ȸ¿ø´Ô! ¹æ¹®À» ȯ¿µÇÕ´Ï´Ù. ·Î±×ÀÎ ¸ÅÀå¾È³» °í°´Áö¿ø¼¾ÅÍ ÃÖ±Ùº»»óÇ° ÁÖ¹®/¹è¼ÛÁ¶È¸(¿µ¼öÁõ) ¿À½Ã´Â±æ Àüü¸Þ´º
 
µµ¿ÍÁÖ¼¼¿ä:   ÃÖ±Ù¿¡ Å©·¡ÇÁÅÍ ÇȾ÷À¸·Î ±³Ã¼Çߴµ¥ Ãâ·Â½Ã ¸Ô¸ÔÇÏ°Ô ¼Ò¸®³³´Ï...
schoolmusic
°Ë»ö
°í°´Áö¿ø¼¾ÅÍ ºü¸¥ ¾È³» ÆÁ
1566-5150
0
0
ȸ¿ø´Ô
³ªÀÇ ½ºÄð¹ÂÁ÷
 
≡  Àüü Ä«Å×°í¸® ½ÅÁ¦Ç° BEST ½º¸¶Æ®¼¥ ¿À´Ã¸¸Æ¯°¡ À̺¥Æ® Áö½Ä¿Õ Çб³/°ü°ø¼­/´Üü°ßÀû

ÀÏ·º±âŸ

º£À̽º

Åë±âŸ

Ŭ·¡½Ä

¿ìÄð·¼·¹

¾ÚÇÁ¡¤ÇìµåÆù

ÀÌÆåÅÍ

ÇȾ÷/ºÎÇ°

·¹ÄÚµù¡¤¸¶ÀÌÅ©

°Ç¹Ý¡¤¹ÝÁÖ±â

µå·³

°üÇö¾Ç±â

½ºÆ®¸µ

¾Ç¼¼»ç¸®

µµ¼­¡¤Çϸð´ÏÄ«

Ư°¡Á¦Ç°

±³À°¿ë¾Ç±â
 
¡ã
TOP
DOWN
¡å

Ȩ   >   µµ¼­   >   ¼öÀÔµµ¼­ (¿µ¹®)   >   ±×¿Ü¾Ç±â
»óÇ°¹øÈ£ : 52720
[´ÜÁ¾] ±âÃÊ ÆÀÆÄ´Ï ±³º»<br>Fundamental Method for Timpani [00-4312]

 
´ÜÁ¾ Ç°Àý ÁÁ¾Æ¿ä 103 ¸í

[´ÜÁ¾] ±âÃÊ ÆÀÆÄ´Ï ±³º»
Fundamental Method for Timpani [00-4312]


 
43,000¿ø
43,000¿ø(ºÎ°¡¼¼ Æ÷ÇÔ)
  

  ¹«ÀÌÀÚÇҺΠ| °¡°Ýº¯µ¿ ¾Ë¸² | ÀÔ°í ¾Ë¸²½Åû | Äü ÂøºÒ ¹è¼Û
¹è¼Ûºñ 5¸¸¿øÀÌÇÏ 2,500¿ø
¹è¼Û¾È³» Ç°ÀýÀÔ´Ï´Ù.
ÁÖ¹®¼ö·®
-
+
 EA
  Ç°ÀýÀÔ´Ï´Ù.
 
 
 
