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[Alfred Music]<br>The Complete Blues Guitar Method: Complete Edition (45041)

 
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Pentatonic Soloing Strategies for Guitar

- Book & Online Video/Audio -

 


ºí·ç½º ±âŸ ¿¬ÁÖ¿¡ °ü½ÉÀÖ´Â »ç¶÷À̶ó¸é ´©±¸³ª ¹Ù·Î ½ÃÀÛÇÒ ¼ö ÀÖ°Ô ±¸¼ºµÈ Ã¥/¿Â¶óÀÎ ¿Àµð¿À & ºñµð¿À ÆÐÅ°Áö ±³º»ÀÔ´Ï´Ù.

Beginnig, Intermediate, MasteringÀÇ ¼¼ ±ÇÀÌ ÇÑ ±ÇÀ¸·Î ¹­¿© ±âº»¿¡¼­ºÎÅÍ °í±Þ Å×Å©´Ð±îÁö ºí·ç½º ±âŸ¿¡ ÇÊ¿äÇÑ ¸ðµç °ÍÀÌ ÃѸÁ¶óµÇ¾î ÀÖ´Â Á¾ÇÕ ±³º»ÀÔ´Ï´Ù.

±âº» ºí·ç½º À̷п¡¼­ ½ÃÀÛÇؼ­ ¿Þ¼Õ Å×Å©´Ð, ÁÖ°í ¹Þ´Â ÇÁ·¹ÀÌ¡, ÀÎÆ®·Î, ÅϾî¶ó¿îµå, ÀÓÇÁ·Î¹ÙÀÌÁ¦À̼Ç, Åػ罺 ºí·ç½º/½½·Î¿ì ºí·ç½º/¸¶ÀÌ³Ê ºí·ç½ºÀÇ ¸®µë ½ºÅ¸ÀÏ µîÀÇ ´Ù¾çÇÑ ³»¿ëµéÀÌ ¼ö·ÏµÇ¾î ÀÖ½À´Ï´Ù

. Áß±Þ ¿¬ÁÖÀÚµéÀ» À§ÇÑ ÇÁ·¹ÀÌ¡, ÇÊ, ½ºÄÉÀÏ ¹ÛÀÇ À½Á¤, ÄÚµå ÀͽºÅÙ¼Ç ¹× ±³Ã¼, ¸¶½ºÅ͵éÀÇ ¸¯ µîµµ ½Ç·ÁÀÖ½À´Ï´Ù.

ÈĹݺδ º¹ÀâÇÑ ½ºÄÉÀÏ, ¹Í¼Ö¸®µð¾ð ¸ðµå, ¾Æ¸£ÆäÁö¿À Áßø, 8¸¶µð ºí·ç½º, °¡½ºÆç ºí·ç½º, ¸¶ÀÌ³Ê ºí·ç½º µîÀÇ °í±Þ Å×Å©´Ðµé°ú ÇÔ²² Muddy Waters, Big Bill Broonzy, Freddie King, B.B. King, John Lee Hooker µîÀÇ À§´ëÇÑ ¿¬ÁÖÀÚµéÀÇ Å×Å©´Ðµé·Î ¸¶¹«¸®µË´Ï´Ù.

ºí·ç½º ±âŸ¸¦ ¹è¿ì±â ½ÃÀÛÇÏ´Â »ç¶÷À̳ª ÀÚ½ÅÀÇ ¿¬ÁÖ¿¡ ´µ¾Ó½º¸¦ ´õÇÏ°í ½ÍÀº °í±Þ ¿¬ÁÖÀÚµé ¸ðµÎ¿¡°Ô ÀÌ Ã¥Àº ¾ÆÁÖ ÁÁÀº ±³º» ¹× ÀÚ·áÀÔ´Ï´Ù.



 

 

 

 

 

- Contents -


--- Beginning Blues Guitar ---
ABOUT THE AUTHOR
INTRODUCTION

CHAPTER 1 - GETTING STARTED
Half Steps, Whole Steps, and the Importance of Gravity
The Fretboard
Tuning Up
Music Notation
Reading Tablature
Reading Chord Diagrams
Reading a Chord Chart - Rhythmic Notation
Reading Scale Diagrams
Reading Roman Numerals

CHAPTER 2 - BLUES THEORY
The Major Scale
Key Signatures
Minor Scales
Relative Minor
Intervals
Chords
Diatonic Harmony
Blues Harmony

CHAPTER 3 - BASIC RHYTHM GUITAR
Basic Rhythm Vocabulary
Basic Twelve-Bar Blues
Palm Muting
The Shuffle Pattern
Moveable Shuffle Patterns
Left-Hand Muting
Variations on the Shuffle Pattern
Stop Time
Boogie-Woogie in Open E

CHAPTER 4 - BLUES SCALES
Major Pentatonic
Phrasing
Call-and-Response Phrasingv Riff-Style Soloing
Minor Pentatonic
Targeting Root Notes
Combining Call-and-Response with Root Targetingv Transposing

CHAPTER 5 - LEFT HAND TECHNIQUES
Hammer-ons
Pull-offs
Hammer-ons and Pull-offs Together
Slides
Bending
Reverse Bends
Signature Licks
Vibrato

CHAPTER 6 - RHYTHM GUITAR STYLES
Muddy Waters - Vamps
Buddy Guy - Rhythm Riffs
Texas Swing
Slow Blues
Minor Blues

CHAPTER 7 - INTROS, TURNAROUNDS, AND ENDINGS
Turnarounds
Intros
Endings

CHAPTER 8 - IMPROVISING
Alternating Major and Minor Pentatonic
Adding Major Pentatonic Notes to the Minor Pentatonic
Adding Minor Pentatonic Notes to the Major Pentatonic
Chord Hits
Expanding the Basic Scale Patterns
More Licks!

