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[Alfred Music]<br>The Complete Jazz Guitar Method - Complete Edition (34352)

 
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[Alfred Music]
The Complete Jazz Guitar Method - Complete Edition (34352)


 
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Á¦Á¶»ç(»ý»êÀÚ), ¼öÀÔÀÚ Alfred Music/(ÁÖ)½ºÄð¹ÂÁ÷ »ö»ó ÇÏ´Ü À̹ÌÁö ÂüÁ¶ »óÇ°º° ¼¼ºÎ»ç¾ç ÇÏ´Ü ½ºÆå ÂüÁ¶
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Ç°¸í ¹× ¸ðµ¨¸í [Alfred Music]
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The Complete Jazz Guitar Method : Complete Edition

- Book & Online Audio -

 


ÀçÁî ±âŸ ¿¬ÁÖ¿¡ °ü½ÉÀÖ´Â »ç¶÷À̶ó¸é ´©±¸³ª ¹Ù·Î ½ÃÀÛÇÒ ¼ö ÀÖ°Ô ±¸¼ºµÈ Ã¥/¿Â¶óÀÎ À½¿ø ÆÐÅ°Áö ±³º»ÀÔ´Ï´Ù.

Beginnig, Intermediate, Mastering: Chord/Melody, Mastering: ImprovisationÀÇ ³× ±ÇÀÌ ÇÑ ±ÇÀ¸·Î ¹­¿© ±âº»¿¡¼­ºÎÅÍ °í±Þ Å×Å©´Ð±îÁö ÀçÁî ±âŸ¿¡ ÇÊ¿äÇÑ ¸ðµç °ÍÀÌ ÃѸÁ¶óµÇ¾î ÀÖ´Â Á¾ÇÕ ±³º»ÀÔ´Ï´Ù. ü°èÀûÀÎ ·¹½¼À» ÅëÇØ ´Ü°èÀûÀ¸·Î Áñ°Ì°Ô ÀçÁî ±âŸ¸¦ ¹è¿ï ¼ö ÀÖ°Ô ±¸¼ºµÇ¾î ÀÖ½À´Ï´Ù.

Beginning Æí¿¡¼­´Â ¸ÞÀÌÀú ½ºÄÉÀÏ°ú ±âº» Æ®¶óÀ̾îµå ÀÌ·Ð ¹× È®Àå ÄÚµå¿Í ¸ðµå¸¦ ´Ù·ç°í ÀÖ½À´Ï´Ù.

Intermediate Æí¿¡¼­´Â ii-V-I ÁøÇà°ú ¼Ö·Î¶óÀÎ ¸¸µé±â, ´ë¸® ÄÚµå Æ÷¹Ä·¯, ±×¸®°í ¶óƾ, ½ºÀ®, ¹ß¶óµå, ÆãÅ© µîÀÇ ÀçÁî ½ºÅ¸ÀÏ µîÀ» ¹è¿ï ¼ö ÀÖ½À´Ï´Ù.

Master Æí¿¡¼­´Â Çϸð´Ï, ¸á·Îµð, ¸®µë, º£À̽º ÆÄÆ®ÀÇ ¿¬ÁÖ ¹× ÀçÁî ¼Ö·Î ¿¬ÁÖ¸¦ ´Ù·ç°í ÀÖÀ¸¸ç ÀÓÇÁ·Î¹ÙÀÌÁ¦À̼ǿ¡ ´ëÇÑ ½Éµµ ±íÀº ·¹½¼µµ ½Ç·ÁÀÖ½À´Ï´Ù.