»óÇ° Àç°í ÇöȲ Ç°ÀýÀÔ´Ï´Ù. ÀÔ°í ¾Ë¸²½ÅûÇϽøé ÇØ´ç Á¦Ç° ÀÔ°í½Ã ¹®Àڵ帳´Ï´Ù





Á¦Á¶»ç(»ý»êÀÚ), ¼öÀÔÀÚ Alfred/¹ÂÁ÷¾ØºÏ½º »ö»ó ÇÏ´Ü À̹ÌÁö ÂüÁ¶ »óÇ°º° ¼¼ºÎ»ç¾ç ÇÏ´Ü ½ºÆå ÂüÁ¶
Á¦Á¶±¹(¿ø»êÁö) Alfred/¹Ì±¹  [ºê·£µå »óÇ° º¸±â] Å©±â ÇÏ´Ü ½ºÆå ÂüÁ¶ Ç°Áúº¸Áõ±âÁØ ÇÏ´Ü ¼³¸í ÂüÁ¶
Ç°¸í ¹× ¸ðµ¨¸í [´ÜÁ¾] ±âÃÊ ÆÀÆÄ´Ï ±³º»
Fundamental Method for Timpani [00-4312]
µ¿Àϸðµ¨ÀÇ Ãâ½Ã³â¿ù
(Á¦Á¶ÀÏÀÚ ¾Æ´Ô)
2019³â 07¿ù 01ÀÏ A/S ¾È³» (ÁÖ) ½ºÄð¹ÂÁ÷ / 1566-5150
ÀçÁú ÇÏ´Ü ½ºÆå ÂüÁ¶ Á¦Ç°±¸¼º ÇÏ´Ü À̹ÌÁö ÂüÁ¶    
 

 


 

 

Fundamental Method for Timpani
±âÃÊ ÆÀÆÄ´Ï ±³º»
by Mitchell Peters

 
  
ÃâÆÇ»çAlfred
ÀúÀÚMitchell Peters
¾ÆÀÌÅÛ #00-4312
ºÐ·®216 ÆäÀÌÁö
¿ø»êÁö¹Ì±¹
  


·Î½º ¿£Á©¸®½º ÇÊÇϸð´ÐÀÇ ¼ö¼® ÆÛÄ¿¼Å´Ï½ºÆ® ¹Ìÿ ÇÇÅͽº Mitchell Peters°¡ ¾´ ±âÃÊ ÆÀÆÄ´Ï ±³º» Fundamental Method for Timpani ÀÔ´Ï´Ù.
´Ù¾çÇÑ ½ºÆ½Å·À» »ç¿ëÇÑ ½Ç¿ëÀûÀÌ°íµµ À½¾ÇÀûÀÎ ÆÀÆÄ´Ï ¿¬ÁÖ¹ýÀÇ ±âº»À» ¼Ò°³ÇÏ°í ÀÖÀ¸¸ç Æ©´×°ú ûÀ½ ÈÆ·Ã ¹æ¹ý, 60°³°¡ ³Ñ´Â ´Ù¾çÇÑ ½ºÅ¸ÀÏÀÇ ¿¬½À¿ë ¿¡¶ÙµåµéÀÌ ¼ö·ÏµÇ¾î ÀÖ½À´Ï´Ù.
General Information, Basic Technique, Etudes for Two Timpani, Etudes for Three and Four Timpani ÀÌ·¸°Ô ÃÑ 4°³ÀÇ Ã©ÅÍ·Î ±¸¼ºµÇ¾î ÀÖÀ¸¸ç ÇÊ¿ä¿¡ µû¶ó óÀ½ºÎÅÍ ¼ø¼­´ë·Î°¡ ¾Æ´Ï¶ó 4°³ÀÇ Ã©Å͸¦ µ¿½Ã¿¡ °øºÎÇسª°¥ ¼öµµ ÀÖ½À´Ï´Ù.
½ºÇÁ¸µ Á¦º»À¸·Î ÆîÃijõ°í º¸±â ÆíÇÑ µðÀÚÀÎÀÔ´Ï´Ù.


- Contents -

About the Author
Preface and Acknowledgments

Chapter One - General Information
Timpani
Tuning Mechanisms
Timpani Bowls
Timpani Heads
Notation
Sizes and Ranges of the Timpani
Timpani Sticks
The Grip (Holding the Sticks)
Positioning the Timpani
Playing Position
Playing Area
Beating Spots
Learning To Tune
Setting the Ranges
Balancing the Head
Ear Training
Becoming Acquainted with Drum Ranges

