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ÀçÁî¿Ã·ÎÁö (ÀçÁî ÀÌ·Ð ¹é°ú»çÀü) Jazzology [00311167]
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Jazzology ÀçÁî¿Ã·ÎÁö (ÀçÁî ÀÌ·Ð ¹é°ú»çÀü ) The Encyclopedia of Jazz Theory for All Musicians ÃâÆÇ»ç Hal Leonard ÀúÀÚ Robert Rawlins, Nor Eddine Bahha ¾ÆÀÌÅÛ # 00311167 ºÐ·® 272 ÆäÀÌÁö ¿ø»êÁö ¹Ì±¹ ¹æ´ëÇÑ ÀçÁî ÀÌ·ÐÀ» ´Ù·ç´Â ¾Ç±â°¡ ¹«¾ùÀÌµç »ó°ü¾øÀÌ Ãʺ¸³ª ÇÁ·Î ¸ðµÎ À¯¿ëÇÏ°Ô »ç¿ëÇÒ ¼ö ÀÖ°Ô ÇÑ ±ÇÀ¸·Î Á¤¸®ÇÑ ÀçÁî ÀÌ·Ð ¹é°ú»çÀü °â ±³º»ÀÔ´Ï´Ù. ÇÊ¿äÇÒ ¶§ ¹Ù·Î ã¾Æº¼ ¼ö ÀÖ´Â ÀçÁî ÀÌ·Ð ¹é°ú»çÀüÀ¸·Î »ç¿ëÇÒ ¼öµµ ÀÖ°í ÇлýµéÀ» À§ÇÑ µ¶ÇÐ¿ë ±³º»À¸·Î »ç¿ëÇÒ ¼öµµ ÀÖ°í ÀçÁî ¼ö¾÷ÀÇ ±³Àç·Î »ç¿ëÇÒ ¼öµµ ÀÖ´Â ±³º»À¸·Î ÀÎÅ͹úÀÇ ±âº» ÀÌ·Ð, ÀçÁî Çϸð´Ï, ½ºÄÉÀÏ°ú ¸ðµå, ii-V-I ÁøÇà µîÀÌ ¼Ò°³µÇ¾î ÀÖ½À´Ï´Ù. Çϸð´Ï À̷п¡ °üÇؼ´Â Çϸð´Ï ºÐ¼®, ÇÇ¾Æ³ë º¸À̰̽ú º¸À̽º ¸®µù, ¸ðµâ·¹À̼ǰú ¸ð´Þ ÀÎÅÍüÀÎÁö, ¸®Çϸð´ÏÁ¦ÀÌ¼Ç µîÀÇ ³»¿ëÀÌ ¼ö·ÏµÇ¾î ÀÖÀ¸¸ç ½ÇÁ¦ ¿¬ÁÖ¿Í ¿¬½ÀÀ» À§ÇÑ ÀçÁî ÇÇ¾Æ³ë ¹ÝÁÖ, ÀçÁî °îµéÀÇ Çü½Ä, Æí°î Å×Å©´Ð, ÀÓÇÁ·Î¹ÙÀÌÁî, Á¤Åë ÀçÁî ÀÌ·Ð, ¿¬½À ¹æ¹ý µîÀÇ ´Ù¾çÇÑ ÁÖÁ¦¸¦ ´Ù·ç°í ÀÖ½À´Ï´Ù. - Contents -CHAPTER 1: INTERVALS Major and Perfect Intervals Minor, Diminished, and Augmented Intervals Interval Abbreviations Consonant Intervals and Dissonant IntervalsCHAPTER 2: JAZZ HARMONY BASICS Triads Triad Inversion 7th Chords Chord Extensions Upper Structures Hybrid ChordsCHAPTER 3: SCALES AND MODES Major Scale Minor Scales Scale Relationships Major Scale Modes Melodic Minor Scale Modes Minor Scale Diatonic Harmony Pentatonic Scales Blues Scales Bebop Scales Symmetrical Scales The Altered Scale Other ScalesCHAPTER 4: THE II-V-I CADENCE Chord Families Cadences The Circle of Fifths TurnaroundsCHAPTER 5: HARMONIC ANALYSIS Analytical Markings Structural Divisions Secondary Dominants Backcycling Dominants Related ii¡¯s Contiguous DominantsCHAPTER 6: II-V-I PIANO VOICINGS AND VOICE LEADING Rooted Voicings Rootless Voicings Voice Leading and the ii-V-I Cadence One-Hand Voicings Rootless Voicings for the Blues Two-Hand Voicings Modal Voicings Cluster VoicingsCHAPTER 7: MODULATIONSAND MODAL INTERCHANGE Types of Modulations Modal InterchangeCHAPTER 8: REHARMONIZATION Diatonic Substitution in Tonal Contexts Substitutions in Modal Contexts Tritone Substitution Changing Chord Quality Passing Chords Diminished Chord Functions Diminished Substitution Side-Stepping Added ii-V¡¯s CESH Coltrane SubstitutionsCHAPTER 9: JAZZ PIANO COMPING Comping Lead SheetsCHAPTER 10: JAZZ TUNE FORMS Tonal Tunes Rhythm Changes Modal and Polytonal TunesCHAPTER 11: OTHER ARRANGING TECHNIQUES Constant Structures Pedal Point Ostinato Reharmonizing a MelodyCHAPTER 12: APPROACHING IMPROVISATION Devices for Improvisation Approaching Improvisation Transcribed Solos ListeningCHAPTER 13: FUNDAMENTALS OF TRADITIONAL JAZZ Harmonic Concept Ragtime Early Jazz Song Forms Blues Multi-Part Structures Improvisational StrategyCHAPTER 14: PRACTICING - WHY, WHAT & HOW? Putting It All Together The Weekly Picture The Daily RoutineAPPENDIX Jazz Standards ii-V-I Piano Voicings Blues Changes Piano Voicings ANSWER KEY GENERAL BIBLIOGRAPHY ABOUT THE AUTHORS
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