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  ÀüÀÚ»ó°Å·¡ µî¿¡¼­ÀÇ »óÇ°Á¤º¸ Á¦°ø °í½Ã

Á¦Á¶»ç(»ý»êÀÚ), ¼öÀÔÀÚ Strymon/½ºÄð¹ÂÁ÷
Á¦Á¶±¹(¿ø»êÁö) Strymon/USA
Ç°¸í ¹× ¸ðµ¨¸í Strymon - TimeLine / ½ºÆ®¶óÀ̸ó µô·¹ÀÌ
ÀçÁú ÇÏ´Ü ½ºÆå ÂüÁ¶
»ö»ó ÇÏ´Ü À̹ÌÁö ÂüÁ¶
Å©±â ÇÏ´Ü ½ºÆå ÂüÁ¶
µ¿Àϸðµ¨ÀÇ Ãâ½Ã³â¿ù 2011³â 08¿ù 10ÀÏ
Á¦Ç°±¸¼º ÇÏ´Ü À̹ÌÁö ÂüÁ¶
»óÇ°º° ¼¼ºÎ»ç¾ç ÇÏ´Ü ½ºÆå ÂüÁ¶
Ç°Áúº¸Áõ±âÁØ ÇÏ´Ü ¼³¸í ÂüÁ¶
A/S ¾È³» 1Â÷¹®ÀÇ : (ÁÖ) ½ºÄð¹ÂÁ÷ / 1566-5150   

 

 

 

 

 

 

 

 

 


 

 

 

 

 

 

 


Strymon : TimeLine

 


 

 

 

¸ÖƼ µð¸à¼Ç µô·¹ÀÌ

 

TimeLine Àº ´Ù¸¥ °Íµé°ú ºñ±³ÇÒ ¼ö ¾ø´Â ÈǸ¢ÇÑ À½»ö°ú ´À³¦ÀÖ´Â 12°¡ÁöÀÇ ¼­·Î ´Ù¸¥ µô·¹À̸ӽÅÀ» ³»ÀåÇÏ°í ÀÖ½À´Ï´Ù. 200°³ÀÇ »ç¿îµå°¡ ¹Ì¸® ¼³Á¤µÇ¾î ÀÖÀ¸¸ç, ¿øÇϴ´ë·Î ¹Ù²Ù¾î ¾µ ¼öµµ ÀÖ½À´Ï´Ù. ƒÆ²ýÇÏ°í ¼±¸íÇÑ ½ºÆ©µð¿À Ä÷¸®Æ¼ÀÇ µðÁöÅÐ µô·¹ÀÌ¿¡¼­ Å×ÀÌÇÁ ¿¡ÄÚÀÇ ºóƼÁöÇÑ ´À³¦, µû¶æÇÏ°í Æí¾ÈÇÑ ¾Æ³¯·Î±× µô·¹ÀÌ, ½¬¸Ó »ç¿îµå¸¦ ³»ÁÖ´Â Å©¸®½ºÅ» ¾ÆÀ̽º µô·¹À̱îÁö »ç¿ëÀÚ°¡ »ó»óÇÏ´Â ¸ðµç »ç¿îµå¸¦ ±¸ÇöÃd´Ï´Ù.

 

*TimeLine ÇÑ±Û ¸Å´º¾ó ´Ù¿î·Îµå*

*Strymon À» ½ÃÄö¼­ Ç÷¯±×ÀÎó·³ È°¿ëÇϱâ*

 

 

 

 

 

 

 

 

 

 

°­·ÂÇÑ SHARC DSP

 

Strymon Àº »ç¿îµå µðÀÚÀÎ, ¿Àµð¿À Ç°Áú, Çϵå¿þ¾î µðÀÚÀÎ, ó¸® ´É·Â ¸é¿¡¼­ Áö±Ý±îÁö ÇØ¿Ô´ø °Íº¸´Ù ¶Ù¾î³Ñ´Â ¸ð½ÀÀ» º¸¿©Áà¾ß ÇÑ´Ù´Â °ÍÀ» ¾Ë°í ÀÖ¾ú½À´Ï´Ù. TimeLine Àº °­·ÂÇÑ SHARC DSP¸¦ È°¿ëÇÏ¿© ÀÌ ¸ðµç °ÍÀ» ÀÌ·ç¾î ³¾ ¼ö ÀÖ¾ú½À´Ï´Ù. Áö±Ý±îÁö ¾ø¾ú´ø °¡Àå ³Ð°í, dzºÎÇÏ°í, âÀÇÀûÀ̸ç, Çõ½ÅÀûÀÌ°í À½¾ÇÀûÀ¸·Î ¿µ°¨À» ÁÖ´Â µô·¹ÀÌ »ç¿îµå¸¦ TimeLine ¿¡¼­ °æÇèÇÏ½Ç ¼ö ÀÖ½À´Ï´Ù.

