»ó¼¼ Á¤º¸¸¦ È®´ëÇØ º¸½Ç ¼ö ÀÖ½À´Ï´Ù.
 
ÀüÀÚ»ó°Å·¡ µî¿¡¼­ÀÇ »óÇ°Á¤º¸ Á¦°ø °í½Ã
Á¦Á¶»ç(»ý»êÀÚ), ¼öÀÔÀÚ Electro-Harmonix/½ºÄð¹ÂÁ÷
Á¦Á¶±¹(¿ø»êÁö) Electro-Harmonix/USA
Ç°¸í ¹× ¸ðµ¨¸í Electro Harmonix - Attack Decay / Å×ÀÔ ¸®¹ö½º ½Ã¹°·¹ÀÌÅÍ (µð½ºÅä¼Ç žÀç)
ÀçÁú ÇÏ´Ü ½ºÆå ÂüÁ¶
»ö»ó ÇÏ´Ü À̹ÌÁö ÂüÁ¶
Å©±â ÇÏ´Ü ½ºÆå ÂüÁ¶
µ¿Àϸðµ¨ÀÇ Ãâ½Ã³â¿ù (Á¦Á¶ÀÏÀÚ ¾Æ´Ô) 2019³â 04¿ù 12ÀÏ
Á¦Ç°±¸¼º ÇÏ´Ü À̹ÌÁö ÂüÁ¶
»óÇ°º° ¼¼ºÎ»ç¾ç ÇÏ´Ü ½ºÆå ÂüÁ¶
Ç°Áúº¸Áõ±âÁØ ÇÏ´Ü ¼³¸í ÂüÁ¶
A/S ¾È³» 1Â÷¹®ÀÇ : (ÁÖ) ½ºÄð¹ÂÁ÷ / 1566-5150   

 

 

 

 

 

 

 


Electro Harmonix : Attack Decay

 

 

 

 

Tape Reverse Simulator (include Distortion)



1980³â °æ ÀÏ·ºÆ®·Î Çϸð´Ð½ºÀÇ Attack Decay ´Â ºóƼÁö Æä´Þ ÆÒµé »çÀÌ¿¡¼­ »ó´çÇÑ Àα⸦ ¾ò¾ú´ø Á¦Ç°ÀÔ´Ï´Ù. 'Å×ÀÌÇÁ ¸®¹ö½º ½Ã¹Ä·¹ÀÌÅÍ' ·Î ºÒ¸®´Â ÀÌ Á¦Ç°Àº Volume °ú Reverse swells, Backward tape, ±Ø´ÜÀûÀ¸·Î ¸Å¿ì ªÀº ¼­½ºÅ×ÀÎÀ» °¡Áø Staccato µîÀÇ µ¶Æ¯ÇÑ »ç¿îµå¸¦ °¡Áø Æä´ÞÀ̾ú½À´Ï´Ù. »õ·Ó°Ô Á¦ÀÛÇÑ Attack Decay ´Â ÀÌ ºóƼÁö Æä´ÞÀ» Àç Çؼ®ÇÏ¿©, ÀåÁ¡À» À¯ÁöÇϸ鼭 ´õ¿í Æí¸®ÇØÁø ÄÁÆ®·Ñ°ú, ºò ¸ÓÇÁ ½ºÅ¸ÀÏÀÇ µð½ºÅä¼Ç ¼½¼Ç, Poly ¸ðµå µî ´õ¿í °­È­µÈ ±â´ÉÀ» Ãß°¡ÇÑ Á¦Ç°ÀÔ´Ï´Ù. 

 

 

 

 

 

 

 

 

 

 

CONTROL



  1. VOL : º¼·ý ÄÁÆ®·Ñ ³ëºêÀÔ´Ï´Ù. Attack Decay ÀÇ ¸¶½ºÅÍ º¼·ýÀ» Á¶ÀýÇÕ´Ï´Ù.

  2. BLEND : ±âŸÀÇ º»·¡ ½Ã±×³Î°ú ÀÌÆåÆ®µÈ ½Ã±×³ÎÀ» ¹Í½ºÇÏ¿©, ±× ºñÀ²À» Á¶ÀýÇÏ´Â ³ëºêÀÔ´Ï´Ù. ¼öÄ¡°¡ ³ôÀ»¼ö·Ï ÀÌÆåÆ® ½Ã±×³ÎÀÌ Ä¿Áö°í, ¼öÄ¡°¡ ³·¾ÆÁú¼ö·Ï ¼ø¼öÇÑ ±âŸ »ç¿îµåÀÇ ½Ã±×³ÎÀÌ Ä¿Áý´Ï´Ù.

