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Zelzah´Â ÇϳªÀÇ Æä´Þ¿¡ µÎ °³ÀÇ ÆäÀÌÀú°¡ ³»ÀåµÇ¾î ÀÖ´Â Á¦Ç°ÀÔ´Ï´Ù. 4 Stage ¹æ½ÄÀÇ ÁÂÃø ä³ÎÀº ÆäÀÌÀú¿¡¼ ºñºê¶óÅä¿¡ À̸£±â±îÁö ´Ù¾çÇÑ Å¬·¡½Ä »ç¿îµå¸¦ Áö¿øÇϸç, 6 Stage ¹æ½ÄÀÇ ¿ìÃø ä³ÎÀº ÆäÀÌÀú, Ç÷£Àú, ÄÚ·¯½º µî ´Ù¾çÇÑ ¸ðµâ·¹ÀÌ¼Ç »ç¿îµå¸¦ Á¦°øÇÕ´Ï´Ù. ÇÑÂÊ¿¡´Â ÄÚ·¯½º¸¦, ´Ù¸¥ ÂÊ¿¡´Â ÆäÀÌÀú¸¦ ¼¼ÆÃÇϰųª, ¶Ç´Â ÇÑÂÊ¿¡´Â ÆäÀÌÀú¸¦, ´Ù¸¥ ÂÊ¿¡´Â Æ®·¹¸ô·Î¸¦ ¼¼ÆÃÇÏ´Â µî ´Ù¾çÇÑ ±¸¼ºÀ¸·Î µÎ°³ÀÇ Ã¤³ÎÀ» È°¿ëÀÌ °¡´ÉÇϸç, ÇÑ°³ÀÇ Ã¤³Î¸¸ µ¶¸³ÀûÀ¸·Î »ç¿ë ÇÒ ¼ö ÀÖ½À´Ï´Ù.
VIDEO
VIDEO
VIDEO
4-Stage Phaser Sweep
Classic Sweep
ù ¹ø° ½ºÀ¬ ¸ðµå´Â ¿ì¸® ¸ðµÎ°¡ ¾Ë°í ÀÖ´Â °íÀüÀûÀÎ 4-Stage ¹æ½ÄÀÇ Å¬·¡½Ä ÆäÀÌÀúÀÔ´Ï´Ù. ÀÌ ¸ðµå´Â ¿©·¯ºÐµéÀÌ ¾ÆÁÖ Ä£¼÷ÇÑ ºóƼÁö ÆäÀÌÀú »ç¿îµå¸¦ »ý¼ºÇÕ´Ï´Ù.
Barber Sweep
Barber Sweep ¸ðµå´Â ÆÄÇüÀÇ »ó½Â°ú ÇÏ°ÀÌ ¹Ýº¹ÀûÀ¸·Î ÀÌ·ç¾îÁüÀ¸·Î¼ ¸Å¿ì ¸ùȯÀûÀÎ »ç¿îµå¸¦ ¸¸µé¾îÁÖ´Â ÁÖ´Â ¸ðµåÀÔ´Ï´Ù. ÀÌ·¯ÇÑ ÆÄÇüÀÇ ºñÁÖ¾ó ÀÌÆåÆ®°¡ À̹߼ÒÀÇ °£ÆÇ ±âµÕ(Barber pole) °ú À¯»çÇÑ ¸ð½ÀÀ» º¸ÀÌ°í ÀÖ¾î ÀÌ·¯ÇÑ À̸§ÀÌ ºÙÇôÁ³½À´Ï´Ù.
Envelope Phaser (Env)
Envelope Phaser ¸ðµå´Â À§ 2°³ÀÇ ½ºÀ¬ ¸ðµå¿Í´Â ¿ÏÀüÈ÷ »õ·Î¿î Æä´ÞÀ» »ç¿ëÇÏ´Â µí ÇÑ »ö´Ù¸¥ »ç¿îµå¸¦ º¸¿©ÁÝ´Ï´Ù. ±âŸ ¿¬ÁÖ ½Ã ¼¶¼¼ÇÑ ÅÍÄ¡¿¡ ¹Î°¨ÇÏ°Ô ¹ÝÀÀÇÏ¿© ¸¶Ä¡ Àκ§·ÓÇÊÅͳª ¿ÀÅä ¿Í¿Í¿Í °°Àº ´ÙÀ̳ª¹ÍÇÏ°í ÆãÅ°ÇÑ »ç¿îµå¸¦ ¸¸µé¾îÁÝ´Ï´Ù.
