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Ȩ   >   ±âŸÀÌÆåÅÍ   >   ¼öÀԺ귣µå(M~Z)   >   Strymon
»óÇ°¹øÈ£ : 55070
Strymon - Zelzah / ¸ÖƼ µð¸à¼Ç ÆäÀÌÀú

 
  ÄíÆù°¡´É ÁÁ¾Æ¿ä 160 ¸í

Strymon - Zelzah / ¸ÖƼ µð¸à¼Ç ÆäÀÌÀú

9v 300ma ¾î´ðÅÍ »ç¿ë °¡´É (¹ÌÆ÷ÇÔ)
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Á¦Á¶»ç(»ý»êÀÚ), ¼öÀÔÀÚ Strymon/(ÁÖ)½ºÄð¹ÂÁ÷ »ö»ó ÇÏ´Ü À̹ÌÁö ÂüÁ¶ »óÇ°º° ¼¼ºÎ»ç¾ç ÇÏ´Ü ½ºÆå ÂüÁ¶
Á¦Á¶±¹(¿ø»êÁö) Strymon/USA  [ºê·£µå »óÇ° º¸±â] Å©±â ÇÏ´Ü ½ºÆå ÂüÁ¶ Ç°Áúº¸Áõ±âÁØ ÇÏ´Ü ¼³¸í ÂüÁ¶
Ç°¸í ¹× ¸ðµ¨¸í Strymon - Zelzah / ¸ÖƼ µð¸à¼Ç ÆäÀÌÀú µ¿Àϸðµ¨ÀÇ Ãâ½Ã³â¿ù
(Á¦Á¶ÀÏÀÚ ¾Æ´Ô)
2021³â 10¿ù 05ÀÏ A/S ¾È³» (ÁÖ) ½ºÄð¹ÂÁ÷ / 1566-5150
ÀçÁú ÇÏ´Ü ½ºÆå ÂüÁ¶ Á¦Ç°±¸¼º ÇÏ´Ü À̹ÌÁö ÂüÁ¶    
 
Àü¿ë¾Æ´äÅÍ ¹ÌÆ÷ÇÔ ÀÌÆåÅÍ ÀÔ·ÂÀü¿ø DC ±Ø¼º ¼¾Å͸¶À̳ʽº(-)
º¼Æ® 9V ¾ÏÆä¾î 300mA ±× ¿Ü  
 

 

 

 

 

 

 

 

 

 


 

 

 

 

 

 

 


Strymon : Zelzah

 


 

 

 

¸ÖƼ µð¸à¼Ç ÆäÀÌÀú

 

Zelzah´Â ÇϳªÀÇ Æä´Þ¿¡ µÎ °³ÀÇ ÆäÀÌÀú°¡ ³»ÀåµÇ¾î ÀÖ´Â Á¦Ç°ÀÔ´Ï´Ù. 4 Stage ¹æ½ÄÀÇ ÁÂÃø ä³ÎÀº ÆäÀÌÀú¿¡¼­ ºñºê¶óÅä¿¡ À̸£±â±îÁö ´Ù¾çÇÑ Å¬·¡½Ä »ç¿îµå¸¦ Áö¿øÇϸç, 6 Stage ¹æ½ÄÀÇ ¿ìÃø ä³ÎÀº ÆäÀÌÀú, Ç÷£Àú, ÄÚ·¯½º µî ´Ù¾çÇÑ ¸ðµâ·¹ÀÌ¼Ç »ç¿îµå¸¦ Á¦°øÇÕ´Ï´Ù. ÇÑÂÊ¿¡´Â ÄÚ·¯½º¸¦, ´Ù¸¥ ÂÊ¿¡´Â ÆäÀÌÀú¸¦ ¼¼ÆÃÇϰųª, ¶Ç´Â ÇÑÂÊ¿¡´Â ÆäÀÌÀú¸¦, ´Ù¸¥ ÂÊ¿¡´Â Æ®·¹¸ô·Î¸¦ ¼¼ÆÃÇÏ´Â µî ´Ù¾çÇÑ ±¸¼ºÀ¸·Î µÎ°³ÀÇ Ã¤³ÎÀ» È°¿ëÀÌ °¡´ÉÇϸç, ÇÑ°³ÀÇ Ã¤³Î¸¸ µ¶¸³ÀûÀ¸·Î »ç¿ë ÇÒ ¼ö ÀÖ½À´Ï´Ù.