Chapter Two - Basic Technique
Tone and Touch
Practicing
Legato Stroke
Legato Stroke Warm-Up Patterns
Sticking
Roll Preparation
Introduction to Double Strokes (Double-Sticking)
Single-Drum Etudes
Right-Hand Movement between Drums
Left-Hand Movement between Drums
Dynamic Control
Developing Dynamic Control
Lifting
Finger Technique
Combining the Use of Fingers and Wrists
Muffling (Dampening) the Timpani
Preliminary Muffling Exercises
Counting Measures of Rests
Changing Pitch from Notes Already Tuned
Marking of Tunings
Marking Parts
Pedal Facility
Staccato Stroke
Legato or Staccato
Dynamic Balance between Drums
Mutes
Abbreviations
Rolls
Passing Rolls
Roll Notation
Roll Exercises
Stick Placement
Cross-Sticking and Shifting
Accents
Short Rolls
The Separated Short Roll
Dynamic Control of the Roll
The Fortepiano Roll
Dynamic Control of Roll Exercises
The Double-Drum Roll
Double-Stroking, Continued
Grace Notes
Glissando
Tuning Gauges

Chapter Three - Etudes for Two Timpani

Chapter Four—Exercises and Etudes for Three and Four Timpani
Playing Three and Four Timpani
Warm-Ups for Three Timpani
Etudes for Three Timpani
Warm-Ups for Four Timpani
Etudes for Four Timpani
Using More Than Four Timpani

Appendix
Changing a Plastic Timpani Head
Parts of the Timpani
Glossary
Special Effects
Foreign Terminology
Foreign Terms Used to Indicate Pitch
Musical Terminology
Intervals
Care and Maintenance
Calfskin Heads

 









 

ÀÏ¹Ý ±¸¸Å Èıâ( 0 )
[1]








Q&A ( 0 )
[1]

½ºÄð¹ÂÁ÷ ÀÌ´ÞÀÇ À̺¥Æ®
½ºÄð¹ÂÁ÷ ¹«·á ¹ÝÇ°!
2019. 4. 25. ~
Hotone Ampero ±¸ÀԽà Àü¿ë ±ã¹é ÁõÁ¤
2024.02.01. ~
ESP ÄÚ¸®¾Æ ¿öÅ©¼ó
2024.03.27. ~ 04.20
¶ó¿ìµå ºê¸´Áö Æ佺Ƽ¹ß ƼÄÏ À̺¥Æ®
2024.03.26 ~ 04.14
¹Úâ°ï 5Áý ¹ß¸Å ±â³ä Äܼ­Æ®
2024.03.25. ~ 04.20
 
°ÔÀÌÅͶû °¡Æ¼ ³ª°¥±î~
2023. 3.30. ~
Å©·¡ÇÁÅÍ ±âŸ ÀÔÁ¡ ±â³ä »çÀºÇ° ÁõÁ¤
2024.03.01. ~
½ºÆÄÅ©40 Àü¿ë ±ã¹é ÁõÁ¤ À̺¥
2024.03.28.~
½ºÄð¹ÂÁ÷ ESP ÇÁ¸®¿À´õ ¼­ºñ½º
2020. 6. 5. ~
ÇÁ¶ó³ëÀÌ ½ºÆ®·¦ ¹«¸­´ã¿ä ÁõÁ¤
2024.02.01. ~
ÃÖ±Ù º» Á¦Ç°
ÆǸÅÁßÀÎ µµ¼­ Ä«Å×°í¸® ½Ç½Ã°£ Àαâ»óÇ°
¸ÞÅ»¸®Ä« ±âŸ ¾Çº¸
Metallica - Master Of Puppets (Guitar TAB) [02507920]
33,300
½½·¦ º£À̽º ¹ÙÀ̺í
Slap Bass Bible [00159716]
36,000
½ºÅ¸ ÀÌÁî º» OST ÇǾƳë Åë±âŸ ¾Çº¸
A Star Is Born [00-47776]
33,000
Chopin - Ballades
¼îÆØ - ¹ß¶óµå [HN862]
34,000
[Hal Leonard]
Play Like Joe Pass (00141819)
36,000
Bon Jovi - Greatest Hits
º» Á¶ºñ ±âŸTAB ¾Çº¸Áý (00691074)
35,100





