»ó¼¼ Á¤º¸¸¦ È®´ëÇØ º¸½Ç ¼ö ÀÖ½À´Ï´Ù.
 
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Á¦Á¶»ç(»ý»êÀÚ), ¼öÀÔÀÚ Strymon/(ÁÖ)½ºÄð¹ÂÁ÷
Á¦Á¶±¹(¿ø»êÁö) Strymon/USA
Ç°¸í ¹× ¸ðµ¨¸í Strymon - DIG / ½ºÆ®¶óÀ̸ó µà¾ó µðÁöÅÐ µô·¹ÀÌ
ÀçÁú ÇÏ´Ü ½ºÆå ÂüÁ¶
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Å©±â ÇÏ´Ü ½ºÆå ÂüÁ¶
µ¿Àϸðµ¨ÀÇ Ãâ½Ã³â¿ù (Á¦Á¶ÀÏÀÚ ¾Æ´Ô) 2015³â 07¿ù 01ÀÏ
Á¦Ç°±¸¼º ÇÏ´Ü À̹ÌÁö ÂüÁ¶
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Ç°Áúº¸Áõ±âÁØ ÇÏ´Ü ¼³¸í ÂüÁ¶
A/S ¾È³» 1Â÷¹®ÀÇ : (ÁÖ) ½ºÄð¹ÂÁ÷ / 1566-5150   


Àü¿ë¾Æ´äÅÍ ¹ÌÆ÷ÇÔ ÀÌÆåÅÍ ÀÔ·ÂÀü¿ø DC ±Ø¼º ¼¾Å͸¶À̳ʽº(-)
º¼Æ® 9V ¾ÏÆä¾î 300mA ±× ¿Ü  
 

 

 

 

 

 

 

 

 

 


 

 

 

 

 

 

 


Strymon : Dig

 


 

 

 

DIG µà¾ó µðÁöÅÐ µô·¹ÀÌ

 

DIG´Â 1980³â´ëÀÇ µô·¹ÀÌ »ç¿îµå¿Í ¿À´Ã³¯ÀÇ ¸ÅȤÀûÀÎ ·¢ µô·¹ÀÌ º¸À̽º¸¦ ÇÔ²² ´ã¾Æ ³½ µà¾ó µðÁöÅÐ µô·¹ÀÌ Æä´ÞÀÔ´Ï´Ù. µÎ °³ÀÇ µô·¹À̸¦ Á¶ÇÕÇÏ¿© 80³â´ëÀÇ ·¢ ¸¶¿îÆ® µô·¹ÀÌ »ç¿îµåºÎÅÍ, º¹ÀâÇÑ ÆÐÅÏÀÇ ¿¡ÄÚ »ç¿îµå, µô·¹ÀÌ¿Í ¸®¹öºê ±× »çÀÌ ¾îµò°¡¿¡ ÀÖ´Â °ø°£°¨°ú ¸ùȯÀûÀÎ ÀÜÇâ µî ´Ù¾çÇÑ »ç¿îµå¸¦ ÀÛÀº ½ºÅèÇÁ¹Ú½º Çϳª·Î ¸¸µé¾î ³¾ ¼ö ÀÖ½À´Ï´Ù.

 

 

 

 

 

 

 

 

 

 

80³â´ë ·¢ ¸¶¿îÆ® µô·¹ÀÌÀÇ ÀçÇö

 

80³â´ëÀÇ ·¢ ¸¶¿îÆ® µðÁöÅÐ µô·¹ÀÌ´Â ¿Àµð¿À È¿°úÀÇ »õ·Î¿î ½Ã´ë¸¦ ¿­¾ú½À´Ï´Ù. Çõ½ÅÀûÀÎ ÀüÀÚ ¼³°è´Â Áö±Ý±îÁö µé¾îº» Àû ¾ø´Â °¡Àå ±ú²ýÇÑ µô·¹À̸¦ ¸¸µé¾îÁÜ°ú µ¿½Ã¿¡ °íÀ¯ÀÇ Æ¯º°ÇÏ°í Èï¹Ì·Î¿î À½Çâ Ư¼ºÀ» »ý¼ºÇß½À´Ï´Ù. 30³âÀÌ Áö³­ ÈÄ¿¡µµ ÀÌ »ç¿îµå´Â ±× ¾î´À ¶§º¸´Ù µ¶Æ¯ÇÏ°í À½¾ÇÀûÀÎ ¿µ°¨À» ÁÖ°í ÀÖ½À´Ï´Ù.