 

 

 

 

 

 

 

 

 

 

4-Stage Phaser Sweep

 

Classic Sweep

ù ¹ø° ½ºÀ¬ ¸ðµå´Â ¿ì¸® ¸ðµÎ°¡ ¾Ë°í ÀÖ´Â °íÀüÀûÀÎ 4-Stage ¹æ½ÄÀÇ Å¬·¡½Ä ÆäÀÌÀúÀÔ´Ï´Ù. ÀÌ ¸ðµå´Â ¿©·¯ºÐµéÀÌ ¾ÆÁÖ Ä£¼÷ÇÑ ºóƼÁö ÆäÀÌÀú »ç¿îµå¸¦ »ý¼ºÇÕ´Ï´Ù.

 

Barber Sweep

Barber Sweep ¸ðµå´Â ÆÄÇüÀÇ »ó½Â°ú ÇÏ°­ÀÌ ¹Ýº¹ÀûÀ¸·Î ÀÌ·ç¾îÁüÀ¸·Î¼­ ¸Å¿ì ¸ùȯÀûÀÎ »ç¿îµå¸¦ ¸¸µé¾îÁÖ´Â ÁÖ´Â ¸ðµåÀÔ´Ï´Ù. ÀÌ·¯ÇÑ ÆÄÇüÀÇ ºñÁÖ¾ó ÀÌÆåÆ®°¡ À̹߼ÒÀÇ °£ÆÇ ±âµÕ(Barber pole) °ú À¯»çÇÑ ¸ð½ÀÀ» º¸ÀÌ°í ÀÖ¾î ÀÌ·¯ÇÑ À̸§ÀÌ ºÙÇôÁ³½À´Ï´Ù.

 

Envelope Phaser (Env)

Envelope Phaser ¸ðµå´Â À§ 2°³ÀÇ ½ºÀ¬ ¸ðµå¿Í´Â ¿ÏÀüÈ÷ »õ·Î¿î Æä´ÞÀ» »ç¿ëÇÏ´Â µí ÇÑ »ö´Ù¸¥ »ç¿îµå¸¦ º¸¿©ÁÝ´Ï´Ù. ±âŸ ¿¬ÁÖ ½Ã ¼¶¼¼ÇÑ ÅÍÄ¡¿¡ ¹Î°¨ÇÏ°Ô ¹ÝÀÀÇÏ¿© ¸¶Ä¡ Àκ§·ÓÇÊÅͳª ¿ÀÅä ¿Í¿Í¿Í °°Àº ´ÙÀ̳ª¹ÍÇÏ°í ÆãÅ°ÇÑ »ç¿îµå¸¦ ¸¸µé¾îÁÝ´Ï´Ù.

 


 

 

 

 

 

 

6-Stage Voice : ȹ±âÀûÀÎ »õ·Î¿î ÆäÀÌÀú ¾Ë°í¸®Áò

 

º¸À̽º ³ëºê´Â 6-StageÀÇ 30°³ ÀÌ»óÀÇ ÆĶó¸ÞÅ͸¦ µ¿½Ã¿¡ Á¦¾îÇϸç, ¸ðµç ¸¶¶ó¸ÞÅÍ°¡ ¾ÆÁÖ Á¶È­·Ó°Ô ±¸¼ºµÇµµ·Ï ¼³°èµÇ¾ú½À´Ï´Ù.

±í°í, ´ÞÄÞÇÏ°í ºóƼÁöÇϸç Åõ¸íÇÑ ´À³¦À» ÁÙ »Ó¸¸ ¾Æ´Ï¶ó, ³ëºê °ªÀ» ¿Ã¸±¼ö·Ï Çõ½ÅÀûÀÎ ¿Ã Æнº (All-Pass) ¾Ë°í¸®ÁòÀÌ Ä³½ºÄÉÀ̵ù ¿Ã Æнº ÇÊÅÍ(Cascading All-Pass Filters) ÀÇ ÀÀ´ä ¼Óµµ(Response Time)¸¦ Áö¼ÓÀûÀ¸·Î È®ÀåÇÏ¿© ´õ¿í dz¼ºÇÑ °ø°£°¨À» Á¦°øÇÕ´Ï´Ù.