6-Stage Voice : ȹ±âÀûÀÎ »õ·Î¿î ÆäÀÌÀú ¾Ë°í¸®Áò
º¸À̽º ³ëºê´Â 6-StageÀÇ 30°³ ÀÌ»óÀÇ ÆĶó¸ÞÅ͸¦ µ¿½Ã¿¡ Á¦¾îÇϸç, ¸ðµç ¸¶¶ó¸ÞÅÍ°¡ ¾ÆÁÖ Á¶È·Ó°Ô ±¸¼ºµÇµµ·Ï ¼³°èµÇ¾ú½À´Ï´Ù.
±í°í, ´ÞÄÞÇÏ°í ºóƼÁöÇϸç Åõ¸íÇÑ ´À³¦À» ÁÙ »Ó¸¸ ¾Æ´Ï¶ó, ³ëºê °ªÀ» ¿Ã¸±¼ö·Ï Çõ½ÅÀûÀÎ ¿Ã Æнº (All-Pass) ¾Ë°í¸®ÁòÀÌ Ä³½ºÄÉÀ̵ù ¿Ã Æнº ÇÊÅÍ(Cascading All-Pass Filters) ÀÇ ÀÀ´ä ¼Óµµ(Response Time)¸¦ Áö¼ÓÀûÀ¸·Î È®ÀåÇÏ¿© ´õ¿í dz¼ºÇÑ °ø°£°¨À» Á¦°øÇÕ´Ï´Ù.
ÀÌ ¾Ë°í¸®ÁòÀº ´Ü¼øÈ÷ ÆäÀ̰̽ú Ç÷£Â¡ÀÇ È¥ÇÕÀÌ ¾Æ´Ï¶ó ÅæÀÇ ¿µ¿ªÀ» ´õ¿í »õ·Ó°Ô È®Àå½ÃÄÑÁÝ´Ï´Ù. º¸À̽º ³ëºê¸¦ ¿À¸¥ÂÊÀ¸·Î Á¶±Ý¾¿ µ¹·Áº¸¼¼¿ä, °í±Þ½º·¯¿î Ç÷»Àú »ç¿îµåºÎÅÍ ºóƼÁöÇÏ°í û·®ÇÑ ÄÚ·¯½º »ç¿îµå±îÁö, ³ëºê °ªÀÇ ¸ðµç Æ÷ÀÎÆ®¿¡´Â À½¾ÇÀûÀÎ ¿µ°¨À» ÁÖ´Â ¸Å·ÂÀûÀÎ »ç¿îµå°¡ ÀÖÀ¸¸ç, ÁøÁ¤À¸·Î ¿©·¯ºÐµéÀÌ Ãß±¸ÇÏ´Â ÅæÀ» °£´ÜÈ÷ ¸¸µé¾î ³¾ ¼ö ÀÖ½À´Ï´Ù.
»ç¿îµå µðÀÚÀÎ
Inspiration
Zelzah ÀÇ ¸ñÇ¥´Â ÀÏ·ºÆ®¸¯ ±âŸ ¹× ÀÏ·ºÆ®¸¯ ÇǾƳë¿Í Àß ¾î¿ï¸®´Â 1970³â´ëÀÇ ºØºÎÇÑ ÆäÀÌ¡ »ç¿îµå¸¦ Æ÷ÂøÇÏ´Â °ÍÀ̾ú½À´Ï´Ù. ¶ÇÇÑ ÃÖ°íÀÇ ºóƼÁö ÆäÀÌÀú »ç¿îµå¸¦ Á¦°øÇÏ´Â °Í ¿Ü¿¡µµ µ¶ÃøÇÏ°í ¿¹»óÄ¡ ¸øÇÑ ¹æ½ÄÀ¸·Î À½ÇâÀûÀÎ °¡´É¼ºÀ» È®ÀåÇÏ°íÀÚ ÇÏ¿´½À´Ï´Ù. À̸¦ À§ÇØ 6-Stage ÆäÀÌÀú¸¦ ±â¹ÝÀ¸·Î All-Pass ÇÊÅÍ¿Í µ¶Æ¯ÇÑ ¾ÆÅ°ÅØÃĸ¦ °³¹ßÇÏ¿´½À´Ï´Ù. ¶ÇÇÑ Å¬·¡½ÄÇÑ 4-Stage ÆäÀÌÀú¿¡¼´Â ¿©·¯ºÐµéÀÌ ±â´ëÇÏ´Â ºóƼÁö »ç¿îµå¸¦ Á¦°øÇÏ´Â µ¿½Ã¿¡ ´Ù¾çÇÑ ½ºÀ¬ ¸ðµå¸¦ Ãß°¡ÇÏ¿© °£´ÜÇÑ ¼³Á¤¸¸À¸·Î ÈǸ¢ÇÏ°í ´Ù¾çÇÑ ÆäÀÌ¡ »ç¿îµå¸¦ ¸¸µé ¼ö ÀÖµµ·Ï Á¦À۵Ǿú½À´Ï´Ù.