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- Contents -


--------- Jazz Guitar Method : Beginning ---------
About the Author
Introduction

Chapter 1: Getting Started

Open Position Chords
Barre Chords
Reading Music and Tablature
Blues Progressions and Strumming
Pentatonic Scale Fingerings

The "A" Lessons - Chords and Harmony The "B" Lessons - Improvisation
Chapter 2

Lesson 1A: Basic Theory
The Chromatic Scale
The Major Scale
Key Signatures
Intervals
The Cycle of 4ths(or 5ths)
Reading Roman Numerals

Lesson 1B: Major Scale Fingerings
Major Triad Theory
Major Triad Inversions

Lesson 2A: Triad Theory & Root Position Fingerings
Minor, Diminished and Augmented Triads and Their Inversions
The Four Basic String Sets
Root Position Triad Fingerings
Etude #1: Root Position Triads

Lesson 2B: Two More Major Scale Fingerings

Lesson 3A: First-Inversion Triads on Four Strings
Etude #2: First Inversion Triads

Lesson 3B: Two More Major Scale Fingerings

Lesson 4A: Second-Inversion Triads on the Four String Sets
Etude #3: Second-Inversion Triads

Lesson 4B: Major Scale Etude
Etude #4: The Major Scale

Chapter 3

Lesson 1A: Constructing Larger Chords
How Larger Chord Formulas Work
Extensions
Inverting Larger Chords
Voicings

Lesson 1B: Major Scale Etude
Etude #5: The Major Scale

Lesson 2A: 6th Chords
Major 6th Chords
Minor 6th Chords
Etude #6: 6th Chords

Lesson 2B: Connecting Major Scales

Lesson 3A: 7th Chords
Major 7th Chords
Minor 7th Chords v Dominant 7th Chords
Etude #7: 7th Chords

Lesson 3B: Three-Octave Scales

Lesson 4A: 9th Chords
Extensions & Chord Families
Major 9th Chords
Minor 9th Chords
Dominant 9th Chords
Etude #8: 9th Chords, Etude #9: More 9th Chords

Lesson 4B: More Three-Octave Scales
Neighbor Tones Approaching the Root

Lesson 5A: Other Chords You Need to Know
Minor 11th Chords
Dominant 11th Chords
Major 13th Chords
Minor 13th Chords
Dominant 13th Chords
Major Add9 Chords, Minor Add9 Chords
Min7b5 (Half-Diminished) Chords
Diminished 7th Chords
Dominant 7th Suspended Chords
Minor (Maj7) Chords
Dominant 7th Augmented Chords
Etude #10: More Chords

Lesson 5B: Two Tunes Using the Major Scale
Noah's Groove, Blues for Maggie

Chapter 4

Lesson 1A: The Harmonized Major Scale

Lesson 1B: Improvising with the Major Scale
What It's All About
Diatonic Thinking

Lesson 2A: Major Chord Scales

Lesson 2B: Two Tunes Based on the Major Scale
Ruby, My Deerfly, Fly Like a Beagle

Lesson 3A: More Major Chord Scales

Lesson 3B: Two More Tunes Based on the Major Scale
Noisy Nights, The Creature

Lesson 4A: More Major Chord Scales

Lesson 4B: Two More Tunes Based on the Major Scale
Julie in Wonderland, Samba de Shauna

Chapter 5

Lesson 1A: Roman Numerals and Transposition

Lesson 1B: Modes of the Major Scale - The Basics

Lesson 2A: More About Roman Numerals and Transposition

Lesson 2B: Modes of the Major Scale - Parallel-Approach Fingerings
D Dorian
E Phrygian
F Lydian
G Mixolydian
A Aeolian
B Locrian
Practice Progressions

Lesson 3A: Vertical Chord Scales

Lesson 3B: Modes of the Major Scale - Derivative Approach

Lesson 4A: More Vertical Chord Scales

Lesson 4B: Two Modal Tunes
Nosh 4 Josh, Chocolate Tuna Enchiladas

Lesson 5A: More Vertical Chord Scales

Lesson 4B: Two Modal/Diatonic Tunes
Modelicious, Blue Tofu

Coda - A Medley of Suggestions and Musical Concepts
How Jazz Works

Technique
Basic Left and Right Hand Technique
Posture
Basic Strumming Technique
Fingerstyle Chords
Pick and Fingers Technique

Practice
The Value of Practicing Slowly
Learning Difficult Chords and Changing Chords
Learning Scales Two Strings at a Time
The Value of Locked Positions
Practice the Major Scales
Limiting Rhythmic Options
Using Melodic Patterns

