Á¦Á¶»ç(»ý»êÀÚ), ¼öÀÔÀÚ |
Strymon/½ºÄð¹ÂÁ÷ |
»ö»ó |
ÇÏ´Ü À̹ÌÁö ÂüÁ¶ |
»óÇ°º° ¼¼ºÎ»ç¾ç |
ÇÏ´Ü ½ºÆå ÂüÁ¶ |
Á¦Á¶±¹(¿ø»êÁö) |
Strymon/USA [ºê·£µå »óÇ° º¸±â] |
Å©±â |
ÇÏ´Ü ½ºÆå ÂüÁ¶ |
Ç°Áúº¸Áõ±âÁØ |
ÇÏ´Ü ¼³¸í ÂüÁ¶ |
Ç°¸í ¹× ¸ðµ¨¸í |
Strymon - Mobius / ½ºÆ®¶óÀ̸ó ¸ðµâ·¹ÀÌ¼Ç |
µ¿Àϸðµ¨ÀÇ Ãâ½Ã³â¿ù (Á¦Á¶ÀÏÀÚ ¾Æ´Ô) |
2012³â 12¿ù 24ÀÏ |
A/S ¾È³» |
(ÁÖ) ½ºÄð¹ÂÁ÷ / 1566-5150
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ÀçÁú |
ÇÏ´Ü ½ºÆå ÂüÁ¶ |
Á¦Ç°±¸¼º |
ÇÏ´Ü À̹ÌÁö ÂüÁ¶ |
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Àü¿ë¾Æ´äÅÍ |
¹ÌÆ÷ÇÔ |
ÀÌÆåÅÍ ÀÔ·ÂÀü¿ø |
DC |
±Ø¼º |
¼¾Å͸¶À̳ʽº(-) |
º¼Æ® |
9V |
¾ÏÆä¾î |
300mA |
±× ¿Ü |
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¸ÖƼ µð¸à¼Ç ¸ðµâ·¹À̼Ç
Mobius´Â ÃÑ 12Á¾·ùÀÇ ´ÙÀç´Ù´ÉÇÏ°í âÁ¶ÀûÀÎ ¸ðµâ·¹ÀÌ¼Ç »ç¿îµå°¡ ³»ÀåµÈ Æä´ÞÀÔ´Ï´Ù.
´ÞÄÞÇÑ ºóƼÁö ÄÚ·¯½º »ç¿îµåºÎÅÍ, »çÀÌÅ°µ¨¸¯ÇÑ ÆäÀÌÀú, Ŭ·¡½ÄÇÑ Æ®·¹¸ô·Î »ç¿îµå±îÁö, Àü¼³ÀûÀÎ ºóÁöƼ ¸ðµâ·¹ÀÌ¼Ç ÀÌÆåÆ®¸¦ ÇϳªÀÇ Æä´Þ·Î Ãæ½ÇÇÏ°Ô ´ã¾Æ ³»¾úÀ¸¸ç, ÀÌ¿¡ ±×Ä¡Áö ¾Ê°í ÀÌÀü¿¡´Â µé¾îº¸Áö ¸øÇÑ ´Ù¾ç¼º°ú À½¾ÇÀû °¡´É¼ºÀÌ ³ÑÄ¡´Â ¸ðµâ·¹ÀÌ¼Ç »ç¿îµåÀÇ »õ·Î¿î ¿µ¿ªÀ» È®ÀåÇÏ¿´½À´Ï´Ù.