ÀÌ ¾Ë°í¸®ÁòÀº ´Ü¼øÈ÷ ÆäÀ̰̽ú Ç÷£Â¡ÀÇ È¥ÇÕÀÌ ¾Æ´Ï¶ó ÅæÀÇ ¿µ¿ªÀ» ´õ¿í »õ·Ó°Ô È®Àå½ÃÄÑÁÝ´Ï´Ù. º¸À̽º ³ëºê¸¦ ¿À¸¥ÂÊÀ¸·Î Á¶±Ý¾¿ µ¹·Áº¸¼¼¿ä, °í±Þ½º·¯¿î Ç÷»Àú »ç¿îµåºÎÅÍ ºóƼÁöÇÏ°í û·®ÇÑ ÄÚ·¯½º »ç¿îµå±îÁö, ³ëºê °ªÀÇ ¸ðµç Æ÷ÀÎÆ®¿¡´Â À½¾ÇÀûÀÎ ¿µ°¨À» ÁÖ´Â ¸Å·ÂÀûÀÎ »ç¿îµå°¡ ÀÖÀ¸¸ç, ÁøÁ¤À¸·Î ¿©·¯ºÐµéÀÌ Ãß±¸ÇÏ´Â ÅæÀ» °£´ÜÈ÷ ¸¸µé¾î ³¾ ¼ö ÀÖ½À´Ï´Ù.

 


 

 

 

 

 

 

»ç¿îµå µðÀÚÀÎ

 

Inspiration

Zelzah ÀÇ ¸ñÇ¥´Â ÀÏ·ºÆ®¸¯ ±âŸ ¹× ÀÏ·ºÆ®¸¯ ÇǾƳë¿Í Àß ¾î¿ï¸®´Â 1970³â´ëÀÇ ºØºÎÇÑ ÆäÀÌ¡ »ç¿îµå¸¦ Æ÷ÂøÇÏ´Â °ÍÀ̾ú½À´Ï´Ù. ¶ÇÇÑ ÃÖ°íÀÇ ºóƼÁö ÆäÀÌÀú »ç¿îµå¸¦ Á¦°øÇÏ´Â °Í ¿Ü¿¡µµ µ¶ÃøÇÏ°í ¿¹»óÄ¡ ¸øÇÑ ¹æ½ÄÀ¸·Î À½ÇâÀûÀÎ °¡´É¼ºÀ» È®ÀåÇÏ°íÀÚ ÇÏ¿´½À´Ï´Ù. À̸¦ À§ÇØ 6-Stage ÆäÀÌÀú¸¦ ±â¹ÝÀ¸·Î All-Pass ÇÊÅÍ¿Í µ¶Æ¯ÇÑ ¾ÆÅ°ÅØÃĸ¦ °³¹ßÇÏ¿´½À´Ï´Ù. ¶ÇÇÑ Å¬·¡½ÄÇÑ 4-Stage ÆäÀÌÀú¿¡¼­´Â ¿©·¯ºÐµéÀÌ ±â´ëÇÏ´Â ºóƼÁö »ç¿îµå¸¦ Á¦°øÇÏ´Â µ¿½Ã¿¡ ´Ù¾çÇÑ ½ºÀ¬ ¸ðµå¸¦ Ãß°¡ÇÏ¿© °£´ÜÇÑ ¼³Á¤¸¸À¸·Î ÈǸ¢ÇÏ°í ´Ù¾çÇÑ ÆäÀÌ¡ »ç¿îµå¸¦ ¸¸µé ¼ö ÀÖµµ·Ï Á¦À۵Ǿú½À´Ï´Ù.