4-Stage Mix
4-Stage ä³Î¿¡¼ ¹Í½º ÄÁÆ®·ÑÀ» »ç¿ëÇÏ¿© ³î¶øµµ·Ï ´Ù¾çÇÑ »ç¿îµå¸¦ ¸¸µé¾î ³¾ ¼ö ÀÖ½À´Ï´Ù. Classic Sweep ¸ðµå¿¡¼´Â ¹Ì¹¦ÇÑ ÆäÀÌ¡ºÎÅÍ Å¬·¡½Ä ÆäÀÌ¡ »ç¿îµå¿¡ À̸£±â±îÁö ´Ù¾çÇÑ ÆäÀÌÁî ¹üÀ§¸¦ Á¦°øÇϸç, ½ÉÁö¾î, ºñºê¶óÅä È¿°ú±îÁö ¾òÀ» ¼ö ÀÖ½À´Ï´Ù.
¶ÇÇÑ Barber Sweep ¸ðµå¿¡¼´Â ´õ¿í ³·Àº Depth °ª ¼¼ÆÃÀ», Envelope Sweep ¸ðµåÀÇ °æ¿ì ¼öÄ¡°¡ ³ôÀ»¼ö·Ï ´õ¿í ¹Î°¨ÇÏ°Ô ¹ÝÀÀÇÏ´Â ´ÙÀ̳ª¹ÍÇÑ ÇÇÄ¡ ¸ðµâ·¹ÀÌ¼Ç È¿°ú¸¦ ¾òÀ» ¼ö ÀÖ½À´Ï´Ù.
4-Stage Depth
4-Stage ä³ÎÀÇ Depth ³ëºê´Â ¸Å¿ì Á÷°üÀûÀ̸ç, ´Ü¼øÇÑ ¼öÄ¡ º¯È »Ó¸¸ ¾Æ´Ï¶ó ¸ÅÀ¯ À½¾ÇÀûÀ¸·Î ¹ÝÀÀÇϵµ·Ï ¼³°èµÇ¾ú½À´Ï´Ù. Classic ¹× Barber ¸ðµå¿¡¼´Â ¼öÄ¡°¡ ¿Ã¶ó°¥¼ö·Ï Sweep ÀÇ Á᫐ ÁÖÆļö°¡ Á¶Á¤ÇÔ°ú µ¿½Ã¿¡ ÀÌ»óÀûÀÎ ÅæÀ» ¾òÀ» ¼ö ÀÖµµ·Ï ÁÖÆļö ¹üÀ§¸¦ ½ºÀ ½ºÆÌ(Sweep Spot) À¸·Î À¯Áö½ÃÄÑÁÝ´Ï´Ù. ¶ÇÇÑ Barber ¸ðµå¿¡¼´Â Depth °¡ Áõ°¡ÇÒ¼ö·Ï Feedback ÀÌ ÇÔ²² Ãß°¡µË´Ï´Ù. Envelope ¸ðµåÀÇ °æ¿ì Depth ³ëºê´Â ÀԷ°ªÀÇ °¨µµ¸¦(Input Sensitivity), Speed ³ëºê´Â Sweep ÀÇ ¹üÀ§¸¦ ¼³Á¤ÇÏ°Ô µË´Ï´Ù.
6-Stage Tuning
6-Stage ä³ÎÀº ÃÖ»óÀÇ ¸ðµâ·¹ÀÌ¼Ç ¿Ïº®ÇÏ°Ô Á¶Á¤µÇ¾ú½À´Ï´Ù. 6-Stage ä³ÎÀÇ Sweep Àº ¸Å¿ì ¹Î°¨ÇÏ°Ô ¹ÝÀÀÇϸç Voice, Depth, Speed ¼¼Æÿ¡ µû¶ó °¢°¢ ´Ù¸£°Ô ¹ÝÀÀÇÏ¸ç °¢°¢ÀÇ ³ëºêµéÀÇ ¸Å°³º¯¼ö¿¡ µû¶ó ¾ÆÁÖ ´Ù¾çÇÏ°í ´ÙÀ̳ª¹ÍÇÑ ÅæÀ» ¸¸µé¾î³À´Ï´Ù.
