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   John Mayer Just Has to Please the Girls
   ½ºÄð¹ÂÁ÷   2009-11-23   2446   0   0


John Mayer, at the Music Hall of Williamsburg on Monday.

By JON CARAMANICA

Published: November 20, 2009

¡°I should be having sex with more girls.¡± This is what John Mayer concluded, using slightly more colorful language, last Sunday night at his anonymously modern apartment in SoHo.

¡°³ª´Â Á» ´õ ¸¹Àº ¿©¼º°ú µ¿Ä§À» ÇؾßÇÑ´Ù¡± ÀÌ°ÍÀÌ Áö³­ ÀÏ¿äÀÏ Àú³á ¼ÒÈ£ÀÇ ¾ÆÆÄÆ®¿¡¼­ ´Ùä·Î¿î ¾ð¾î¸¦ »ç¿ëÇÑ(µ¿Ä§¿¡ ´ëÇÑ °Í) Á¸ ¸ÞÀ̾ °á·Ð Áþ´Â °ÍÀÌ´Ù

They¡¯re everywhere, after all, and Mr. Mayer has not been unwilling in the past. But the last couple of years, full of tabloids and TMZ, have taken their toll.

±×µéÀº ¾îµð¿¡µç ÀÖ´Ù. ¹«¾ùº¸´Ù, ±×¸®°í ¸ÞÀ̾î´Â °ú°Å¿¡ ÀÖ°í½Í¾îÇÏÁö ¾Ê´Â´Ù. ±×·¯³ª Áö³­ ¸î ³â µ¿¾È Ÿºí·ÎÀ̵å ÁöµéÀº ±×µéÀÇ ´ë°¡¸¦ ÃëÇØ¿Ô´Ù. (¾Æ¸¶µµ ÆÄÆĶóÄ¡ µîÀ» ÅëÇÑ »ç»ýÈ° Æø·Î¸¦ ¾ê±âÇÔ)

¡°It¡¯s crazy to me that in my head, that being 32 and dating women is going to get me in trouble,¡± he said, talking faster as he went along. ¡°I can¡¯t even explain to you how terrible that feels, that I equate dating a woman with punishment, shame, guilt, disappointment, reproach, reprimand, persecution. It¡¯s a nightmare.¡±

¡°32»ìÀÌ µÈ Áö±Ý ³ª¿Í µ¥ÀÌÆ®ÇÏ´Â ¿©¼ºÀÌ ³ª·Î ÀÎÇØ Æ®·¯ºíÀÌ »ý±â¸é ±×°ÍÀº ³ª¸¦ ¹ÌÄ¡°Ô ÇÑ´Ù¡± °í Á¸ ¸ÞÀ̾î´Â ¸»Çß´Ù. Á» ´õ ºü¸¥ ¼Óµµ·Î ±×´Â ¸»Çß´Ù. ¡°±×°ÍÀÌ ¾ó¸¶³ª ²ûÁ÷ÇÑÁö ¼³¸íÇϱâ´Â ÈûµéÁö¸¸, ³ª´Â µ¥ÀÌÆ®ÇÏ´Â ¿©¼º°ú ÇÔ²² ½Ç¸Á, ºÎ²ô·¯¿ò, ÁË¾Ç µîÀ» ´À³¤´Ù. ±×°ÍÀº ¾Ç¸ùÀÌ´Ù.¡±

Being an ambivalent, self-aware heartthrob has its downsides, it turns out, and Mr. Mayer, who in his day job is one of the most popular soft-rock singers of the last decade, isn¡¯t shy about sharing them. In the three years since his last album, the double-platinum ¡°Continuum¡± (Columbia), was released, he¡¯s become a demiceleb of the tabloid world, as well known his arm candy — Jessica Simpson, Jennifer Aniston — and his tests of will with the media as his music. But now it¡¯s music time again, right?

Á¸ ¸ÞÀ̾îÀÇ ÃֱپٹüÀÌ ³ª¿Â ÀÌ·¡ Áö³­ 3³â Áß ´õºí Ç÷¡Æ¼³ÑÀ» ±â·ÏÇÑ ¡°Continuum¡± ¾Ù¹üÀÌ Ãâ½ÃµÇ¾ú°í, ±×´Â ±×ÀÇ ¿¬ÀÎÀ¸·Î ¾Ë·ÁÁø Á¦½ÃÄ« ½É½¼, Á¦´ÏÆÛ ¾Ö´Ï½ºÅæÀ¸·Î ÀÎÇØ Àü ¼¼°è Ÿºí·ÎÀ̵åÁöÀÇ Ç¥ÀûÀÌ µÇ¾ú´Ù.