*¿µ¹® ¸Å´º¾ó PDF ÆÄÀÏ º¸±â*
*Strymon À» ½ÃÄö¼ Ç÷¯±×ÀÎó·³ È°¿ëÇϱâ*
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°·ÂÇÑ SHARC DSP
Strymon Àº »ç¿îµå µðÀÚÀÎ, ¿Àµð¿À Ç°Áú, Çϵå¿þ¾î µðÀÚÀÎ, ó¸® ´É·Â ¸é¿¡¼ Áö±Ý±îÁö ÇØ¿Ô´ø °Íº¸´Ù ¶Ù¾î³Ñ´Â ¸ð½ÀÀ» º¸¿©Áà¾ß ÇÑ´Ù´Â °ÍÀ» ¾Ë°í ÀÖ¾ú½À´Ï´Ù. Mobius ´Â °·ÂÇÑ SHARC DSP¸¦ È°¿ëÇÏ¿© ÀÌ ¸ðµç °ÍÀ» ÀÌ·ç¾î ³¾ ¼ö ÀÖ¾ú½À´Ï´Ù. 200°³ÀÇ ÇÁ¸®¼Â, ¿ÏÀüÇÑ MIDI ±¸Çö ¹× °íÀ¯ÇÑ PRE/POST ¸ðµå µî ´Ù¾çÇÑ ±â´ÉÀ» žÀçÇÏ°í °íÇ°ÁúÀÇ »ç¿îµå±îÁö ±âÁ¸ ¸ðµâ·¹ÀÌ¼Ç Æä´Þµéº¸´Ù ÇÑ ´Ü°è Áøº¸ÇÑ ¸ðµâ·¹ÀÌ¼Ç Æä´ÞÀÇ Çõ½ÅÀ» ÀÌ·ç¾ú½À´Ï´Ù.
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12°³ÀÇ ¸ðµâ·¹ÀÌ¼Ç »ç¿îµå
Chorus
MobiusÀÇ Chorus´Â dBucket, Multi, Vibrato, µî µû¶æÇÑ ´µ¾Ó½ºÀÇ »ç¿îµåºÎÅÍ Digital ¹× Detune ¸ðµåÀÇ ¼±¸íÇÏ°í ±ú²ýÇÑ 80³â´ë »ç¿îµå¿¡ À̸£±â±îÁö ¸ðµç Ŭ·¡½Ä ÄÚ·¯½º »ç¿îµå¸¦ Ä¿¹öÇÏ´Â 5°¡Áö °íÀ¯ÇÑ ¸ðµå¸¦ Á¦°øÇÕ´Ï´Ù.
Flanger
MobiusÀÇ Flanger¿¡ ³»ÀåµÈ 6°¡Áö ¸ðµå´Â »ç¿ë ÆíÀǼºÀ» ±Ø´ëÈÇÏ°í, ¿ª»çÀûÀÎ Ç÷£Àú »ç¿îµå¸¦ ÃÑ ÁýÇÕÇÏ¿´½À´Ï´Ù. ºóƼÁö ½ºÅèÇÁ Æä´Þ¿¡¼ °æÇèÇÏ¿´´ø Ç÷£Àú »ç¿îµåºÎÅÍ, Å×ÀÌÇÁ Ç÷£Àú ½ÃÀýÀÇ ºóƼÁö »ç¿îµå±îÁö °æÇèÇÒ ¼ö ÀÖ½À´Ï´Ù.
Rotary
Rotary ´Â ·ÎÅ͸® ½ºÇÇÄ¿ÀÇ »ç¿îµå¸¦ À翬ÇÏ¿´½À´Ï´Ù. ´Ù¾çÇÑ ¸Å°³º¯¼ö¸¦ ÅëÇØ Rotary ÀÇ »ç¿îµå¸¦ ´õ¿í µðÅ×ÀÏÇÏ°í À½¾ÇÀûÀ¸·Î ÄÁÆ®·Ñ ÇÒ ¼ö ÀÖ½À´Ï´Ù.
Vibe
Vibe´Â µû¶æÇÔ°ú ±íÀÌ, ´ÙÀ̳ª¹Í½º µî Vibe À¯Àúµé¿¡°Ô »ç¶û¹ÞÀ» ¿ä¼ÒµéÀ» ¸ðµÎ ´ã¾Æ ³»¾ú½À´Ï´Ù. ´ëĪ ÆÄÇüÀ̳ª, ·Î¿ì¾Øµå ¸®½ºÆù½º, Çìµå·Ò µî ´Ù¾çÇÑ ÆĶó¸ÞÅ͸¦ µðÅ×ÀÏÇÏ°Ô ÄÁÆ®·ÑÇÏ¿© »ì¾Æ ¼û½¬´Â µíÇÑ ´ÙÀ̳ª¹ÍÇÑ ¹ÙÀÌºê »ç¿îµå¸¦ ¸¸µé¾î ³¾ ¼ö ÀÖ½À´Ï´Ù.
