방대한 재즈 이론을 두 권으로 정리한 재즈 이론 교본 Jazz Theory Resources의 1권입니다.
1권에는 기초 이론 소개, 재즈 리듬, 기본 화음, 3화음, 다이아토닉 하모니 진행과 분석, 치환과 턴어라운드, 멜로디 아웃라인, 보이싱 등이 수록되어 있습니다.


- Contents -

I. REVIEW of BASIC THEORY MATERIALS
Chromatic Scale
Intervals & Inversions
Major Scale Construction
Minor Scale Construction
Circle of Fifths
Scale Degree Names
Key Signatures & Order of Accidentals
Common Notation Errors

II. RHYTHM in JAZZ PERFORMANCE
Polyrhythms
Swing Eighth Note
Accents & Articulations
Rhythmic Roles
Harmonic Rhythm in Jazz Performance
The Larger View: Form as Rhythmic Structure
Placement of the Notes
Syncopation Studies
Syncopation in the Jazz Waltz
Polyrhythms in Performance
Clave Beat
Odd Meters
Mixed Meters
Rhythmic Reading & Dictation Exercises
Other Suggested Exercises
Reading Exercises

III. BASIC TONAL MATERIALS
Tonality
Pitch Hierarchy
Ear Training
 Beginning Singing Exercises
 Beginning Writing Exercises
 Beginning Tunes for Ear Training
Application

IV. TRIADIC GENERALIZATION
 Tertian Triad
Triadic Generalization
Elaboration Devices
 Passing Tones
 Neighbor Tones
 Neighbor Tone Combinations
 Arpeggiated Tones
 Chromatic Approaches
 Octave Displacement & Leaps
 Pedal Point & Pivot Tones
Triadic Musical Examples
Triad Motive Developed
Triadic Embellishment of C Major Triad
Triadic Embellishment of C Minor Triad
Pentatonic Scale
Blues Scales
Blue Notes
 Blues Scale Musical Examples
 Major Blues Scale
 Minor Blues Scale
 Combinations of Major & Minor Blues Scales
Generalization Examples Applied

V. DIATONIC HARMONY
Diatonic Harmony. Major
 Inversions
 Functional Harmony
 Determining the Key
Chord Identification Practice
Diatonic Harmony Minor
 Determining the Key
Chord Identification Practice Solved

VI. HARMONIC PROGRESSIONS
Common Root Movement
 Common Progressions in Major
 Common Progressions in Minor
Application of Harmonic Analysis
Hierarchy of Chords
Closely Related Keys
Secondary Dominants
Deceptive Resolutions
 Dominant Seventh Chords & Deceptive Resolutions
 Diminished Seventh Chords & Deceptive Resolutions
Value & Limits of Roman Numeral Analysis (RNA)
Dominant Chord Exceptions
 Tritone Substitution
 Traditional Augmented Sixth Chords
 Backdoor Dominants

VII. HARMONIC ANALYSIS
Roman Numeral Analysis with Common Jazz Progressions
 Progressions that Modulate to Closely Related Keys
 Turnaround Tunes
 Progresses to IV with Secondary ii7/IV - V7/IV
 Progresses to vi with Secondary ii∅7/vi - V7/vi
 Uses Secondary vii°7 Chords
 Uses Cycle of Secondary Dominants
 Chords Borrowed From Parallel Minor
 Tunes With Similar A Sections
 Modulates to Remote Keys
Progressions Shown With RNA

VIII. HARMONIC SUBSTITUTIONS & TURNAROUNDS
Turnaround Progressions
Application to Standard Progressions
Harmonic Substitutions for Blues in F Major
Harmonic Substitutions for Blues in F Minor
Harmonic Substitutions for Rhythm Changes
Standard Tune Application

IX. HARMONIC SPECIFICITY
Specificity & Generalization
Guide Tones
 Bass Lines as Guide Tone Lines
Ten Basic Patterns for Bass Lines
244, 140, 625 Bass Lines for Blues
 Guide Tones Applied to Melodic Lines
 Linear Implications of Harmony
 Guide Tones for F Major Blues
 Blues Etude Guide Tones
 Guide Tone Line Applications to Standard Progressions
 Step Progression
Other Voices as Guide Tones
Avoid Notes?

X. COMMON MELODIC OUTLINES
Linear Harmony
 Constructing the Three Basic Outlines
Outline Examples
 Examples of Outline No. 1
 Examples of Outline No. 2
 Examples of Outline No. 3
 Combination of Outlines
Outline Applications
 Applications to Standard Progressions
 Outline Embellishment & Development Ideas
 Outline Etude
Ear Training

XI. HARMONY: OVERVIEW of VOICINGS
Four Part Voice Leading
Five Part Voice Leading
Piano Overview
 Accompaniment Classifications
Arranging Voicings in Brief
 Sax Soli Voicings
 Non-Harmonic Tones
 Brass & Saxophone Combination Voicings
 Special Case & Clusters Voicings
 Vocal Voicings
 String Ensemble Voicings