Strymon Àº µðÁöÅÐ µô·¹ÀÌ ±â¼ú¿¡ ´ëÇÑ Ã¶ÀúÇÑ Á¶»ç¸¦ ÅëÇØ 80³â´ë ·¢ µô·¹ÀÌ°¡ °¡Áö°í ÀÖ´Â °íÀ¯ÇÑ ¼ºÁúÀ» DIG ¸¦ ÅëÇØ ÀçÇöÇÏ¿´½À´Ï´Ù. 80³â´ë ÃÊ¹Ý ·¢ µô·¹ÀÌ »ç¿îµåÀÇ ADM ¸ðµå, 80³â´ë Áß¹Ý ½ºÅ¸ÀÏÀÇ 12-Bit ¸ðµå, Ãß°¡·Î ¸Å¿ì ±ú²ýÇÏ°í °íÇػ󵵸¦ ÀÚ¶ûÇÏ´Â 24/96 ¸ðµå±îÁö žÀçÇÏ¿© 80³â´ëÀÇ ·¢ ¸¶¿îÆ® µô·¹ÀÌ´Â ¹°·Ð Çö´ëÀûÀÎ µô·¹ÀÌ »ç¿îµå±îÁö ¸ðµÎ °®Ãß¾ú½À´Ï´Ù.

 


 

 

 

 

 

 

µÎ°¡Áö µô·¹ÀÌÀÇ ÅëÇÕ

 

DELAY 1 – The Master Delay.

Time ³ëºê ¹× Tap Tempo ½ºÀ§Ä¡¸¦ »ç¿ëÇÏ¿© 20ms ºÎÅÍ 1.6s ±îÁöÀÇ µô·¹ÀÌ Å¸ÀÓÀ» ÀÚÀ¯·Ó°Ô ÄÁÆ®·ÑÀÌ °¡´ÉÇÕ´Ï´Ù. µô·¹ÀÌ Å¸ÀÓÀÌ ±æ¾îÁú¼ö·Ï ambient ÀÇ soundscape °¡ Áõ°¡Çϸç, ªÀº µô·¹ÀÌ Å¸ÀÓ¿¡¼­´Â ´õ¿í Áõ°¡µÈ slapback ÀÌÆåÆ® È¿°ú¸¦ ¾òÀ» ¼ö ÀÖ½À´Ï´Ù.

DELAY 2 – The Companion Delay.

5°¡Áö·Î ¼¼ºÐÈ­µÈ ¸®µå¹ÌÄÃÇÑ À½Ç¥ ÆÐÅÏÀ» DELAY 1 ¿¡ ´õÇØÁÝ´Ï´Ù. Mix ³ëºê¸¦ ÅëÇØ DELAY 1 °ú 2ÀÇ ºñÀ²À» Á¶ÀýÇÒ ¼ö ÀÖ½À´Ï´Ù. ¶ÇÇÑ ÇÁ¸® ¸ðµå¸¦ È°¼ºÈ­ÇÏ¿©, DELAY 2 °¡ µ¶¸³ÀûÀÎ ÇϳªÀÇ µô·¹ÀÌ·Î È°¿ëÇÒ ¼öµµ ÀÖ½À´Ï´Ù.

 


 

 

 

 

 

 

´Ù¾çÇÑ ±â´É

 

Á÷·Ä, º´·Ä, Ping Pong

µÎ µô·¹ÀÌÀÇ Ã¼ÀÎÀ» ¼³Á¤ÇÕ´Ï´Ù. Á÷·Ä(Series) Àº µô·¹ÀÌ 1 & 2¸¦ Á÷·Ä·Î ¿¬°áÇÑ ÇüÅ·Î, µô·¹ÀÌ 1 ¿¡ µô·¹ÀÌ 2 ¸¦ ÀÔÇôÁÖ´Â ÇüÅÂÀ̸ç, º´·Ä(Parallel)Àº µô·¹ÀÌ 1 & 2 °¡ µ¶¸³ÀûÀ¸·Î À¯ÁöµÇµµ·Ï º´·Ä ÇüÅ·Π¹èÄ¡µË´Ï´Ù. ÇÎÆþ(Ping Pong) Àº µÎ µô·¹ÀÌ°¡ ÇÔ²² »óÈ£ ÀÛ¿ëÇÏ¿© ¸¶Ä¡ ÇÎÆþ µô·¹ÀÌ¿Í °°Àº È¿°ú¸¦ ¾òÀ» ¼ö ÀÖ½À´Ï´Ù.