Phaser
Phaser ´Â ´ÙÀ̾ó ÄÁÆ®·ÑÀ» ÅëÇØ ´Ù¾çÇÑ ½ºÅ×ÀÌÁöÀÇ ÆäÀÌÀú »ç¿îµå¸¦ Áö¿øÇÕ´Ï´Ù. 2,4,6 ½ºÅ×ÀÌÁöÀÇ ÆäÀÌÀú »ç¿îµåºÎÅÍ ¸¶Ä¡ ¼Ò¿ëµ¹ÀÌ Ä¡´Â µí ÇÑ 8,12,16 ½ºÅ×ÀÌÁöÀÇ ÆäÀÌÀú±îÁö Áö¿øÇϸç, ¸ðµç ½ºÅ×ÀÌÁöÀÇ ÆäÀÌÀú´Â °¡Àå ÃÖÀûÀÇ »ç¿îµå¸¦ ³¾ ¼ö ÀÖµµ·Ï Á¶Á¤µÇ¾ú½À´Ï´Ù.
Filter
Filter ´Â Waveform¹× Envelope ÄÁÆ®·Ñ, ±×¸®°í Low Pass, Wah, High Pass filter ¸¦ ÅëÇÑ ´ÙÀ̳ª¹ÍÇÑ »ç¿îµå¸¦ ¸¸µé¾î ³¾ ¼ö ÀÖ½À´Ï´Ù. ÆãÅ°ÇÑ Wah »ç¿îµåºÎÅÍ, Sweep »ç¿îµå´Â ¹°·Ð ¹Ì·¡ÁöÇâÀûÀÎ Bleep »ç¿îµå±îÁö ¸Å¿ì À¯¿¬ÇÏ°í ´Ù¾çÇÑ »ç¿îµå¸¦ âÁ¶ ÇÒ ¼ö ÀÖ½À´Ï´Ù.
Formant
Formant ´Â ¸¶Ä¡ ÅäÅ© ¹Ú½º¸¦ ¿¬»ó½ÃÅ°´Â µíÇÑ »ç¿îµå¸¦ ¸¸µé¾îÁÝ´Ï´Ù. ´Ù¾çÇÑ ¹ßÀ½À» ÆÄÇü¿¡ ´ëÀÔÇÏ¿© Àç¹ÌÀÖ´Â »ç¿îµå¸¦ ¿¬Ãâ ÇÒ ¼ö ÀÖ½À´Ï´Ù
Vintage Trem
3 Á¾·ùÀÇ ¿ª»çÀûÀÎ Æ®·¹¸ô·Î »ç¿îµå¸¦ žÀçÇÑ Vintage Trem Àº dzºÎÇÏ°í Harmonic tremolo, µû¶æÇÑ »ç¿îµåÀÇ Tube tremolo »ç¿îµå ±×¸®°í ½Ã¿øÇÑ Suf & Spy ½ºÅ¸ÀÏÀÇ Photo Æ®·¹¸ô·Î »ç¿îµå¸¦ Á¦°øÇÕ´Ï´Ù.
Pattern Trem
Pattern Trem Àº ´Ù¾çÇÑ ÆÄÇü ÆÐÅÏÀ» Áö´Ñ Æ®·¹¸ô·ÎÀÔ´Ï´Ù. 8ºñÆ® ÆÐÅÏÀÇ Æ®·¹¸ô·ÎÀÇ ÆÄÇüÀ» ½ÃÄö½ÌÇÏ¿© sinewaves, sharp saws, choppy pulses µî À¯´ÏÅ©ÇÏ°í ¸®µå¹ÌÄÃÇÑ °íÀ¯ÀÇ »ç¿îµå¸¦ âÁ¶ÇÒ ¼ö ÀÖ½À´Ï´Ù.
Autoswell
Autoswell Àº ÀϹÝÀûÀº Volume Swell À» ³Ñ¾î ´Ù¾çÇÑ Å¸ÀÔÀÇ Swell °ú, ³ÐÀº ¹üÀ§ÀÇ Rise times À» Áö¿øÇÕ´Ï´Ù. ¶ÇÇÑ Depth ³ëºê °ªÀ» ¿Ã¸®¸é ¸¶Ä¡ chorus/vibrato ¿Í °°Àº È¿°ú¸¦ ¾òÀ» ¼ö µµ ÀÖ½À´Ï´Ù.
