Chapter 1 - Improvising Over Altered Dominant Chords Lesson 1: The Diminished Scale Train Lesson 2: The Whole Tone Scale Once Lesson 3: The Super Locrian Mode (Diminished Whole Tone Scale) Moon Lesson 4: Using the Altered Scale Over a ii-V7-I Progression Lesson 5: Targeting the Altered Chords - The Altered Clusters Lesson 6: Revamping Licks
Chapter 2 - The Minor Scales and Their Modes Lesson 1: The Melodic Minor Scale Lesson 2: The Modes of the Melodic Minor Scale Lesson 3: Arpeggios in the Melodic Minor Scale Lesson 4: The Harmonic Minor Scale Lesson 5: The Modes of the Harmonic Minor Scale Lesson 6: Arpeggios in the Harmonic Minor Scale Lesson 7: The ii min 7b5-V7b9-i min7 Progression
Chapter 3 - Using Arpeggios Lesson 1: Chord Superimposition Lesson 2: Melodic Patterns Based Around Arpeggios Lesson 3: Melodic Patterns Based Around Chord Shapes
Chapter 4 - Eight-Tone Scales The Eight-Tone ii-V7 Scale The Eight-Tone I Scale
Chapter 5 - Connecting Your Ideas Lesson 1: The Chromatic Connection Lesson 2: Accentuating the Difference Between Keys Lesson 3: Repeating an Idea in Different Octaves Lesson 4: Rhythmic Motives Lesson 5: Melodic Connection Lesson 6: Diatonic Connection
CODA - A Medley of Suggestions and Musical Concepts Playing on the Extensions Using Advanced Pentatonics Playing on the Extensions Using Tones From 13 Chords Playing With Wider Intervals Octave Displacement Symmetrical Motives