 

4-Stage Mix

4-Stage ä³Î¿¡¼­ ¹Í½º ÄÁÆ®·ÑÀ» »ç¿ëÇÏ¿© ³î¶øµµ·Ï ´Ù¾çÇÑ »ç¿îµå¸¦ ¸¸µé¾î ³¾ ¼ö ÀÖ½À´Ï´Ù. Classic Sweep ¸ðµå¿¡¼­´Â ¹Ì¹¦ÇÑ ÆäÀÌ¡ºÎÅÍ Å¬·¡½Ä ÆäÀÌ¡ »ç¿îµå¿¡ À̸£±â±îÁö ´Ù¾çÇÑ ÆäÀÌÁî ¹üÀ§¸¦ Á¦°øÇϸç, ½ÉÁö¾î, ºñºê¶óÅä È¿°ú±îÁö ¾òÀ» ¼ö ÀÖ½À´Ï´Ù. ¶ÇÇÑ Barber Sweep ¸ðµå¿¡¼­´Â ´õ¿í ³·Àº Depth °ª ¼¼ÆÃÀ», Envelope Sweep ¸ðµåÀÇ °æ¿ì ¼öÄ¡°¡ ³ôÀ»¼ö·Ï ´õ¿í ¹Î°¨ÇÏ°Ô ¹ÝÀÀÇÏ´Â ´ÙÀ̳ª¹ÍÇÑ ÇÇÄ¡ ¸ðµâ·¹ÀÌ¼Ç È¿°ú¸¦ ¾òÀ» ¼ö ÀÖ½À´Ï´Ù.

 

4-Stage Depth

4-Stage ä³ÎÀÇ Depth ³ëºê´Â ¸Å¿ì Á÷°üÀûÀ̸ç, ´Ü¼øÇÑ ¼öÄ¡ º¯È­ »Ó¸¸ ¾Æ´Ï¶ó ¸ÅÀ¯ À½¾ÇÀûÀ¸·Î ¹ÝÀÀÇϵµ·Ï ¼³°èµÇ¾ú½À´Ï´Ù. Classic ¹× Barber ¸ðµå¿¡¼­´Â ¼öÄ¡°¡ ¿Ã¶ó°¥¼ö·Ï Sweep ÀÇ Á᫐ ÁÖÆļö°¡ Á¶Á¤ÇÔ°ú µ¿½Ã¿¡ ÀÌ»óÀûÀÎ ÅæÀ» ¾òÀ» ¼ö ÀÖµµ·Ï ÁÖÆļö ¹üÀ§¸¦ ½ºÀ­ ½ºÆÌ(Sweep Spot) À¸·Î À¯Áö½ÃÄÑÁÝ´Ï´Ù. ¶ÇÇÑ Barber ¸ðµå¿¡¼­´Â Depth °¡ Áõ°¡ÇÒ¼ö·Ï Feedback ÀÌ ÇÔ²² Ãß°¡µË´Ï´Ù. Envelope ¸ðµåÀÇ °æ¿ì Depth ³ëºê´Â ÀԷ°ªÀÇ °¨µµ¸¦(Input Sensitivity), Speed ³ëºê´Â Sweep ÀÇ ¹üÀ§¸¦ ¼³Á¤ÇÏ°Ô µË´Ï´Ù.

 

6-Stage Tuning

6-Stage ä³ÎÀº ÃÖ»óÀÇ ¸ðµâ·¹ÀÌ¼Ç ¿Ïº®ÇÏ°Ô Á¶Á¤µÇ¾ú½À´Ï´Ù. 6-Stage ä³ÎÀÇ Sweep Àº ¸Å¿ì ¹Î°¨ÇÏ°Ô ¹ÝÀÀÇϸç Voice, Depth, Speed ¼¼Æÿ¡ µû¶ó °¢°¢ ´Ù¸£°Ô ¹ÝÀÀÇÏ¸ç °¢°¢ÀÇ ³ëºêµéÀÇ ¸Å°³º¯¼ö¿¡ µû¶ó ¾ÆÁÖ ´Ù¾çÇÏ°í ´ÙÀ̳ª¹ÍÇÑ ÅæÀ» ¸¸µé¾î³À´Ï´Ù.