½ºÄð¹ÂÁ÷ ÀÌ¿ë¾È³»
±¸¸Å¾È³» Åù踦 ¹ÞÀ¸½Å ÈÄ »óÇ°À» ²À È®ÀÎÇØ ÁÖ¼¼¿ä.
»óÇ° ¼ö·ÉÈÄ 7ÀÏÀÌ Áö³ª¸é ¼ÒºñÀÚ °ú½Ç·Î ó¸®µÇ¾î ±³È¯/¹ÝÇ°/ȯºÒÀÌ ºÒ°¡´ÉÇÕ´Ï´Ù.
ÁÖ¹®¾È³» ½ºÄð¹ÂÁ÷ Àå¹Ù±¸´Ï´Â ½ÇÀç°í¿Í ¿¬µ¿µÇ°í ÀÖ½À´Ï´Ù.
ÁÖ¹® ÈÄ °¡»ó°èÁÂ(¹«ÅëÀå ÀÔ±Ý)´Â 3Àϳ»¿¡, °èÁÂÀÌü Ä«µå°áÁ¦´Â 1½Ã°£ ³»¿¡, ÀÔ±ÝÈ®ÀÎÀÌ µÇÁö ¾ÊÀ¸¸é
ÁÖ¹®¼­°¡ ÀÚµ¿À¸·Î Ãë¼ÒµË´Ï´Ù.
ÁÖ¹®ÀÚ¿Í ÀÔ±ÝÀÚÀÇ ¼ºÇÔÀÌ ´Ù¸¦ °æ¿ì ²À ½ºÄð¹ÂÁ÷À¸·Î ¿¬¶ôÀ» ÁÖ¼Å¾ß ºü¸¥ 󸮰¡ °¡´ÉÇÕ´Ï´Ù.
¹è¼Û¾È³» ½ºÄð¹ÂÁ÷¿¡¼­´Â ¹è¼Û¾÷ü¸¦ CJ´ëÇÑÅë¿î°ú ·ÎÁ¨ Áß ¿øÇÏ´Â Åùè»ç¸¦ ¼±ÅÃÇÒ ¼ö ÀÖ½À´Ï´Ù.
ÃÑ ±¸¸Å¾×ÀÌ 5¸¸¿ø ÀÌ»óÀÏ °æ¿ì ¹è¼Ûºñ´Â ½ºÄð¹ÂÁ÷¿¡¼­ ºÎ´ãÇÕ´Ï´Ù.
(´Ü, µµ¼­,»ê°£Áö¿ªÀº 5¸¸¿ø ÀÌ»óÀÏ °æ¿ì¿¡µµ º°µµÀÇ ¹è¼Ûºñ°¡ Ãß°¡µË´Ï´Ù.)
¹è¼Û±â°£ ´çÀÏ 16½Ã ÀÌÀü ±îÁö ÀÔ±ÝÈ®ÀÎµÈ °Ç¿¡ ÇÑÇØ ´çÀÏÃâ°í°¡ °¡´ÉÇÕ´Ï´Ù.
(´Ü, »óÇ°ÀÇ Àç°íÀ¯¹«¿¡ µû¶ó Â÷ÀÌ°¡ ÀÖÀ» ¼ö ÀÖ½À´Ï´Ù.)
Åä¿äÀÏ/ÀÏ¿äÀÏ/°øÈÞÀÏÀº ¹è¼Û±â°£¿¡ Æ÷ÇÔµÇÁö ¾Ê½À´Ï´Ù.
µµ¼­/»ê°£Áö¿ªÀº 2~3ÀÏ Á¤µµ Ãß°¡ ¼Ò¿äµË´Ï´Ù.
ºÒ°¡Ç×·ÂÀûÀÎ (ÀϽÃÇ°Àý, Á¦Á¶»ç »óÇ°¼ö±Þ ¹®Á¦, õÀçÁöº¯ µî) »çÀ¯·Î ¹è¼ÛÀÌ ´Ê¾îÁú¼ö ÀÖ½À´Ï´Ù.
±³È¯/¹ÝÇ°/AS/ȯºÒ ¾È³»
Á¦Ç°ÀÇ º»·¡ ¹Ú½ºÆ÷ÀåÀÌ À¯ÁöµÈ °æ¿ì, ¼ö·É ÈÄ 7ÀÏÀ̳»¿¡ ±³È¯/¹ÝÇ°/ȯºÒÀÌ °¡´ÉÇÕ´Ï´Ù.
(´Ü, Æ÷ÀåÀÌ ÈÑ¼ÕµÇ¾î »óÇ°ÀÇ °¡Ä¡°¡ »ó½ÇµÈ °æ¿ì¿¡´Â ¹ÝÇ° ¹× ±³È¯/ȯºÒÀÌ ºÒ°¡´ÉÇÕ´Ï´Ù.)
½ºÄð¹ÂÁ÷ÀÇ ½Ç¼ö·Î ÀÎÇÑ °æ¿ì 20ÀÏ À̳»¿¡ ±³È¯/¹ÝÇ°/ȯºÒÀÌ °¡´ÉÇÕ´Ï´Ù.
1Â÷ A/S ´ã´ç (ÁÖ)½ºÄð¹ÂÁ÷ / ¼Ûâ´ö ÀÌ»ç 1566-5150
2Â÷ A/S ´ã´ç ¹ÂÁ÷¾ØºÏ½º 031-955-4994
 