6-Stage Resonance
Resonance ȸ·Î´Â 6-Stage ä³ÎÀÇ Feedback À» Ãß°¡ÇÏ°í Notch ¿Í Peak °ªÀ» °ÈÇÕ´Ï´Ù. Resonance ¸ðµå¿¡ µû¶ó ±ØÀûÀÎ ÆäÀÌ¡ È¿°ú¿¡¼ºÎÅÍ, Ŭ·¡½Ä Ç÷»Àú »ç¿îµå, ½ÉÁö¾î ¸Å¿ì dzºÎÇÑ ÄÚ·¯½º È¿°ú±îÁö ¸¸µé¾î ³¾ ¼ö ÀÖ½À´Ï´Ù.
¶ó¿ìÆà ¿É¼Ç
Zelzah °¡ ÄÑÁ® ÀÖ´Â »óÅ¿¡¼ 6-Stage Dz½ºÀ§Ä¡¸¦ ±æ°Ô ´©¸£°í, Voice ³ëºê¸¦ µ¹·Á Zelzah ÀÇ ¶ó¿ìÆÃÀ» ¼±ÅÃÇÒ ¼ö ÀÖ½À´Ï´Ù. Voice ¸¦ ¿ÞÂÊÀ¸·Î µ¹¸®¸é SERIES(³ì»ö LED) ¸ðµå, Áß°£À¸·Î Á¶ÀýÇϸé PARALLEL(ÆĶõ»ö LED) ¸ðµå, ¿À¸¥ÂÊÀ¸·Î µ¹¸®¸é SPLIT (»¡°£»ö LED) ·Î ¼³Á¤µË´Ï´Ù. ¼³Á¤ ¿Ï·á ÈÄ Ç²½ºÀ§Ä¡¸¦ ´©¸£¸é ¼³Á¤ÀÌ ÀúÀåµË´Ï´Ù.
SERIES ´Â µÎ °³ÀÇ ÆäÀÌÀú°¡ ³ª¶õÈ÷ ¹èÄ¡µÈ °Í ó·³ 6-Stage ¿¡¼ 4-Stage ·Î Á÷·Ä ¿¬°áµÇ¸ç, PARALLEL ¸ðµå´Â 6-Stage ¹× 4-Stage ÆäÀÌÀú°¡ µ¶¸³ÀûÀ¸·Î ó¸®µÈ ÈÄ Ãâ·Â´Ü¿¡¼ ¹Í½ºµÇ´Â ÇüÅÂÀÔ´Ï´Ù. ¶ÇÇÑ SPLIT ¸ðµå¿¡¼´Â ¿ÞÂÊ Ãâ·ÂÀº 4-Stage ÆäÀÌÀú°¡ ¿À¸¥ÂÊ Ãâ·ÂÀº 5-Stage ÆäÀÌÀú°¡ Ãâ·ÂµË´Ï´Ù.
ÇÏÀÌÆÄÀÌ Æ®·ç ½ºÅ×·¹¿À
Zelzah ´Â ÀÎDzÀ¸·Î ÀÔ·ÂµÈ ½ºÅ×·¹¿À ½ÅÈ£¸¦ µ¶¸³ÀûÀ¸·Î ó¸®ÇÏ¸ç ¿ÏÀüÇÑ ½ºÅ×·¹¿À ÀÔ·Â ¹× Ãâ·ÂÀ» Áö¿øÇÕ´Ï´Ù. ÀÔ·Â ´ÜÀÚÀÇ ¸ð³ë ¹× ½ºÆ®·¹¿À¸¦ Åä±Û ½ºÀ§Ä¡·Î °£´ÜÇÏ°Ô Àüȯ ÇÒ ¼ö ÀÖÀ¸¸ç, ½ºÅ×·¹¿À ½ºÇÁ·¹µå ±â´ÉÀ» ÅëÇØ µÎ°³ÀÇ ÀÎDz ½ÅÈ£¸¦ µÎ°³ÀÇ ¾Æ¿ôDz¿¡¼ °¢°¢ ¸ð³ë·Î Ãâ·ÂÇÏ´Â ÀÌÁß ¸ð³ë ¼³Á¤ºÎÅÍ, ½ºÅ×ÆäÀÌÀú »ç¿îµå¸¦ 180¨¬ À§»óÂ÷·Î ½ºÅ×·¹¿À Ãâ·Â±îÁö °¡´ÉÇÕ´Ï´Ù.