CHAPTER 9 - PRACTICING
Set Goals
Organize Your Time
Metronomes, Drum Machines, and Practice Recordings
Vary Your Sources
Outside the Practice Room
Individuality

--- Intermediate Blues Guitar ---
ABOUT THE AUTHOR
INTRODUCTION

CHAPTER 1 - BASIC THEORY
Intervals
Interval Inversion
Chords
Chord Extensions
Dominant Chords
Chord Quiz

CHAPTER 2 - BLUES RHYTHM GUITAR
Swing Eighths
Boogie!
Chord Extensions and Substitutions
Dominant Blues Substitutions
Minor Blues Substitutions
Right-Hand Development
Shuffle Comping
Sliding Chord Forms
Funky Blues Rhythm Fills
Rhythm & Blues Fills
SECRETS OF THE BLUES! - BLUES PHILOSOPHY

CHAPTER 3 - A QUICK TECHNIQUE REVIEW
Bending
Vibrato
Bent-Note Vibrato

CHAPTER 4 - SOLOING
The Minor Pentatonic Scale
Phrasing
Non-Scale Tones
Breaking Out of Pentatonic Patterns
The Major Pentatonic Scale
Mixing Major and Minor Pentatonics

CHAPTER 5 - MORE ABOUT SOLOING
Resolving to 3 and Flat-7
Double-Stop 3rds
Dominant Double Stops
Double-Stop 6ths
Double-Stop 4ths
Minor Blues Double Stops

CHAPTER 6 - LICKS OF THE MASTERS
B. B. King
Albert King
Freddie King
Jimi Hendrix
Eric Clapton
Stevie Ray Vaughan
Gary Clark, Jr
Joe Bonamassa

--- Mastering Blues Guitar ---
ABOUT THE AUTHOR
HOW TO USE THIS BOOK
DIATONIC HARMONY REVIEW
MUSICAL DEFINITIONS

¢º CHORDS FOR CHAPTER 1

CHAPTER 1 - THE 12-BAR BLUES
Shuffle Blues
Blues-Rock Rhythms
The Closed-Position Rhythm Pattern
Funk Blues

CHAPTER 2 - INTROS, TURNAROUNDS, VAMPS, AND ENDINGS
Intros
Turnarounds
Vamps
Endings

CHAPTER 3 - THE BLUES SCALE
Closed-Position Blues Scales
Open-Position Blues Scales
Analyzing Scale Tones

CHAPTER 4 - BLUES TECHNIQUES
Left-Hand Techniques
Picking Techniques

CHAPTER 5 - IMPROVISATIONAL CONCEPTS
Composite Blues Scales
The Mixolydian Mode
The Dominant 7th Arpeggio
Arpeggio Superimposition
The Major Triad
The Minor Triad
Targeting Chord Tones

CHAPTER 6 - LICKS OVER THE I7-IV7-V7 BLUES
Licks Over the I7 Chord
Licks Over the IV7 Chord
Licks Over the V7 Chord
Double-Stop Licks
Octaves

¢º CHORDS FOR CHAPTER 7

CHAPTER 7 - THE 8-BAR BLUES
The Diminished 7th Chord
The Diminished 7th Arpeggio
8-Bar Blues Solos

¢º CHORDS FOR CHAPTER 8

CHAPTER 8 - SLOW BLUES
Basic Slow Blues
"Stormy Monday" Blues
The Augmented Chord

¢ºCHORDS FOR CHAPTER 9

CHAPTER 9 - MINOR BLUES
The Natural Minor Blues
Altered Minor Blues

¢º CHORDS FOR CHAPTER 10

CHAPTER 10 - BLUES RHYTHMS WITH FILLS
The Delta Blues
Bass Fills
Horn Fills

¢º CHORDS FOR CHAPTER 11

CHAPTER 11 - POP BLUES
Secondary Dominants
The Dorian Modev

¢º CHORDS FOR CHAPTER 12

CHAPTER 12 - JAZZ BLUES
Alternate Changes
Bebop Blues
Walking Bass Blues
Every Beat Blues
Jazz Waltz Blues

PRACTICE TIPS

 

 

 

 

 

- Information -


Series: Complete Method
Author: David Hamburger, Matt Smith, Wayne Riker
Instrument: Guitar
Format: Book & Online Video/Audio
Page Count: 312
Item Number: 00-45041
ISBN 10: 1-4706-3209-8
ISBN 13: 978-1-4706-3209-0
UPC: 038081514765

 

 

 

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