 


 

 

 

 

 

 

12°³ÀÇ µ¶Æ¯ÇÑ µô·¹ÀÌ »ç¿îµå

 

Digital Delay

Ŭ·¡½ÄÇÑ 'Voiced' µðÁöÅÐ ¹æ½ÄÀÇ Digital Delay ÀÔ´Ï´Ù. Filter, Grit, Smear, High Pass ¹× Modulation µî ³ÐÀº ¿µ¿ªÀÇ ÄÁÆ®·Ñ°ú, ¸Å¿ì dzºÎÇÏ°í ¼öÁ¤Ã³·³ ¸¼Àº »ç¿îµå¸¦ ¸¸µé¾îÁÝ´Ï´Ù.

Dual Delay

2°³ÀÇ µ¶¸³ÀûÀÎ µô·¹À̸¦ Á÷·Ä ¶Ç´Â º´·Ä·Î ±¸¼ºÇÏ¿© µ¿½Ã¿¡ »ç¿ëÇÏ´Â µà¾ó ä³Î µô·¹ÀÌÀÔ´Ï´Ù.

Pattern Delay

¸ÖƼ ÅÇ µô·¹ÀÌÀÔ´Ï´Ù. ¼³Á¤À» ¼¼¹ÐÇÏ°Ô Á¶ÀýÇÏ¿© °£´ÜÇÑ ÆÐÅϺÎÅÍ º¹ÀâÇÑ ÆÐÅϱîÁö ´Ù¾çÇÏ°Ô ÆÐÅÏÀ» ±¸¼ºÇÏ¿© »ç¿ëÇÒ ¼ö ÀÖ½À´Ï´Ù.

Reverse Delay

ÀÔ·ÂµÈ ¼Ò¸®¸¦ ¹Ý´ë·Î Àç»ýÇÏ¿©, ¸¶Ä¡ Å×ÀÌÇÁ¸¦ ¿ªÀç»ý ÇÑ °Í °ú °°Àº »ç¿îµå¸¦ ¸¸µé¾î³À´Ï´Ù.

Ice Delay

ÀÔ·ÂµÈ ¼Ò¸®ÀÇ ÇÇÄ¡¸¦ Á¶ÀßÇÏ¿© Àç»ýÇÏ´Â µô·¹ÀÌÀÔ´Ï´Ù. ÀÜÇâÀÌ ¼­·Î È­À½À» ÀÌ·ç°Å³ª Çö¾Ç±â°¡ È帣´Â µíÇÑ È¿°ú¸¦ ¸¸µé ¼ö ÀÖÀ¸¸ç, ¾à°£ÀÇ ¸ðµâ·¹ÀÌ¼Ç È¿°úµµ ¾òÀ» ¼ö ÀÖ½À´Ï´Ù.

Duck Delay

ÀϹÝÀûÀ¸·Î Ducking Delay ȤÀº Dynamic Delay ·Î ºÒ¸®¿ì´Â µô·¹ÀÌ ¸ðµåÀÔ´Ï´Ù. ÀÔ·ÂµÈ ½Ã±×³Î¿¡ ¹ÝÀÀÇÏ¿© µô·¹ÀÌÀÇ ¹Í½º¿Í °¢Á¾ ¸Å°³ º¯¼ö°¡ °¡º¯ÇÏ¿© Àç»ýµË´Ï´Ù.

Swell Delay

¸¶Ä¡ ±âŸÀÇ º¼·ý ÁÖ¹ýÀ» ¿¬»ó½ÃÅ°´Â µô·¹ÀÌ È¿°ú¸¦ ¿¬ÃâÇÕ´Ï´Ù. ´Ù¾çÇÑ ¼³Á¤À» ÅëÇØ µð¾çÇÑ ambient »ç¿îµå¸¦ ¸¸µé¾î ³¾ ¼ö ÀÖ½À´Ï´Ù.

Trem Delay

µô·¹ÀÌ¿Í Æ®·¹¸ô·Î°¡ °áÇÕµÈ ¸ðµåÀÔ´Ï´Ù, µô·¹ÀÌÀÇ Waveshape, Depth ¹× Speed ¼öÄ¡¿¡ µû¶ó Æ®·¹¸ô·Î È¿°úµµ ÇÔ²¾ Á¶ÀýµË´Ï´Ù.