If Mr. Mayer has successfully put his cynicism about women and romance into one album, then ¡°Battle Studies¡± (Columbia), released on Tuesday, is it — ¡°one record about one thing,¡± Mr. Mayer said. It¡¯s claustrophobic and, him, somewhat dark. Most of the songs are skeptical about love, and about lovers, and about anyone looking and passing judgment from the outside in.

¸¸¾à Á¸ ¸ÞÀ̾ ±×ÀÇ ¿©¼º°ú ·Î¸Ç½º¿¡ ´ëÇÑ ½Ã´ÏÄÃÇÔÀ» ¼º°øÀûÀ¸·Î ¾Ù¹ü¿¡ Åõ¿©ÇÏ¿´´Ù¸é, ¡°Battle Studies¡± ¾Ù¹üÀÌ È­¿äÀÏ¿¡ ¹ß¸ÅµÈ´Ù. ¡°ÇÑ°¡Áö¿¡ ´ëÇÑ ÇϳªÀÇ ±â·Ï¡± À̶ó°í ¸ÞÀ̾î´Â ¸»Çß´Ù. ±×°ÍÀº ´Ù¼Ò ¾îµÓ´Ù. ´ëºÎºÐÀÇ ³ë·¡µéÀº »ç¶û°ú »ç¶ûÇÏ´Â »ç¶÷µé¿¡ ´ëÇÑ È¸ÀÇÀûÀÎ ³»¿ë¿¡ ´ëÇÑ °ÍÀÌ´Ù.



Yet someone as articulate and transfixing about relationships and their discontents as Mr. Mayer is in person, in his music he takes a simpler route. Though in the last three years many things about his life have changed, not much about his records has.

Mr. Mayer is a precise and gifted underachiever.

(Áß·«)

¡°There¡¯s nothing I¡¯ve done musically that¡¯s been a wild misstep,¡± he said. ¡°Basically, you¡¯re saying, can you risk failure? And that¡¯s something that I¡¯m struggling with right now, because in my life, I would like to do something in music that risks a misstep.¡±

¡°³»°¡ Áö±Ý±îÁö À½¾ÇÀûÀ¸·Î ½Ç¼ö¶ó°í ÇÒ¸¸ÇÑ ¾î¶² °ÍÀ» ÇØ º» ÀûÀÌ ¾ø´Ù.¡± °í ±×´Â ¸»Çß´Ù. ¡° ±âº»ÀûÀ¸·Î ³Ê´Â ³ÊÀÇ ½ÇÆи¦ Áû¾îÁú ¼ö Àְڴ°¡? ³ª´Â Áö±Ý ÅõÀïÇÏ°í ÀÖÀ¸¸ç ±×°ÍÀº ³» Àλý¿¡¼­ À½¾Ç¾È¿¡¼­ °ú½ÇÀÇ À§ÇèÀÌ ÀÖ´Â ¾î¶²°¡¸¦ ÇÏ°í ½Í±â ¶§¹®ÀÌ´Ù.

¡°I¡¯m too young to be that dependable,¡± he continued. ¡°I don¡¯t want to be that dependable. Something pendulous has to happen. If I¡¯m as self-aware as I say I am, then I would probably know that pretty soon, there¡¯s going to have to be a wrench thrown somewhere so that the momentum keeps moving ward.¡±

¡°³»°¡ ±×°ÍÀ» ¹Þ¾ÆµéÀ̱⿡´Â ³Ê¹« ¾î·È´Ù¡± °í À̾ú´Ù. ¡°³ª´Â ±×°ÍÀ» ¹Þ¾ÆµéÀÌ°í ½ÍÁö ¾Ê¾Ò´Ù. ¹«¾ð°¡ Èçµé¸²ÀÌ ÀϾ´Ù. ³»°¡ ¸¸¾à ³»°¡ ´©±ºÁö¿¡ ´ëÇØ ¸»ÇÒ ¼ö ÀÕ´Â ÀÚ°¢À» °¡Áö°í ÀÕ´Ù¸é, ±× ¶© ³ª´Â ¾Æ¸¶µµ ¾îµò°¡¿¡ ´øÁ®Áø °íÅëÀÌ µÉ °ÍÀÓÀ» °ð ¾Ë ¼ö ÀÖÀ» °ÍÀÌ´Ù.