  3. ATTACK : ±âŸÀÇ ½Ã±×³ÎÀÌ ÀÔ·ÂµÈ ÈÄ, ½Ã±×³Î º¼·ýÀÌ ÃÖ´ëÄ¡¿¡ µµ´ÞÇÏ´Â ½Ã°£À» ¼³Á¤ÇÕ´Ï´Ù. 4ms ~ 8ÃÊ ±îÁö ¼³Á¤ÀÌ °¡´ÉÇϸç, ÄÁÆ®·Ñ¿¡ µû¶ó Swell ¹× ÆäÀ̵å ÀÎ È¿°ú¸¦ ¾òÀ» ¼ö ÀÖ½À´Ï´Ù. ÀÌ ±â´ÉÀ» ºñÈ°¼ºÇÏ·Á¸é ³ëºê¸¦ ÃÖ¼Ò°ªÀ¸·Î ¼³Á¤ÇÏ½Ã¸é µË´Ï´Ù.

  4. DECAY : ±âŸÀÇ ½Ã±×³Î º¼·ýÀÌ ÃÖ´ëÄ¡¿¡ µµ´ÞÇÑ ÈÄ, ´Ù½Ã ÁÙ¾îµå´Â ½Ã°£À» ¼³Á¤ÇÕ´Ï´Ù. 4ms ~ 8ÃÊ ±îÁö ¼³Á¤ÀÌ °¡´ÉÇϸç, ÀÌ ³ëºê¸¦ ÅëÇØ ¿øÇÏ´Â ¸¸Å­ ¼­½ºÅ×ÀÎÀ» Á¦ÇÑÇÒ ¼ö ÀÖÀ¸¸ç, ±Ø´ÜÀûÀ¸·Î´Â ½Ì±Û ³ëÆ® Ç÷¹ÀÌ¿¡ ¸¹ÀÌ ¾²ÀÌ´Â »ì¦ ¹ÂÆ®µÈ µíÇÑ ½ºÅ¸Ä«Åä »ç¿îµå¸¦ ¿¬ÃâÇÒ ¼öµµ ÀÖ½À´Ï´Ù. ÀÌ ±â´ÉÀ» ºñÈ°¼ºÇÏ·Á¸é ³ëºê¸¦ ÃÖ´ë°ªÀ¸·Î ¼³Á¤ÇÏ½Ã¸é µË´Ï´Ù.

  5. POLY : Poly ¸ðµå¸¦ È°¼ºÈ­ÇÏ´Â ¹öÆ°ÀÔ´Ï´Ù. ÀϹÝÀûÀ¸·Î ÀÌ·¯ÇÑ ÀÌÆåÅ͵éÀº ½Ã±×³ÎÀÌ µé¾î¿Â ½ÃÁ¡ºÎÅÍ ³¡³ª´Â ¼ø°£±îÁö¸¦ Çϳª·Î ¹­¾î ó¸®ÇÏ°í ÀÖ½À´Ï´Ù. ÀÌ ¶§¹®¿¡ ù ½Ã±×³ÎÀÌ ÀÔ·ÂµÈ ÈÄ ¼­½ºÅ×ÀÎÀÌ ³¡³ª´Â ½Ã°£ µ¿¾È ¿©·¯°³ÀÇ À½À» ¼øÂ÷ÀûÀ¸·Î ¿¬ÁÖÇÏ´õ¶óµµ ÇϳªÀÇ Àκ§·Ó È¿°ú·Î 󸮵˴ϴÙ. ¹Ý¸é Poly ¸ðµå´Â ù ½Ã±×³ÎÀÌ À¯ÁöµÇ°í ÀÖ´Â »óȲ¿¡¼­µµ °¢°¢ÀÇ À½ ¸¶´Ù Àκ§·ÓÀÌ °³º°ÀûÀ¸·Î Àû¿ëµË´Ï´Ù. ¾Æ¸£ÆäÁö¿À Ç÷¹ÀÌ¿¡ ¾ÆÁÖ ÀûÇÕÇÑ ¸ðµåÀÔ´Ï´Ù.

  6. SENS : ÀÌÆåÆ®ÀÇ threshold °ªÀ» Á¶ÀýÇÕ´Ï´Ù. ´Ü Poly ¸ðµå ½Ã ATTACK ¹× DECAY ³ëºê°¡ ºñÈ°¼ºÈ­µÇ¸é ÀÛµ¿ÇÏÁö ¾Ê½À´Ï´Ù.

  7. HARMONIX : Attack Decay ÀÇ HARMONIX ¼½¼ÇÀº ºò ¸ÓÇÁ ½ºÅ¸ÀÏÀÇ µð½ºÅä¼ÇÀÌ Å¾ÀçµÇ¾î ÀÖ½À´Ï´Ù. HARMONIX ³ëºê´Â ÀÌ µð½ºÅä¼ÇÀÇ °ÔÀÎÀ» ÄÁÆ®·ÑÇÏ´Â ³ëºêÀÔ´Ï´Ù.