Filter Delay

µô·¹ÀÌ¿Í ÇÊÅ͸¦ °áÇÕÇÏ¿© µ¶Ã¢ÀûÀÎ »ç¿îµå¸¦ ¸¸µé ¼ö ÀÖ´Â ¸ðµåÀÔ´Ï´Ù. µô·¹ÀÌ Àü ÈÄ·Î ÇÊÅ͸¦ ¹èÄ¡ÇÒ ¼ö ÀÖÀ¸¸ç, Wave-shape, Depth, Speed, Resonance µî ´Ù¾çÇÑ ÆĶó¸ÞÅ͸¦ ÅëÇØ ¸Å¿ì ´ÙÀ̳ª¹ÍÇÑ »ç¿îµå¸¦ ¸¸µé¾î ³¾ ¼ö ÀÖ½À´Ï

Lo-Fi Delay

µô·¹ÀÌ ÀÜÇâÀÇ ºñÆ®·¹ÀÌÆ® ¹× »ùÇ÷¹ÀÌÆ®¸¦ °¡º¯½ÃÄÑ Lo-Fi µô·¹ÀÌ »ç¿îµå¸¦ ¾òÀ» ¼ö ÀÖ´Â ¸ðµåÀÔ´Ï´Ù.

dTape Delay

El Capistan ¿¡¼­ °âÇèÇÒ ¼ö ÀÖ¾ú´ø Å×ÀÌÇÁ ¿¡ÄÚÀÇ »ç¿îµå¸¦ À翬ÇÏ´Â dTAPE ¾Ë°í¸®ÁòÀÌ »ç¿ëµÈ µô·¹ÀÌÀÔ´Ï´Ù. (¸ÖƼÇìµå µô·¹ÀÌ´Â Áö¿øÇÏÁö ¾Ê½À´Ï´Ù)

dBucket Delay

BRIGADER, Ola, Orbit µî¿¡ »ç¿ëµÇ¾ú´ø BBD ¸¦ À翬ÇÏ´Â dBUCKET ¾Ë°í¸®ÁòÀÌ »ç¿ëµÈ µô·¹ÀÌÀÔ´Ï´Ù. ´Ù¾çÇÑ Á¾·ùÀÇ ¾Æ³¯·Î±× µô·¹ÀÌ »ç¿îµå¸¦ ¸¸µé¾î ³¾ ¼ö ÀÖ½À´Ï´Ù.

 



 

 

 

 

 

 

´Ù¾çÇÑ ±â´É

 

200°³ÀÇ ³»Àå ÇÁ¸®¼Â

TimeLine Àº ÃÖ´ë 200°³ÀÇ ÇÁ¸®¼ÂÀ» Áï½Ã ÀúÀåÇÏ°í ºÒ·¯¿Ã ¼ö ÀÖ´Â ¿É¼ÇÀ» Á¦°øÇÕ´Ï´Ù. Àü¸é ÆгΠ½ºÀ§Ä¡¸¦ »ç¿ëÇÏ¿© ¹ðÅ© ¾÷ & ´Ù¿îÀÌ °¡´ÉÇϸç, °¢ ÇÁ¸®¼Â¿¡ µð½ºÇ÷¹ÀÌ¿¡ Ç¥½ÃµÇ´Â À̸§À» ÁöÁ¤ÇÒ ¼ö ÀÖ½À´Ï´Ù. ¶ÇÇÑ Strymon MultiSwitch ³ª ¿ÜºÎ MIDI ÄÁÆ®·Ñ·¯¸¦ ÅëÇØ ÇÁ¸®¼ÂÀ» ¼±ÅÃÇÒ ¼öµµ ÀÖ½À´Ï´Ù.

ÀͽºÇÁ·¹¼Ç Æä´Þ ÄÁÆ®·Ñ

EXP ´ÜÀÚ¸¦ ÅëÇØ ¿ÜºÎ ÀͽºÇÁ·¹¼Ç Æä´Þ ¹× ÅÇ ½ºÀ§Ä¡¸¦ ¿¬°áÇÒ ¼ö ÀÖ½À´Ï´Ù. ÀͽºÇÁ·¹¼Ç Æä´ÞÀ» ¿¬°áÇÏ°í ÇÁ¸®¼Âº°·Î ÀúÀåÇÒ ¼ö ÀÖ´Â ¸ðµç ³ëºê ȤÀº ³ëºê Á¶ÇÕÀ» ÄÁÆ®·ÑÇϰųª, ¿ÜºÎ ÅÇ ½ºÀ§Ä¡¸¦ ¿¬°áÇÏ¿© µô·¹ÀÌ Å¸ÀÓ ¼Óµµ Á¦¾î°¡ °¡´ÉÇÕ´Ï´Ù.

