two-Octave Arpeggios C Diminished Triad from the Root G Diminished Triad from the 3rd F Diminished Triad from the 5th "Melodic Rhythm Study No. 12" (duet) Whole Tone Scales Rhythm Guitar - The Right Hand (Bossa Nova) Two-Octave Arpeggios - Bb, F#, and D Augmented Triads Theory: Chord Scale Relationships - Nondiatonic Minor 6th and (Unaltered) Dominant 7th Chords "Solo in D" Index