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ÀçÁî¿Ã·ÎÁö (ÀçÁî ÀÌ·Ð ¹é°ú»çÀü)<br>Jazzology [00311167]

 
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Á¦Á¶»ç(»ý»êÀÚ), ¼öÀÔÀÚ Hal Leonard/(ÁÖ)½ºÄð¹ÂÁ÷ »ö»ó ÇÏ´Ü À̹ÌÁö ÂüÁ¶ »óÇ°º° ¼¼ºÎ»ç¾ç ÇÏ´Ü ½ºÆå ÂüÁ¶
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ÀçÁú ÇÏ´Ü ½ºÆå ÂüÁ¶ Á¦Ç°±¸¼º ÇÏ´Ü À̹ÌÁö ÂüÁ¶    
 

 


 

 

Jazzology
ÀçÁî¿Ã·ÎÁö (ÀçÁî À̷Р¹é°ú»çÀü)
The Encyclopedia of Jazz Theory for All Musicians

 
  
ÃâÆÇ»çHal Leonard
ÀúÀÚRobert Rawlins, Nor Eddine Bahha
¾ÆÀÌÅÛ #00311167
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¹æ´ëÇÑ ÀçÁî ÀÌ·ÐÀ» ´Ù·ç´Â ¾Ç±â°¡ ¹«¾ùÀÌµç »ó°ü¾øÀÌ Ãʺ¸³ª ÇÁ·Î ¸ðµÎ À¯¿ëÇÏ°Ô »ç¿ëÇÒ ¼ö ÀÖ°Ô ÇÑ ±ÇÀ¸·Î Á¤¸®ÇÑ ÀçÁî ÀÌ·Ð ¹é°ú»çÀü °â ±³º»ÀÔ´Ï´Ù.
ÇÊ¿äÇÒ ¶§ ¹Ù·Î ã¾Æº¼ ¼ö ÀÖ´Â ÀçÁî ÀÌ·Ð ¹é°ú»çÀüÀ¸·Î »ç¿ëÇÒ ¼öµµ ÀÖ°í ÇлýµéÀ» À§ÇÑ µ¶ÇÐ¿ë ±³º»À¸·Î »ç¿ëÇÒ ¼öµµ ÀÖ°í ÀçÁî ¼ö¾÷ÀÇ ±³Àç·Î »ç¿ëÇÒ ¼öµµ ÀÖ´Â ±³º»À¸·Î ÀÎÅ͹úÀÇ ±âº» ÀÌ·Ð, ÀçÁî Çϸð´Ï, ½ºÄÉÀÏ°ú ¸ðµå, ii-V-I ÁøÇà µîÀÌ ¼Ò°³µÇ¾î ÀÖ½À´Ï´Ù.
Çϸð´Ï À̷п¡ °üÇؼ­´Â Çϸð´Ï ºÐ¼®, ÇÇ¾Æ³ë º¸À̰̽ú º¸À̽º ¸®µù, ¸ðµâ·¹À̼ǰú ¸ð´Þ ÀÎÅÍüÀÎÁö, ¸®Çϸð´ÏÁ¦ÀÌ¼Ç µîÀÇ ³»¿ëÀÌ ¼ö·ÏµÇ¾î ÀÖÀ¸¸ç ½ÇÁ¦ ¿¬ÁÖ¿Í ¿¬½ÀÀ» À§ÇÑ ÀçÁî ÇÇ¾Æ³ë ¹ÝÁÖ, ÀçÁî °îµéÀÇ Çü½Ä, Æí°î Å×Å©´Ð, ÀÓÇÁ·Î¹ÙÀÌÁî, Á¤Åë ÀçÁî ÀÌ·Ð, ¿¬½À ¹æ¹ý µîÀÇ ´Ù¾çÇÑ ÁÖÁ¦¸¦ ´Ù·ç°í ÀÖ½À´Ï´Ù.


- Contents -

CHAPTER 1: INTERVALS
Major and Perfect Intervals
Minor, Diminished, and Augmented Intervals
Interval Abbreviations
Consonant Intervals and Dissonant Intervals

CHAPTER 2: JAZZ HARMONY BASICS
Triads
Triad Inversion
7th Chords
Chord Extensions
Upper Structures
Hybrid Chords

CHAPTER 3: SCALES AND MODES
Major Scale
Minor Scales
Scale Relationships
Major Scale Modes
Melodic Minor Scale Modes
Minor Scale Diatonic Harmony
Pentatonic Scales
Blues Scales
Bebop Scales
Symmetrical Scales
The Altered Scale
Other Scales

CHAPTER 4: THE II-V-I CADENCE
Chord Families
Cadences
The Circle of Fifths
Turnarounds

CHAPTER 5: HARMONIC ANALYSIS
Analytical Markings
Structural Divisions
Secondary Dominants
Backcycling Dominants
Related ii¡¯s
Contiguous Dominants

CHAPTER 6: II-V-I PIANO VOICINGS AND VOICE LEADING
Rooted Voicings
Rootless Voicings
Voice Leading and the ii-V-I Cadence
One-Hand Voicings
Rootless Voicings for the Blues
Two-Hand Voicings
Modal Voicings
Cluster Voicings

CHAPTER 7: MODULATIONSAND MODAL INTERCHANGE
Types of Modulations
Modal Interchange

CHAPTER 8: REHARMONIZATION
Diatonic Substitution in Tonal Contexts Substitutions in Modal Contexts
Tritone Substitution
Changing Chord Quality
Passing Chords
Diminished Chord Functions
Diminished Substitution
Side-Stepping
Added ii-V¡¯s
CESH
Coltrane Substitutions

CHAPTER 9: JAZZ PIANO COMPING
Comping
Lead Sheets

CHAPTER 10: JAZZ TUNE FORMS
Tonal Tunes
Rhythm Changes
Modal and Polytonal Tunes

CHAPTER 11: OTHER ARRANGING TECHNIQUES
Constant Structures
Pedal Point
Ostinato
Reharmonizing a Melody

CHAPTER 12: APPROACHING IMPROVISATION
Devices for Improvisation
Approaching Improvisation
Transcribed Solos
Listening

CHAPTER 13: FUNDAMENTALS OF TRADITIONAL JAZZ
Harmonic Concept
Ragtime
Early Jazz Song Forms
Blues
Multi-Part Structures
Improvisational Strategy

CHAPTER 14: PRACTICING - WHY, WHAT & HOW?
Putting It All Together
The Weekly Picture
The Daily Routine

APPENDIX
Jazz Standards
ii-V-I Piano Voicings
Blues Changes Piano Voicings

ANSWER KEY

GENERAL BIBLIOGRAPHY

ABOUT THE AUTHORS

 







 

 

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