That wrench is not in ¡°Battle Studies,¡± Mr. Mayer¡¯s fourth album, which, despite its persistent pessimism, remains polite and affable, vulnerable enough to ensure that his female fans — and those are the ones who count — won¡¯t stray. His sweet voice is intact, as is the immediately accessible soft blues-rock he has practically trademarked.



¡°±× °íÅëÀº ¡°Battle Studies¡± ¿¡ ÀÖÁö ¾Ê´Ù. Á¸ ¸ÞÀ̾îÀÇ 4¹øÀç ¾Ù¹ü, ²÷ÀÓ¾ø´Â ¿°¼¼ÁÖÀÇ¿¡µµ ºÒ±¸ÇÏ°í, Á¤ÁßÇÏ°í »ó³ÉÇÏ°í, »óó¹Þ±â ½¬¿î

±×ÀÇ ¿©¼ºÆÒµéÀ» ÃæºÐÈ÷ Áöų ¼ö ÀÖ´Â ¾Ù¹üÀ¸·Î ³²¾Ò´Ù. ±×ÀÇ ´ÞÄÞÇÑ ¸ñ¼Ò¸®´Â ±×´ë·ÎÀ̸ç, ±×ÀÇ Æ®·¹ÀÌµå ¸¶Å©ÀÎ ÀÌÇØÇϱ⠽¬¿î ¼ÒÇÁÆ® ºí·ç½º ·Ï ¶ÇÇÑ ±×´ë·ÎÀÌ´Ù.


¡°It might be that I¡¯m freakishly in tune,¡± he said, ¡°or I desire to be in tune so much. ...¡±

¡°±×°ÍÀº ¾Æ¸¶µµ Àå³­½º·´°Ô À½Á¶¸¦ ¸ÂÃá °ÍÀÌ´Ù¡± ¶ó°í ¸»Çß´Ù. ¡°¾Æ´Ï¸é À½Á¶¿¡ ´ëÇÑ ¿­Á¤ÀÌ ³Ê¹«³ª ¸¹ÀÌ¡¦¡±



It¡¯s hard to listen to ¡°Battle Studies¡± without wondering: This is the same person who delivered a homily about ending his relationship with Ms. Aniston on a New York street corner in front of a TMZ camera? Who (jokingly, he insists) tussled with a reporter New York magazine¡¯s Web site, nymag.com, resulting in a piece headlined ¡°John Mayer Threatens to Sodomize Us¡±?

(Áß·«)

Inadvertently, perhaps, the album highlights the extremely blatant chasm between John Mayer the musician and John Mayer the public character, a divide Mr. Mayer said he was eager to maintain.

¿ì¿¬È÷, ¾Æ¸¶µµ ¾Ù¹üÀº ±Ø¸íÈ÷ ¹ÂÁö¼ÇÀ¸·Î½áÀÇ Á¸ ¸ÞÀ̾î¿Í °øÀÎÀ¸·Î½áÀÇ Á¸ ¸ÞÀ̾îÀÇ ³ë°ñÀûÀÎ Â÷À̸¦ ³ªÅ¸³»¸ç, Á¸ ¸ÞÀ̾î´Â ±×´ë·Î ³²¾ÆÀֱ⸦ °£ÀýÈ÷ ¿øÇÑ´Ù°í ¸»ÇÑ´Ù.

¡°What is the odd man out,¡± he said, ¡°is it the record or the coverage? I¡¯m not going to let it be the record. I think if you¡¯re listening to ¡®Battle Studies¡¯ and you think it¡¯s a record about high-profile relationships, I haven¡¯t done a good enough job.¡±

¡°¾ó¸¶³ª ÀÌ»óÇÑ »ç¶÷Àΰ¡¡± ±×´Â ¸»Çß´Ù. ¡°±×°ÍÀº ·¹ÄÚµå Àΰ¡? ³ª´Â ±×°ÍÀÌ ±â·ÏÀ¸·Î ³²¾ÆÀֱ⸦ ¿øÇÏÁö ¾Ê´Â´Ù. ¸¸¾à ´Ï°¡ ¡®Battle Stuies¡¯ ¸¦ µè°í °ÍÀÌ ³ôÀº Áö¼ºÀÇ ¾î¶² °ü°è¿¡ ´ëÇؼ­ ±â·ÏÇÏ°í ÀÕ´Â °Å¶ó°í »ý°¢ÇÑ´Ù¸é ³ª´Â ÃæºÐÀÌ ÁÁÀº ¾Ù¹üÀ» ¸¸µéÁö ¸øÇÑ °ÍÀÌ´Ù¡±