 

6-Stage Resonance

Resonance ȸ·Î´Â 6-Stage ä³ÎÀÇ Feedback À» Ãß°¡ÇÏ°í Notch ¿Í Peak °ªÀ» °­È­ÇÕ´Ï´Ù. Resonance ¸ðµå¿¡ µû¶ó ±ØÀûÀÎ ÆäÀÌ¡ È¿°ú¿¡¼­ºÎÅÍ, Ŭ·¡½Ä Ç÷»Àú »ç¿îµå, ½ÉÁö¾î ¸Å¿ì dzºÎÇÑ ÄÚ·¯½º È¿°ú±îÁö ¸¸µé¾î ³¾ ¼ö ÀÖ½À´Ï´Ù.

 


 

 

 

 

 

 

¶ó¿ìÆà ¿É¼Ç

 

Zelzah °¡ ÄÑÁ® ÀÖ´Â »óÅ¿¡¼­ 6-Stage Dz½ºÀ§Ä¡¸¦ ±æ°Ô ´©¸£°í, Voice ³ëºê¸¦ µ¹·Á Zelzah ÀÇ ¶ó¿ìÆÃÀ» ¼±ÅÃÇÒ ¼ö ÀÖ½À´Ï´Ù. Voice ¸¦ ¿ÞÂÊÀ¸·Î µ¹¸®¸é SERIES(³ì»ö LED) ¸ðµå, Áß°£À¸·Î Á¶ÀýÇϸé PARALLEL(ÆĶõ»ö LED) ¸ðµå, ¿À¸¥ÂÊÀ¸·Î µ¹¸®¸é SPLIT (»¡°£»ö LED) ·Î ¼³Á¤µË´Ï´Ù. ¼³Á¤ ¿Ï·á ÈÄ Ç²½ºÀ§Ä¡¸¦ ´©¸£¸é ¼³Á¤ÀÌ ÀúÀåµË´Ï´Ù.

SERIES ´Â µÎ °³ÀÇ ÆäÀÌÀú°¡ ³ª¶õÈ÷ ¹èÄ¡µÈ °Í ó·³ 6-Stage ¿¡¼­ 4-Stage ·Î Á÷·Ä ¿¬°áµÇ¸ç, PARALLEL ¸ðµå´Â 6-Stage ¹× 4-Stage ÆäÀÌÀú°¡ µ¶¸³ÀûÀ¸·Î ó¸®µÈ ÈÄ Ãâ·Â´Ü¿¡¼­ ¹Í½ºµÇ´Â ÇüÅÂÀÔ´Ï´Ù. ¶ÇÇÑ SPLIT ¸ðµå¿¡¼­´Â ¿ÞÂÊ Ãâ·ÂÀº 4-Stage ÆäÀÌÀú°¡ ¿À¸¥ÂÊ Ãâ·ÂÀº 5-Stage ÆäÀÌÀú°¡ Ãâ·ÂµË´Ï´Ù.

 


 

 

 

 

 

 

ÇÏÀÌÆÄÀÌ Æ®·ç ½ºÅ×·¹¿À

 

Zelzah ´Â ÀÎDzÀ¸·Î ÀÔ·ÂµÈ ½ºÅ×·¹¿À ½ÅÈ£¸¦ µ¶¸³ÀûÀ¸·Î ó¸®ÇÏ¸ç ¿ÏÀüÇÑ ½ºÅ×·¹¿À ÀÔ·Â ¹× Ãâ·ÂÀ» Áö¿øÇÕ´Ï´Ù. ÀÔ·Â ´ÜÀÚÀÇ ¸ð³ë ¹× ½ºÆ®·¹¿À¸¦ Åä±Û ½ºÀ§Ä¡·Î °£´ÜÇÏ°Ô Àüȯ ÇÒ ¼ö ÀÖÀ¸¸ç, ½ºÅ×·¹¿À ½ºÇÁ·¹µå ±â´ÉÀ» ÅëÇØ µÎ°³ÀÇ ÀÎDz ½ÅÈ£¸¦ µÎ°³ÀÇ ¾Æ¿ôDz¿¡¼­ °¢°¢ ¸ð³ë·Î Ãâ·ÂÇÏ´Â ÀÌÁß ¸ð³ë ¼³Á¤ºÎÅÍ, ½ºÅ×ÆäÀÌÀú »ç¿îµå¸¦ 180¨¬ À§»óÂ÷·Î ½ºÅ×·¹¿À Ãâ·Â±îÁö °¡´ÉÇÕ´Ï´Ù.