Destroyer
Destroyer ´Â bit-crushing, sample-rate reduction, lo-fi filtering À» ÅëÇØ ¸¶Ä¡ ¿À·¡µÈ ·¹Äڵ忡¼ µè´Â µíÇÑ ¼Ò¸®³ª, 8ºñÆ® ºñµð¿À °ÔÀÓ¿¡¼ µè´ø ±â°èÀ½ µî µ¶Æ¯ÇÑ »ç¿îµå¸¦ ¸¸µé¾î³»´Â ¸ðµåÀÔ´Ï´Ù.
Quadrature
Quadrature ´Â AM (amplitude modulation), FM (frequency modulation), Frequency Shifting (single side band modulation) µîÀ» ÀÌ¿ëÇÏ¿© Áö±Ý±îÁö µèÁö ¸øÇß´ø »õ·Î¿î »ç¿îµå¸¦ âÁ¶ÇسÀ´Ï´Ù.
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´Ù¾çÇÑ ±â´É
200°³ÀÇ ³»Àå ÇÁ¸®¼Â
Mobius´Â ÃÖ´ë 200°³ÀÇ ÇÁ¸®¼ÂÀ» Áï½Ã ÀúÀåÇÏ°í ºÒ·¯¿Ã ¼ö ÀÖ´Â ¿É¼ÇÀ» Á¦°øÇÕ´Ï´Ù. Àü¸é ÆгΠ½ºÀ§Ä¡¸¦ »ç¿ëÇÏ¿© ¹ðÅ© ¾÷ & ´Ù¿îÀÌ °¡´ÉÇϸç, °¢ ÇÁ¸®¼Â¿¡ µð½ºÇ÷¹ÀÌ¿¡ Ç¥½ÃµÇ´Â À̸§À» ÁöÁ¤ÇÒ ¼ö ÀÖ½À´Ï´Ù. ¶ÇÇÑ ¿ÜºÎ MIDI ÄÁÆ®·Ñ·¯¸¦ ÅëÇØ ÇÁ¸®¼ÂÀ» ¼±ÅÃÇÒ ¼öµµ ÀÖ½À´Ï´Ù.
ÀͽºÇÁ·¹¼Ç Æä´Þ ÄÁÆ®·Ñ
EXP ´ÜÀÚ¸¦ ÅëÇØ ¿ÜºÎ ÀͽºÇÁ·¹¼Ç Æä´Þ ¹× ÅÇ ½ºÀ§Ä¡¸¦ ¿¬°áÇÒ ¼ö ÀÖ½À´Ï´Ù. ÀͽºÇÁ·¹¼Ç Æä´ÞÀ» ¿¬°áÇÏ°í ÇÁ¸®¼Âº°·Î ÀúÀåÇÒ ¼ö ÀÖ´Â ¸ðµç ³ëºê ȤÀº ³ëºê Á¶ÇÕÀ» ÄÁÆ®·ÑÇϰųª, ¿ÜºÎ ÅÇ ½ºÀ§Ä¡¸¦ ¿¬°áÇÏ¿© LFO ¼Óµµ Á¦¾î°¡ °¡´ÉÇÕ´Ï´Ù.
Ä¿½ºÅ͸¶ÀÌ¡ ³ëºê
Mobius ´Â »ç¿ëÀÚ°¡ ¿øÇÏ´Â ÆĶó¸ÞÅ͸¦ Àü¸é ÆгÎÀÇ Param ³ëºê¿¡ ÇÒ´çÇÏ¿© »ç¿ëÇÒ ¼ö ÀÖ½À´Ï´Ù. ÇÁ¸®¼Â¸¶´Ù °³º°ÀûÀ¸·Î ÇÒ´çÀÌ °¡´ÉÇÕ´Ï´Ù.
PRE/POST ¸ðµå
PRE/POST ¸ðµå¸¦ ÅëÇØ Æä´Þº¸µå¸¦ ´Ù½Ã ¼¼ÆÃÇÒ ÇÊ¿ä ¾øÀÌ ÀÌÆåÅÍÀÇ ¸ð³ë ½Ã±×³Î üÀο¡¼ Mobius ÀÇ Æ÷Áö¼ÇÀ» º¯°æÇÒ ¼ö ÀÖ½À´Ï´Ù.
