Chapter I Diatonic Substitution and Upper-Structure Triads Building Phrases Using Triad Substitutions Upper-Structure Triads Polyrhythms Rhythmic Displacement Rhythmic Displacement within a Phrase Triad Substitution over a II-7 / V7 / I Progression Etude
Chapter 2 Diatonic Substitution: 7th Chord Arpeggios Arpeggio Substitutions for CMaj7 GMaj7 and B-7 Arpeggio Substitutions for CMaj7 Direct and Indirect Melodic Resolution #IV-7¢Ú5 Arpeggio Substitution for CMaj7 Arpeggio Substitutions for Minor 7 Chords Arpeggio Substitutions for Dominant 7 Chords Melodic Substitution Using Hybrids Hybrid Voicings Hybrid Substitution with 7th Chord Arpeggios Dominant 7sus4 and Hybrid Substitute Arpeggios Reharmonization of Melodies Using Diatonic, Hybrid, and Polychords
Chapter 3 Parallel Modes and Diatonic Substitution Parallel Modes Diatonic Chord Progressions Improvisation Using Parallel Modes Playing Diatonic Arpeggio Substitutions over Chords
Chapter 4 Secondary Dominants Secondary Dominant Chord Scales V7(¢Ú9)/II Tensions ¢Ú9, #9, ¢Ú13 over V7/II, V7/III, and V7/VI Secondary Dominants and Related II-7 Chords V7/IV V7/V V7/VI V7/II V7/III
Chapter 5 Improvising over Minor Chords Tensions on Minor Chords Tension 11 Tension 9 Minor 7¢Ú5 Non-Diatonic Minor 7 Chords Minor 6 Chords
Chapter 6 Common Uses of the Melodic-Minor Scale Subdominant Minor Chords (IV Minor) Subdominant Minor Chords: IV-6, ¢ÚVII7, II - 7¢Ú5 ¢ÚVII7: Tensions 9, #11, 13 IV7 Unaltered Dominant 7 Chords with Non-Diatonic Roots V7 (¢Ú13) Melodic Minor Scale from the ¢Ú7th Degree V7 (¢Ú9, 13) Melodic Minor Scale from the ¢Ú7th Degree Theory of Harmonic Relativity
Chapter 7 ¢ÚII7 and V7(alt) Chords II-7 / ¢ÚII7 / IMaj7 Melodic Lines for II-7 / ¢ÚII7 / IMaj7 V7 Altered Chords Improvising over V7 Altered Chords Melodic Lines for II-7 / V7(alt) / IMaj7 Tritone-Substitute Chords
Chapter 8 Diminished 7th Chords Improvising with Diminished 7th Arpeggios #I¡Æ7 ¢ÚIII¡Æ7 Diminished 7th Chords as Secondary Dominants #I¡Æ7 = V7(¢Ú9)/II Improvising with Harmonic Minor Scales V7(¢Ú9,#9) #II¡Æ7 = V7(¢Ú9,#9)/III ¢ÚIII¡Æ7 I¡Æ7 and ¢ÚIII¡Æ7 = V7(¢Ú9)/III #IV¡Æ7 = V7(¢Ú9,#9)/III #IV¡Æ7 = V7(¢Ú9,#9)/V #V¡Æ7 Progressions Using Diminished 7th Chords
Chapter 9 The Symmetrical Diminished Scale
Chapter 10 The Four Tonic System Improvising over Dominant 7th Chords Using Diminished Major 7th Arpeggtos