±³È¯/¹ÝÇ°/ȯºÒ/ºÒ°¡ »çÀ¯ ¾È³»
°øÅë »óÇ° ¶Ç´Â Æ÷ÀåÀÌ ÈÑ¼ÕµÇ¾î »óÇ°ÀÇ °¡Ä¡°¡ °¨¼ÒÇÑ °æ¿ì
±³È¯ ¶Ç´Â ȯºÒ ½Åû ±â°£ÀÌ °æ°úÇÑ °æ¿ì(7ÀÏÀ̳»)
±¸¸Å ÈÄ »ç¿ë¿¡ ÀÇÇØ »óÇ°ÀÇ °¡Ä¡°¡ °¨¼ÒÇÑ °æ¿ì
±¸¼º»óÇ°ÀÇ ÀϺΰ¡ ´©¶ôµÇ°Å³ª ÈÑ¼ÕµÈ °æ¿ì
¿äû¿¡ ÀÇÇÑ ÁÖ¹® Á¦ÀÛ »óÇ°ÀÎ °æ¿ì
¾ÚÇÁ µî ÀüÀÚ ÀåÄ¡·ù »ç¿ëÀÚÀÇ °ú½Ç·Î ÇÕ¼±µî »óÇ°¿¡ °íÀåÀÌ ¹ß»ýÇÑ °æ¿ì
¼³Ä¡Çü ¾Ç±â
(°Ç¹Ý¾Ç±â/Ÿ¾Ç±â)
»óÇ°¿¡ ÇÏÀÚ°¡ ¾ø°í ¼³Ä¡°¡ ¿Ï·áµÈ °æ¿ì
ÃëÁ־DZ⠻óÇ°À» »ç¿ëÇÑ °æ¿ì
½ºÆ®¸µ/ÄÉÀÌºí »óÇ°À» °³ºÀÇÑ °æ¿ì
µµ¼­ »óÇ°ÀÇ Æ÷ÀåÀ» °³ºÀÇÏ¿© º¹Á¦ÀÇ ¿©Áö°¡ ÀÖ´Â °æ¿ì
¾×¼¼¼­¸® »óÇ°À» »ç¿ëÇÏ¿© º¯ÇüÀÌ »ý±ä °æ¿ì
Ç°Áú º¸Áõ ±âÁØ
±¸ÀÔ ÈÄ 7ÀÏ À̳»
»óÇ° ¹× Æ÷ÀåÀÇ ÈÑ¼Õ ¾øÀ½ ¹«»ó A/S, ±³È¯, ȯºÒ °¡´É
»óÇ° ¹× Æ÷ÀåÀÇ ÈÑ¼Õ A/S °¡´É
±¸ÀÔ ÈÄ 20ÀÏ À̳»
¿À¹è¼Û,´©¶ô,¹è¼ÛÁß ÆÄ¼Õ ¹«»ó A/S,±³È¯,ȯºÒ °¡´É
Á¦Ç°ÀÇ Ãʱ⠺ҷ® ¹«»ó A/S,±³È¯ °¡´É
Á¦°øÇÑ »óÇ° Á¤º¸¿Í ºÒÀÏÄ¡ ¹«»ó A/S,±³È¯,ȯºÒ °¡´É
»ç¿ëÁß ¹ß»ýÇÑ ÈÑ¼Õ ¹× ÇÏÀÚ A/S °¡´É
±¸ÀÔ ÈÄ 30ÀÏ À̳»
Á¦Ç°ÀÇ Ãʱ⠺ҷ® ¹«»ó A/S, ±³È¯ °¡´É
Á¦°øÇÑ »óÇ° Á¤º¸¿Í ºÒÀÏÄ¡ ¹«»ó A/S, ±³È¯, ȯºÒ °¡´É
»ç¿ëÁß ¹ß»ýÇÑ ÈÑ¼Õ ¹× ÇÏÀÚ A/S °¡´É
±¸ÀÔ ÈÄ 90ÀÏ À̳»
Á¦°øÇÑ »óÇ° Á¤º¸¿Í ºÒÀÏÄ¡ ¹«»ó A/S, ±³È¯, ȯºÒ °¡´É
»ç¿ëÁß ¹ß»ýÇÑ ÈÑ¼Õ ¹× ÇÏÀÚ A/S °¡´É
 