Free Mode

ÇÁ¸® ¸ðµå´Â µô·¹ÀÌ 1 °ú 2 ÀÇ µô·¹ÀÌ Å¸ÀÓÀÇ µ¿±âÈ­¸¦ ÇØÁ¦ÇÏ°í, ¸®µë ÆÐÅÏ ´ë½Å µô·¹ÀÌ 2ÀÇ 20ms ~ 1.6s ¹üÀ§ÀÇ µô·¹ÀÌ Å¸ÀÓÀ» ÀÚÀ¯·Ó°Ô Á¶Àý °¡´ÉÇÏ°Ô µË´Ï´Ù.

Circular Repeats

TAP Dz½ºÀ§Ä¡¸¦ ´©¸£°í ÀÖÀ¸¸é µÎ µô·¹ÀÌ ¶óÀÎÀÌ Á¤Àû º¼·ýÀ» À¯ÁöÇÏ°í TAP Dz ½ºÀ§Ä¡°¡ ÇØÁ¦µÉ ¶§±îÁö µô·¹ÀÌ »ç¿îµå°¡ ¹Ýº¹ ¼øȯÇÕ´Ï´Ù.

Expression Pedal

ÀͽºÇÁ·¹¼Ç Æä´ÞÀ» Áö¿øÇÕ´Ï´Ù. ¿ÜºÎ ÀͽºÇÁ·¹¼Ç Æä´ÞÀ» ÀÌ¿ëÇÏ¿© ƯÁ¤ ³ëºêÀÇ ¼öÄ¡¸¦ Á¶Á¤Çϰųª ÆäÀ̹ö¸´ ½ºÀ§Ä¡¸¦ ¿¬°áÇÏ¿© ÅÇ ÅÛÆ÷, ÇÁ¸®¼Â ÄÁÆ®·Ñ µîÀÌ °¡´ÉÇÕ´Ï´Ù.

TRS Stereo Input

ÀÎDz ´ÜÀÚ´Â ½ºÅ×·¹¿À¸¦ Áö¿øÇÕ´Ï´Ù. Æä´Þ ³»ºÎÀÇ Á¡ÆÛ ½ºÀ§Ä¡¸¦ Á¶Á¤ÇÏ°í TRS ½ºÀ§Ä¡¸¦ ÅëÇØ ½ºÅ×·¹¿À ÀÔ·ÂÀ» ¹ÞÀ» ¼ö ÀÖ½À´Ï´Ù.

 


 

 

 

 

 

 


 

 

 

 

 

 

Specification

 

 

Sound Design

  • Two simultaneous, integrated delays, with unique digital rack delay voicings
  • Five dual delay adjustment and tone shaping knobs: Time, Time 2, Mix, Mix 2, Repeats
  • One modern and two classic digital delay voicings: 24/96, adm, 12 bit
  • Five rhythmic subdivisions: Triplet, Eighth, Golden Ratio, Dotted Eighth, Dotted Quarter
  • Three choices for delay line modulation: Off, Light, Deep
  • Five ¡°hidden¡± knobs for deep dual delay control: Delay 1 Subdivision, Sync/Free Mode, Filter, Config, Delay 2 Repeats
  • Selectable Free Mode disables subdivisions and synchronization
  • Press and hold Circular Repeats effect
  • 20ms – 1.6s delay range (40ms – 3.2s with Half Note Delay 1 Subdivision)

 

 

Ins, Outs, and Switches

  • High impedance mono input, with selectable TRS stereo input
  • Stereo output
  • Three signal routing configurations: Series, Parallel, Ping Pong
  • Tap tempo and Bypass footswitches
  • Expression pedal input allows the connection of either an expression pedal (for selectable control over any knob parameter), external tap pedal (for remote control of tempo), or Favorite switch (to save a Favorite preset)

 

 

Audio Quality

  • Super low noise, high performance 24-bit 96kHz A/D and D/A converters
  • 115db typical signal to noise
  • Analog dry path for a zero latency dry signal that is never converted to digital
  • +8dBu maximum input level easily handles instrument and line signals
  • 20Hz to 20kHz frequency response
  • Premium analog front end and output section
  • Super high performance SHARC DSP in a compact form factor
  • 32-bit floating point processing

 

 

More

  • True Bypass (electromechanical relay switching)
  • Selectable Trails Mode with high quality, transparent Analog Buffered Bypass mode
  • 9V center negative DC power supply, 250mA current draw
  • Strong and lightweight anodized carnation pink chassis
  • Designed and built in the USA