±¤¹üÀ§ÇÑ MIDI Áö¿ø
Mobius´Â MIDI Àåºñ¿¡ ¿¬°áÇÏ¿© ¸ðµç ³ëºê, ¸Å°³º¯¼ö ¶Ç´Â ½ºÀ§Ä¡ÀÇ ¿ø°Ý Á¦¾î´Â ¹°·Ð MIDI ¸¦ ÅëÇØ ÇÁ¸®¼Â ¼±Åà ±â´É±îÁö Áö¿øÇÕ´Ï´Ù. MIDI ¿¬°áÀ» ÅëÇØ Mobius ÀÇ ¿Ïº®ÇÑ MIDI ȯ°æ ±¸ÇöÀÌ °¡´ÉÇÕ´Ï´Ù.
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Specification
Sound Design
- Studio-class modulation algorithms deliver meticulous and detailed modulation experiences
- Twelve modulation machines to choose from: Chorus, Flanger, Rotary, Vibe, Phaser, Filter, Formant, Vintage Trem, Pattern Trem, Autoswell, Destroyer, Quadrature
- Five front-panel tone shaping knobs: Speed, Depth, Level, Param 1, Param 2 (Param knobs assignable per preset)
- Additional menu-driven parameters deliver extremely flexible tone shaping options and versatility
- 200 easily accessible and nameable presets, save and recall at the press of a switch
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Ins, Outs, and Switches
- Stereo input and output
- Expression pedal input with selectable control over any knob or combination of knobs, saveable per preset (also configurable as external tap input)
- MIDI input and output
- Pre/Post Mode for flexible routing, allowing you to put Mobius in two different places in your mono signal chain
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Audio Quality
- Ultra low noise, high performance 24-bit 96kHz A/D and D/A converters
- 110dB typical signal to noise
- 20Hz to 20kHz frequency response
- +8dBu maximum input level easily handles instrument and line signals
- Premium analog front end and output section
- Super high performance DSP in a compact form factor
- 32-bit floating point processing
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Hardware
- Three rugged metal footswitches for preset selection, effect bypass, and Tap
- LED display for preset info, BPM readout, and extended parameter control
- Full MIDI implementation allows extended control for those with more complex rigs
- Sturdy and lightweight dark blue anodized aluminum chassis
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More
- True Bypass (electromechanical relay switching)
- Selectable high-quality Analog Buffered Bypass
- Selectable Tap Subdivision, saveable per preset
- Optional Global Tap Tempo mode
- 9V DC power supply (300mA required minimum)
- Dimensions: 6.75¡È wide, 5.1¡È deep
- Designed and Built in the USA
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½ºÄð¹ÂÁ÷ ÀÌ´ÞÀÇ À̺¥Æ® |
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½ºÄð¹ÂÁ÷ ¹«·á ¹ÝÇ°! |
2019. 4. 25. ~ |
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Hotone Ampero ±¸ÀԽà Àü¿ë ±ã¹é ÁõÁ¤ |
2024.02.01. ~ |
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°¡Á¤ÀÇ ´Þ ÀÏ·º±âŸ »çÀºÇ° ÁõÁ¤ |
2024.05.25. ~ 06.15 |
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3+1 MOGE ½ºÆ®¸µ ÃÊƯ°¡ |
2024.06.11 ~ |
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3 in 1 SansAmp »çÀºÇ° Áõ |
2024.06.01. ~ 06.31 |
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TIDE15 ¾ÚÇÁ »çÀºÇ° ÁõÁ¤ |
2023.06.01. ~ |
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2024.03.01. ~ |
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½ºÆÄÅ©40 Àü¿ë ±ã¹é ÁõÁ¤ À̺¥ |
2024.03.28.~ |
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½ºÄð¹ÂÁ÷ ESP ÇÁ¸®¿À´õ ¼ºñ½º |
2020. 6. 5. ~ |
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6¿ù Ŭ¸®¾î·±½º ÇÒÀÎ + »çÀº |
2024.06.01. ~ 06.31 |
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