Ç°Áú º¸Áõ ±âÁØ
ȯºÒ °úÁ¤ ¹ÝÇ°µÈ »óÇ°ÀÌ ÆǸÅÀÚ¿¡°Ô µµÂøÇÑ ÈÄ 3ÀÏ À̳»¿¡ ȯºÒ ¾È³» ¹× ó¸®
ȯºÒ Áö¿¬ ¹ÝÇ°µÈ »óÇ°ÀÌ ÆǸÅÀÚ¿¡°Ô µµÂøÇÑ ÈÄ È¯ºÒ ó¸® ¿Ï·á±îÁö 3ÀÏ ÀÌ»ó °æ°ú
ȯºÒ Áö¿¬ ¹è»ó±Ý ȯºÒ Áö¿¬ÀÌ ¹ß»ýÇÏ´Â °æ¿ì ÇØ´ç ȸ¿ø°í°´¿¡°Ô 5,000¿øÀÇ ¸¶Àϸ®Áö º¸»ó
½ºÄð¹ÂÁ÷ ¼îÇθôÀº °øÁ¤°Å·¡À§¿øȸ¿¡¼­ ½ÉÀÇÇÑ Ç¥Áؾà°üÀ» »ç¿ëÇÏ°í ÀÖ½À´Ï´Ù. ¾à°üº¸±â

ÀÌ »óÇ°Àº ÇöÀç Ç°ÀýÀÔ´Ï´Ù. 'ÀÔ°í ¾Ë¸² ½Åû'À» ÇϽøé ÀÔ°í ½Ã ¹®ÀÚ·Î ¾Ë·Áµå¸³´Ï´Ù. Close
¿À´Ã 4¸íÀÌ ÀÌ »óÇ°À» »ìÆì º¸¼Ì½À´Ï´Ù. Close

 