Soloing
Form: Using an Opening
Body and Conclusion
Form Based on Motif and Variation
The Use of Repetition in Your Solos

Tag Ending (Afterword)

--------- Jazz Guitar Method : Intermediate --------- Introduction

The "A" Lessons - Chords and Harmony
The "B" Lessons - Improvisation

Chapter 1

Lesson 1A: The ii-V7-I Progression

Lesson 1B: Improvising Over Diatonic ii-V7-I Progressions

Lesson 2A/2B: Diatonic Arpeggios

Chapter 2

Lesson 1A: Altered Chords
Dominant 7th b5 Chords
The Closer Your Are

Lesson 1B: Practicing Arpeggios

Lesson 2A: More Altered Chords
Dominant 7th #5 Chords
Funny

Lesson 2B: Progressions for Practicing Arpeggios

Lesson 3A: Altered Chords, Continued
Dominant 7b9 Chords
Friendly

Lesson 3B: Creating Lines #1
Spelling Out the Changes
Swing Feel

Lesson 4A: More Altered Chords
Dominant 7#9 Chords
By the Light of the Moon

Lesson 4B: Creating Lines #2
Neighbor Tones Approaching the Root

Lesson 5A: Chords with Combined Alterations

Lesson 5B: Creating Lines #3
Neighbor Tones Approaching the 3rd

Lesson 6A: More Chords with Combined Alterations

Lesson 6B: Creating Lines #4
Neighbor Tones Approaching the 5th

Lesson 7A: Other Important Chords and ii-V7-I Fingerings
Slash Chords
ii-V7-I Fingerings

Lesson 7B: Creating Lines #5
Neighbor Tones Approaching the 7th

Chapter 3

Lesson 1A: Comping Swing Feels

Lesson 1B: Major 7th Extensions

Lesson 2A: Comping Latin Feels

Lesson 2B: Diminished Extensions

Lesson 3A: Comping Funk Feels

Lesson 3B: Ascending Lines from Chord Tones

Lesson 4A: Comping Ballads

Lesson 4B: Descending Lines from Chord Tones

Chapter 4

Lesson 1A: Chord Connections
Lesson 1B: Learning Licks #1
Major Chord Licks

Lesson 2A: Chord Connections #2
String Set 6-5-4-3
String Set 5-4-3-2
String Set 4-3-2-1

Lesson 2B: Learning Licks #2
Minor Licks

Lesson 3A: Chord Connections #3
Moving Across the String Sets

Lesson 3B: Learning Licks #3
Dominant Licks

Lesson 4A: Chord Connections #4
String Set 6-5-4-3
String Set 5-4-3-2
String Set 4-3-2-1

Lesson 4B: Learning Licks #4
min7b5 Licks

Chapter 5

Lesson 1A: The Blues Progression

Lesson 1B: Soloing Over Blues Progressions
C Minor Pentatonic Fingerings
C Blues Scale Fingerings
C Mixolydian Fingerings
Sample Blues Solos
Blues Solo #1
Blues Solo #2
Blues Solo #3

Chapter 6

Lesson 1A: Rhythm Changes
Rhythm

Lesson 1B: Soloing Over Rhythm Changes
Rhythm Solo

Chapter 7

Lesson 1A: Turnarounds

Lesson 1B: Soloing Over Turnarounds

Chapter 8

Lesson 1A: Chord Solo
Foggy

Lesson 1B: Single-Note Solo
Single Notes in the Mist

Coda - A Medley of Suggestions and Musical Concepts

Playing With Good Tone
More About Practicing
The Value of Practicing Along a Single String
Singing Along With Improvised Lines
Listening to the Greats