½ºÅ×·¹¿À ·çÆÛ

TimeLine ¿¡´Â 30ÃÊÀÇ ½ºÅ×·¹¿À ·çÆÛ ±â´ÉÀÌ ³»ÀåµÇ¾î ÀÖ½À´Ï´Ù. ³ìÀ½, ¿À¹ö´õºù, Àç»ý ¹× Á¤Áö ÄÁÆ®·Ñ ¸ðµÎ °£ÆíÇÏ°Ô ÄÁÆ®·ÑÀÌ °¡´ÉÇϸç, PRE/POST ±â´ÉÀÌ ³»ÀåµÇ¾î ·çÇÁ¿¡ µô·¹ÀÌ ½ÅÈ£¸¦ ³ìÀ½Çϰųª, ¹Ý´ë·Î µô·¹ÀÌ Àü¿¡ ·çÆÛ¸¦ ¶ó¿ìÆÃÇÏ¿© µå¶óÀÌ ½Ã±×³Î¿¡ µô·¹ÀÌ È¿°ú¸¦ ÷°¡ÇÒ ¼öµµ ÀÖ½À´Ï´Ù. ¶ÇÇÑ MultiSwitch ¶Ç´Â ¿ÜºÎ MIDI ÄÁÆ®·Ñ·¯·Î ·çÇÁ ±â´ÉÀ» ¾×¼¼½ºÇÒ ¼öµµ ÀÖ½À´Ï´Ù.

Çǵå¹é ·çÇÁ

µô·¹ÀÌÀÇ Çǵ庤 °æ·Î¿¡ ¿ÜºÎ ÀÌÆåÅ͸¦ ¿¬°áÇÏ¿© µô·¹ÀÌ Çǵ庤¿¡ ´Ù¸¥ ÀÌÆåÆ® È¿°ú¸¦ ÁÙ ¼ö ÀÖ½À´Ï´Ù.

±¤¹üÀ§ÇÑ MIDI Áö¿ø

TimeLine Àº MIDI Àåºñ¿¡ ¿¬°áÇÏ¿© ¸ðµç ³ëºê, ¸Å°³º¯¼ö ¶Ç´Â ½ºÀ§Ä¡ÀÇ ¿ø°Ý Á¦¾î´Â ¹°·Ð MIDI ¸¦ ÅëÇØ ÇÁ¸®¼Â ¼±Åà ±â´É±îÁö Áö¿øÇÕ´Ï´Ù. MIDI ¿¬°áÀ» ÅëÇØ TimeLine ÀÇ ¿Ïº®ÇÑ MIDI ȯ°æ ±¸ÇöÀÌ °¡´ÉÇÕ´Ï´Ù.

 


 

 

 

 

 

 


 

 

 

 

 

 

Specification

 

 

Sound Design

  • Hand crafted, studio-class delay algorithms deliver meticulous, detailed and nuanced delay experiences
  • Twelve delay machines to choose from: Digital, Dual, Pattern, Reverse, Ice, Duck, Swell, Trem, Filter, Lo-fi, dTape¢â, dBucket¢â.
  • Seven front-panel tone shaping knobs: Time, Repeats, Mix, Filter, Grit, Mod Speed, Mod Depth
  • Additional menu-driven parameters deliver extremely flexible tone shaping options and complete tweakability
  • 200 easily accessible and nameable presets, save and recall at the press of a switch

 

 

Ins & Outs

  • Stereo input and output
  • Expression pedal input with selectable control over knob or combination of knobs, saveable per preset (also configurable as external tap input)
  • MIDI input and output
  • Switchable I/O configuration: Stereo Out or Mono with Delay Feedback Loop Insert
  • 9V center-negative power supply (300mA minimum required)

 

 

Audio Quality

  • Ultra low noise, high performance 24-bit 96kHz A/D and D/A converters
  • 115dB typical signal to noise
  • Analog dry path for a zero latency dry signal that is never converted to digital
  • Premium analog front end and output section
  • Super high performance DSP in a compact form factor
  • 32-bit floating point processing

 

 

Hardware

  • Three rugged metal footswitches for preset selection, effect bypass, looper control, and Tap Tempo
  • LED display for preset info, BPM/time readout, and extended parameter control
  • Multi-color preset LEDs (green for active preset, amber for edited preset)
  • Full MIDI implementation allows extended control for those with more complex rigs
  • 30-second stereo Looper, routable pre- or post-delay, with MIDI capability.
  • Sturdy and lightweight gunmetal gray anodized aluminum chassis, with laser-etched artwork
  • Durable black anodized aluminum knobs
  • Studio-grade audio input and output jacks

 

 

More

  • True Bypass (electromechanical relay switching)
  • Selectable high-quality Analog Buffered Bypass
  • Selectable Tap Subdivision, saveable per preset
  • Optional Global Tap Tempo mode
  • 9V DC power supply (300mA required minimum)
  • Dimensions: 6.75¡È wide, 5.1¡È deep
  • Designed and Built in the USA