  8. TONE : HARMONIX ¼½¼ÇÀÇ µð½ºÅä¼Ç À½»öÀ» ÄÁÆ®·ÑÇÕ´Ï´Ù.

  9. H.VOL :HARMONIX ¼½¼ÇÀÇ º¼·ýÀ» ÄÁÆ®·ÑÇÕ´Ï´Ù.

  10. PRESET : Attack Decay ´Â 3°³ÀÇ ÇÁ¸®¼Â ±â´ÉÀ» Á¦°øÇÕ´Ï´Ù. »ç¿îµå¸¦ ¼³Á¤ÇÏ°í ÇÁ¸®¼Â ¹öÆ°À» 2ÃÊ°£ ´©¸£¸é ÀúÀåµÇ¸ç, ÀúÀåµÈ ÇÁ¸®¼Â ¹öÆ°À» ´©¸£´Â °ÍÀ¸·Î ¾ðÁ¦µçÁö ¼³Á¤ÇÑ »ç¿îµå¸¦ ºÒ·¯¿Ã ¼ö ÀÖ½À´Ï´Ù.

 

 

 

 

 

 

 

 

FOOTSWITCHE & LED



  1. BYPASS : ¹ÙÀÌÆнº ½ºÀ§Ä¡·Î, Attack Decay ¸¦ È°¼ºÈ­°Å³ª ºñÈ°¼ºÈ­ÇÏ´Â ±â´ÉÀ» ¼öÇàÇÕ´Ï´Ù. State LED °¡ Á¡µîÇϸé, ÀÌÆåÆ®°¡ È°¼ºÈ­µÈ »óÅÂÀÔ´Ï´Ù.

  2. HARMONIX / PRESET : ±âº»ÀûÀ¸·Î´Â HARMONIX ¸¦ ÄÑ°í ²ô´Â ¿ªÇÒÀ» ¼öÇàÇϴ Dz ½ºÀ§Ä¡ÀÌÁö¸¶´À Ãß°¡ÀûÀ¸·Î ¹Ì¸® ÀúÀåµÈ ÇÁ¸®¼ÂÀ» ºÒ·¯¿À´Â ÇÁ¸®¼Â ¸ðµå¿Í ÇöÀç ¼³Á¤µÈ ³ëºê °ª ±×´ë·Î Ãâ·ÂÇÏ´Â ¶óÀÌºê ¸ðµå¸¦ ÀüȯÇÏ´Â ±â´ÉÀ¸·Î »ç¿ëÀÌ °¡´ÉÇÕ´Ï´Ù. ½ºÀ§Ä¡¸¦ 2ÃÊ°£ ´­·¯ µÎ°³ÀÇ ±â´ÉÀ» ¼­·Î Àüȯ °¡´ÉÇÕ´Ï´Ù.

  3. H LED : HARMONIX ¸ðµå°¡ È°¼ºÈ­µÇ¸é ÀÌ LED °¡ Á¡µîÇÏ°Ô µË´Ï´Ù.

  4. P LED : MONO ¸ðµå (Poly ºñÈ°¼º) ¿¡¼­´Â ÀÎDz ½Ã±×³ÎÀÌ threshold ¿¡ µµ´ÞÇÏ¿´À» ¶§ Àá±ñ ±ôºýÀ̸ç, Volume envelope ÀÌ ÀÛµ¿µË´Ï´Ù. ¶ÇÇÑ HARMONIX / PRESET ¸ðµå¸¦ ÀüȯÇÒ ¶§¿¡µµ ÀÌ ³ëºê¸¦ ÅëÇØ È®ÀÎÇÒ ¼ö ÀÖ½À´Ï´Ù. ´Ü POLY ¸ðµå°¡ È°¼ºÈ­µÈ »óÅ¿¡¼­´Â P LED°¡ ±ô¹ÚÀÌÁö ¾Ê½À´Ï´Ù.

 

 

 

 

- Specification -



  • Volume envelope manipulation with adjustable Attack and Decay times.

  • Mono mode: one volume envelope at a time, the envelope resets when you play a new note.

  • Poly mode: gives each note you play its own envelope.

  • Built-in, fully adjustable, Harmonix fuzz enhances the volume envelope effect and produces bowed instrument sounds.

  • Built-in effects loop allows for your own pedals to be inserted onto the volume envelope.

  • Expression pedal or CV control over every knob on the Attack Decay.

  • Save and recall up to three presets.

  • Current Draw: 150mA @ 9VDC

  • Dimensions in mm: 102(w) x 121(l) x 58(h)

  •