--------- Jazz Guitar Method - Mastering: Chord/Melody ---------

Introduction

Chapter 1 - Right-Hand Options

Pick Style
Fingerstyle Chords
Pick and Fingers Technique

Chapter 2 - Combining Melody and Harmony

Lesson 1: Recognizing Chord Tones / Combining Melody and Harmony

Lesson 2: Guidelines for Arranging

Lesson 3: Chord Enhancement
Home on the Range

Chapter 3 - Techniques for Harmonizing Non-Chord Tones

Lesson 1: Diads
Blue Bell of Scotland

Lesson 2: Adding the Non-Chord Tone
Beautiful Dreamer

Lesson 3: Voice Leading

Lesson 4: Passing Chords
Virginny
Blues in G
Diminished Chords
Min7b5 (Half-Diminished) Chords
Blues in F
Lesson 5: Quartal Harmony
Single Notes
Octaves

Chapter 4 - Enhancing Chord Progressions

Lesson 1: Passing-Chord Approaches

Lesson 2: The IV-I Approach

Lesson 3: The V7-I Approach

Lesson 4: The ii-V7-I Approach
Rum and Cake

Lesson 5: Backcycling Approaches

Lesson 6: Tritone Substitution Approach

Lesson 7: The bV7-I Approach

Lesson 8: The ii-V7-I and Alternate Cycles

Lesson 9: Surprise Chords

Chapter 5 - Simultaneous Chors and Walking Bass Lines

Lesson 1: The Basic Voicings

Lesson 2: Bass Lines - Scalewise Approach

Lesson 3: Bass Lines - Half-Step Approach

Lesson 4: Bass Lines - Rhythm

Lesson 5: Bass Lines - ii-V7-I Patterns
Everything You're Not

Lesson 6: Bass Lines - Combining Techniques
Accompaniment for Everything You're Not

Chapter 6

Lesson 1: Moving Voices

Lesson 2: Symmetrical Chord Movement

Coda - A Medley of Suggestions and Musical Concepts

Creating Arrangements
Listening to the Greats
Reality Check
Byesville


--------- Jazz Guitar Method - Mastering : Improvisation ---------

Introduction

Chapter 1 - Improvising Over Altered Dominant Chords

Lesson 1: The Diminished Scale
Train

Lesson 2: The Whole Tone Scale Once

Lesson 3: The Super Locrian Mode (Diminished Whole Tone Scale)
Moon

Lesson 4: Using the Altered Scale Over a ii-V7-I Progression

Lesson 5: Targeting the Altered Chords - The Altered Clusters

Lesson 6: Revamping Licks

Chapter 2 - The Minor Scales and Their Modes

Lesson 1: The Melodic Minor Scale

Lesson 2: The Modes of the Melodic Minor Scale

Lesson 3: Arpeggios in the Melodic Minor Scale

Lesson 4: The Harmonic Minor Scale

Lesson 5: The Modes of the Harmonic Minor Scale

Lesson 6: Arpeggios in the Harmonic Minor Scale

Lesson 7: The ii min 7b5-V7b9-i min7 Progression

Chapter 3 - Using Arpeggios


Lesson 1: Chord Superimposition

Lesson 2: Melodic Patterns Based Around Arpeggios


Lesson 3: Melodic Patterns Based Around Chord Shapes

Chapter 4 - Eight-Tone Scales

The Eight-Tone ii-V7 Scale

The Eight-Tone I Scale

Chapter 5 - Connecting Your Ideas

Lesson 1: The Chromatic Connection

Lesson 2: Accentuating the Difference Between Keys

Lesson 3: Repeating an Idea in Different Octaves

Lesson 4: Rhythmic Motives

Lesson 5: Melodic Connection

Lesson 6: Diatonic Connection

CODA - A Medley of Suggestions and Musical Concepts

Playing on the Extensions Using Advanced Pentatonics
Playing on the Extensions Using Tones From 13 Chords
Playing With Wider Intervals
Octave Displacement
Symmetrical Motives

 

 

 

 

- Information -


Series: Complete Method
Author: Jody Fisher
Instrument: Guitar
Format: Book & Online Audio
Page Count: 320
Item Number: 00-34352
ISBN 10: 0-7390-6637-4
ISBN 13: 978-0-7390-6637-9
UPC: 038081381077

 

 

 

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