½ºÅ×·¹¿À ½ºÇÁ·¹µå ±â´ÉÀ» ¼³Á¤ÇÏ·Á¸é, Zelzah °¡ ÄÑÁ® ÀÖ´Â »óÅ¿¡¼ 6-Stage Dz½ºÀ§Ä¡¸¦ ±æ°Ô ´©¸£°í °¢ Stage ÀÇ Depth ³ëºê¸¦ µ¹·Á Stageº°·Î °¢°¢ Spread ¼³Á¤ÀÌ °¡´ÉÇÕ´Ï´Ù. LED °¡ Ȳ»öÀÏ °æ¿ì Wide Spread ¸ðµå, ³ì»öÀÏ °æ¿ì Naroww Spread ¸ðµåÀÔ´Ï´Ù.
¶ó¿ìÆà ¿É¼ÇÀÇ Split ¸ðµå¸¦ ¼±ÅÃÇÒ °æ¿ì ½ºÅ×·¹¿À ½ºÇÁ·¹µå°¡ Àû¿ëµÇÁö ¾Ê½À´Ï´Ù.
MIDI ¹× È®Àå Æ÷Æ®
Zelzah ´Â ÀÎDzÀ¸Zelzah ´Â ÀͽºÇÁ·¹¼Ç ´ÜÀÚ ¹× ¹Ìµð ´ÜÁö¸¦ žÀçÇÏ°í ÀÖ½À´Ï´Ù. ÀͽºÇÁ·¹¼Ç Æä´ÞÀ» ¿¬°áÇÏ°í ´õ¿í ºü¸£°í Á÷°üÀûÀÎ ÄÁÆ®·ÑÀÌ °¡´ÉÇϸç ÀͽºÇÁ·¹¼Ç Æä´Þ¿¡ ¿øÇÏ´Â ¸¸Å ³ëºê¸¦ ¼³Á¤ÇÏ¸é ¸ðµç ¼³Á¤ÀÌ ÀͽºÇÁ·¹¼Ç Æä´ÞÀÇ ¹üÀ§¿¡¼ µ¿½Ã¿¡ ¸ðÇε˴ϴÙ.
Ãß°¡ÀûÀ¸·Î MultiSwitch Plus À» ÀÌ¿ëÇÏ¿© 3°³ÀÇ ÇÁ¸®¼ÂÀ» »ç¿ëÇÒ ¼ö ÀÖÀ¸¸ç, EXP/MIDI Àè ¶Ç´Â USB-C ¿¬°áÀ» ÅëÇØ ÄÁÆ®·Ñ·¯ ¶Ç´Â DAW ¿¡¼ MIDI ¸í·ÉÀ» Àü¼ÛÇÏ¿© °ÅÀÇ ¸ðµç ½ºÀ§Ä¡, ³ëºê ¹× °¢Á¾ ¼³Á¤À» ¿ø°ÝÀ¸·Î Á¦¾îÇÒ ¼öµµ ÀÖ½À´Ï´Ù.
Specification
Sound Design
Two independent effects that can be configured and controlled separately and used one at a time or simultaneously in series, parallel, or split configurations
Vintage 4-stage phaser with three phaser sweep modes: classic, barber, and envelope
Groundbreaking new 6-stage phaser algorithm with a continuous range from classic pure 6-stage phasing to flanging to chorus, all with adjustable resonance
True stereo operation means under the hood each half of the pedal has two phasers running side by side (two 4-stage and two 6-stage) or in series, with independently adjustable stereo spread for each
All controls are carefully voiced to produce musically useful sounds at any setting
Adjustable input level switch to allow for both instrument and line level signals
Selectable Buffered or True Bypass
Full featured MIDI implementation via TRS or USB supporting MIDI CCs, MIDI clock sync, access to 300 preset locations
Ins, Outs, and Switches
High impedance ultra low-noise discrete Class A JFET TRS stereo input.
Low impedance independent TS stereo outputs.
Expression pedal input allows the connection of a TRS expression pedal, MiniSwitch, MultiSwitch Plus, or TRS MIDI connection.
USB jack for controlling via MIDI from a computer or for performing firmware updates.
Independent on/off footswitch for each phaser
Audio Quality and More
Premium JFET analog front end
Ultra low noise, high performance 24-bit 96kHz A/D and D/A converters provide uncompromising audio quality
480MHz ARM Superscalar processor
32-bit floating point processing
20Hz to 20kHz frequency response
Audio Input Impedance: 1M Ohm
Audio Output Impedance: 100 Ohm
Strong and lightweight anodized dark purple aluminum chassis
Power requirements: maximum 9 volts DC center-negative, with a minimum of 300mA of current
Dimensions:
4.5¡± deep x 4¡± wide x 1.75¡± tall
11.4 cm deep x 10.2 cm wide x 4.4 cm tall
Designed and built in the USA
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