Whatever the case, Talmudists will certainly have their way with the lyric sheet. ¡°Had a little love but I spread it thin,¡± Mr. Mayer sings at the outset of ¡°Perfectly Lonely,¡± ¡°Falling in her arms and out again/Made a bad name my game around town.¡±

(Áß·«)

On ¡°Half of My Heart,¡± a duet with Taylor Swift and the album¡¯s best song, he sings, ¡°Half of my heart is a shotgun wedding to a bride with a paper ring/But half of my heart is the part of a man who¡¯s never truly loved anything.¡±



¡°Å×ÀÏ·¯ ½ºÀ§ÇÁÆ®¿Í ÇÔ²² ºÎ¸¥ ¾Ù¹üÀÇ º£½ºÆ® ¼ÛÀΡ°Half of My Heart¡± ¿¡¼­ ±×´Â ¡°³» ¹ÝÂÊÀÇ ½ÉÀåÀº °áÈ¥½ÄÀÇ ½ÅºÎ¿Í ÇÔ²²°í ´Ù¸¥ ¹ÝÂÊÀº Àý´ë·Î ´õ ÀÌ»ó »ç¶ûÀ» ¹ÏÁö ¸øÇÏ´Â ÇÑ ³²ÀÚÀÇ ½ÉÀåÀÌ´Ù¡±

Mr. Mayer doesn¡¯t only struggle with the public-private split, though. Dumped in the middle of ¡°Battle Studies¡± is ¡°Crossroads,¡± a completely context-free version of Robert Johnson¡¯s ¡°Crossroad Blues¡±: it¡¯s as if Mr. Mayer had a need to assert that despite the tabloids, and despite the love-song piffle, his chops remain unharmed.

(Áß·«)

He is, after all, one of the most technically skilled guitar players of the day. It earned him a spot at the Michael Jackson tribute concert in July, playing an affecting version of ¡°Human Nature.¡± And at Jay-Z¡¯s Sept. 11 concert at Madison Square Garden, he was the unexpected highlight, toughening up ¡°U Don¡¯t Know¡± and ¡°D.O.A (Death of Auto-Tune).¡±



±×´Â ¹«¾ùº¸´Ù, ¿À´Ã³¯ °¡Àå ¶Ù¾î³­ ¿¬ÁÖ¸¦ ÇÏ´Â ±âŸ ¿¬ÁÖÀÚ ÁßÀÇ ÇÑ ¸íÀÌ´Ù. ±×°ÍÀº 7¿ù¿¡ ÀÖ´ø ¸¶ÀÌŬ Àè½¼ Æ®¸®ºäÆ® Äܼ­Æ®¿¡¼­ ¡°Human Nature¡± ¾Ù¹üÀÇ ¹«´ë¿¡ ¼³ ¼ö ÀÖ°Ô ÇÏ¿´°í, 9¿ù¿¡ ¸Þµð½¼ ½ºÄù¾î °¡µç¿¡ ÀÖ´ø Á¦ÀÌzÀÇ Äܼ­Æ®¿¡¼­ ±â´ëÄ¡ ¾ÊÀº ÇÏÀ̶óÀÌÆ®¸¦ ¹Þ°Ô µÇ±âµµ ÇÏ¿´´Ù.

But virtuosity does not a star make, and Mr. Mayer has proven adept at displaying it in flashes — enough to impress, not enough to appear dull.

Still, there¡¯s something of the showoff in Mr. Mayer, as was on display last Monday at the Music Hall of Williamsburg in Brooklyn. It was a MySpace-sponsored show that had been announced just a few days bee, full of fans who had waited in line hours to get in. Most were women in their 20s.



¡°¾ÆÁ÷±îÁö Á¸ ¸ÞÀ̾î´Â ¸ð½ÀÀ» ³ªÅ¸³¾ ²¨¸®°¡ ³²¾ÒÀ¸¸ç, ºê·èŬ¸°ÀÇ Àª¸®¾Ï½º¹ö±×ÀÇ ¹ÂÁ÷ Ȧ¿¡¼­ Áö³­ ¿ù¿äÀÏ ¸ð½ÀÀ» ³ªÅ¸³Â´Ù. ±×°ÍÀº ¸¶ÀÌ ½ºÆäÀ̽º°¡ ½ºÆùÇÑ ¼î·Î ´ÜÁö ¸î ÀÏ°£»ÓÀÎ È«º¸±â°£ÀÌ ÀÖ¾úÀ¸³ª, µé¾î°¡±â À§ÇØ Àå»çÁøÀ» Ä£ ÆÒµé·Î °¡µæÇß´Ù ´ëºÎºÐÀÇ ¿©¼ºµéÀº 20´ë¿´´Ù..