ȸ»ç¼Ò°³ | ÀÌ¿ë¾à°ü | °³ÀÎÁ¤º¸Ã³¸®¹æħ | ÀÎÀçä¿ëÁ¤º¸ | À¯Æ©ºê | ÆäÀ̽ººÏ | Á¦ÈÞ¹®ÀÇ | Åë½ÅÆǸŻç¾÷ÀÚÁ¤º¸È®ÀÎ | ¹ÌÈ®ÀÎÀÔ±ÝÀÚ | ÆǸżøÀ§
°í°´Áö¿ø¼¾ÅÍ
1566-5150
ÆòÀÏ ¿ÀÀü 10½Ã ~ ¿ÀÈÄ 6½Ã
Á¡½É ¿ÀÈÄ 1½Ã ~ ¿ÀÈÄ 2½Ã
Åä¿äÀÏ, ÀÏ¿äÀÏ/°øÈÞÀÏ ÈÞ¹«
ÀԱݰèÁÂ
¿¹±ÝÁÖ : (ÁÖ)½ºÄð¹ÂÁ÷
¿ì¸®ÀºÇà
1005-401-286115
³óÇù
146-01-113676
±¹¹ÎÀºÇà
651001-01-288453
±³È¯ ¹ÝÇ° A/S º¸³¾°÷
(22315) ÀÎõ Áß±¸ ½ÅÆ÷·Î
27¹ø±æ 16 ÇÁ¸°½ººôµù 6Ãþ
(°üµ¿3°¡)
±¸ÁÖ¼Ò
(22315) ÀÎõ Áß±¸ °üµ¿3°¡
5-1 ÇÁ¸°½ººôµù 6Ãþ
½ºÄð¹ÂÁ÷ ¼­ºñ½º
Çб³/°ü°ø¼­/´Üü°ßÀû
¿ø°ÝÁö¿ø ¼­ºñ½º
°í°´ÀÇ ¼Ò¸® Á¦¾ÈÇϱâ
ÃÖÀú°¡º¸»ó¾È³»
±¤°í/À̺¥Æ®/ÇÁ·Î¸ð¼Ç
½ºÄð¹ÂÁ÷ SNS
½ºÄð¹ÂÁ÷ ÆäÀ̽ººÏ
½ºÄð¹ÂÁ÷ ÀνºÅ¸±×·¥
½ºÄð¹ÂÁ÷ ºí·Î±×
½ºÄð¹ÂÁ÷ À¯Æ©ºê
½ºÄð¹ÂÁ÷ ¸ÞÀÏ
´ëÇ¥ÀÚ¸ÞÀÏ : webmaster@schoolmusic.co.kr
´ÜüÁÖ¹® : singman13@schoolmusic.co.kr
¼­ºñ½º°³¼± : webmaster@schoolmusic.co.kr
Á¦Ç°°³¹ß : tubedd@schoolmusic.co.kr
ÀÎÀçä¿ë : nunocd@schoolmusic.co.kr
¸¶ÄÉÆÃ/±âŸ°ÇÀÇ : tubedd@schoolmusic.co.kr
º»»ç: (22315) ÀÎõ Áß±¸ ½ÅÆ÷·Î27¹ø±æ 16 ÇÁ¸°½ººôµù 3,4,5,6Ãþ(°üµ¿3°¡)
±¸ÁÖ¼Ò : (22315) ÀÎõ Áß±¸ °üµ¿3°¡ 5-1 ÇÁ¸°½ººôµù 3,4,5,6Ãþ
Tel: 1566-5150 | Æѽº: 032-232-8001 | E-mail: webmaster@schoolmusic.co.kr
»óÈ£¸í: (ÁÖ)½ºÄð¹ÂÁ÷ | »ç¾÷ÀÚ µî·Ï¹øÈ£: 121-81-89714 | Åë½ÅÆǸž÷½Å°í: Á¦ 2002-ÀÎõÁß±¸-0017È£
´ëÇ¥ÀÌ»ç: ¾ÈÁ¤¸ð | °³ÀÎÁ¤º¸°ü¸®Ã¥ÀÓÀÚ: ±èµ¿¿ì | À̸ÞÀÏÁÖ¼Ò¹«´Ü¼öÁý°ÅºÎ
ºÐÀïÁ¶Á¤ ±â°üÇ¥½Ã: ¼ÒºñÀÚº¸È£¿ø/ÀüÀÚ°Å·¡ºÐÀïÁßÀçÀ§¿øȸ