In a sleeveless shirt, letting his tattoos breathe, Mr. Mayer perversely played with their expectations. It was a classic bait and switch: they came the love songs, but they got a two-hour blues-rock jam instead.

¼Ò¸Å¾ø´Â ¼ÅÃ÷¿¡¼­ ±×ÀÇ ¹®½ÅÀ» µå·¯³½ Á¸ ¸ÞÀ̾î´Â ±×µéÀÇ ±â´ëÄ¡¿¡ ´ëÇØ ½É¼ú±Ä°Ô ¿¬ÁÖÇß´Ù. ±×°ÍÀº °íÀüÀûÀÎ ¹Ì³¢·Î, ±×µéÀº ·¯ºê¼ÛÀ» ±â´ëÇÏ°í ¿ÔÀ¸³ª ´ë½Å 2½Ã°£ µ¿¾ÈÀÇ ºí·ç½º ·Ï ¿¬ÁÖ¸¦ º¼ ¼ö ¹Û¿¡ ¾ø¾ú´Ù.

He didn¡¯t play ¡°No Such Thing¡±; he didn¡¯t play ¡°Your Body Is a Wonderland¡±; he didn¡¯t play ¡°Daughters¡± — three of his biggest pop hits. He changed guitars bee every song. He used someone¡¯s digital camera as a guitar slide during a tremendous nine-minute version of ¡°Gravity.¡± (Inevitably, the almost pornographically intimate footage ended up on YouTube, titled ¡°John Mayer Live in Brooklyn — Uses My Camera to Play ¡®Gravity.¡¯ ¡±)

È®½ÇÈ÷, °ÅÀÇ Æ÷¸£³ë ¼öÁØÀÇ Ä£¹ÐÇÔÀÇ Ç¥ÇöÀ¸·Î À¯Æ©ºê¿¡ ¡°ºê·èŬ¸°¿¡¼­ÀÇ Á¸ ¸ÞÀÌ¾î ¶óÀÌºê – ¡°Gravity¡±¸¦ Ç÷¹ÀÌ ÇÏ´Â µ¥ ³ªÀÇ Ä«¸Þ¶ó¸¦ ¾²´Ù¡± ¶ó´Â Á¦¸ñÀ¸·Î ¿Ã¶ó¿ÍÀÖ´Ù

±×´Â ¡°No such Thing¡±, ¡°Your Body is wonderland¡±,¡±Daughters¡± °°Àº ±×ÀÇ °¡Àå Å« ÆË È÷Æ®°îµéÀ» ¿¬ÁÖÇÏÁö ¾Ê¾Ò´Ù. ±×´Â ¸ðµç ³ë·¡¿¡ ±âŸ¸¦ ¹Ù²å´Ù. ±×´Â ´©±º°¡ÀÇ µðÁöÅÐ Ä«¸Þ¶ó¸¦ ¡°Gravity¡±ÀÇ 9ºÐÂ¥¸® ¹öÀü¿¡ ±âŸ ½½¶óÀÌµå ¿ëÀ¸·Î »ç¿ëÇß´Ù.


At the encore, though, he let the public invade the private

¡°They say I¡¯m a womanizer,¡± he complained. ¡°I say I haven¡¯t met enough women.¡±

¡°±×µéÀº ³»°¡ ¹Ù¶÷µÕÀ̶ó°í ¸»ÇÕ´Ï´Ù¡± ¶ó°í ºÒÆòÇß´Ù. ¡°³ª´Â ÃæºÐÈ÷ ¸¹Àº ¿©ÀÚµéÀ» ¸¸³ªÁö ¾Ê¾Ò½À´Ï´Ù¡±

The crowd cheered. Shrieked, really. Maybe things weren¡¯t so bad after all.

°üÁßµéÀº ȯȣÇß´Ù. ºñ¸íÀ» Áú·¶´Ù, ºÐ¸í.

¡°¡°Cute girl,¡± Mr. Mayer said, pointing into the sea of eager faces. ¡°Cute girl. Cute girl. Kuh-yoot girl.¡±

¡°Å¥Æ® °É¡± Á¸ ¸ÞÀ̾î´Â ÁøÁöÇÑ ¾ó±¼À» ¶í ¼ö¸¹Àº °üÁßÀ» °¡¸£Å°¸ç ¸»Çß´Ù. ¡°Å¥Æ® °É. ťƮ°É Å¥¿ì¿ìÆ® °É¡±
       
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