½ºÅ×·¹¿À ½ºÇÁ·¹µå ±â´ÉÀ» ¼³Á¤ÇÏ·Á¸é, Zelzah °¡ ÄÑÁ® ÀÖ´Â »óÅ¿¡¼­ 6-Stage Dz½ºÀ§Ä¡¸¦ ±æ°Ô ´©¸£°í °¢ Stage ÀÇ Depth ³ëºê¸¦ µ¹·Á Stageº°·Î °¢°¢ Spread ¼³Á¤ÀÌ °¡´ÉÇÕ´Ï´Ù. LED °¡ Ȳ»öÀÏ °æ¿ì Wide Spread ¸ðµå, ³ì»öÀÏ °æ¿ì Naroww Spread ¸ðµåÀÔ´Ï´Ù.

¶ó¿ìÆà ¿É¼ÇÀÇ Split ¸ðµå¸¦ ¼±ÅÃÇÒ °æ¿ì ½ºÅ×·¹¿À ½ºÇÁ·¹µå°¡ Àû¿ëµÇÁö ¾Ê½À´Ï´Ù.

 


 

 

 

 

 

 

MIDI ¹× È®Àå Æ÷Æ®

 

Zelzah ´Â ÀÎDzÀ¸Zelzah ´Â ÀͽºÇÁ·¹¼Ç ´ÜÀÚ ¹× ¹Ìµð ´ÜÁö¸¦ žÀçÇÏ°í ÀÖ½À´Ï´Ù. ÀͽºÇÁ·¹¼Ç Æä´ÞÀ» ¿¬°áÇÏ°í ´õ¿í ºü¸£°í Á÷°üÀûÀÎ ÄÁÆ®·ÑÀÌ °¡´ÉÇϸç ÀͽºÇÁ·¹¼Ç Æä´Þ¿¡ ¿øÇÏ´Â ¸¸Å­ ³ëºê¸¦ ¼³Á¤ÇÏ¸é ¸ðµç ¼³Á¤ÀÌ ÀͽºÇÁ·¹¼Ç Æä´ÞÀÇ ¹üÀ§¿¡¼­ µ¿½Ã¿¡ ¸ðÇε˴ϴÙ. Ãß°¡ÀûÀ¸·Î MultiSwitch Plus À» ÀÌ¿ëÇÏ¿© 3°³ÀÇ ÇÁ¸®¼ÂÀ» »ç¿ëÇÒ ¼ö ÀÖÀ¸¸ç, EXP/MIDI Àè ¶Ç´Â USB-C ¿¬°áÀ» ÅëÇØ ÄÁÆ®·Ñ·¯ ¶Ç´Â DAW ¿¡¼­ MIDI ¸í·ÉÀ» Àü¼ÛÇÏ¿© °ÅÀÇ ¸ðµç ½ºÀ§Ä¡, ³ëºê ¹× °¢Á¾ ¼³Á¤À» ¿ø°ÝÀ¸·Î Á¦¾îÇÒ ¼öµµ ÀÖ½À´Ï´Ù.

 


 

 

 

 

 

 


 

 

 

 

 

 

Specification

 

 

Sound Design

  • Two independent effects that can be configured and controlled separately and used one at a time or simultaneously in series, parallel, or split configurations
  • Vintage 4-stage phaser with three phaser sweep modes: classic, barber, and envelope
  • Groundbreaking new 6-stage phaser algorithm with a continuous range from classic pure 6-stage phasing to flanging to chorus, all with adjustable resonance
  • True stereo operation means under the hood each half of the pedal has two phasers running side by side (two 4-stage and two 6-stage) or in series, with independently adjustable stereo spread for each
  • All controls are carefully voiced to produce musically useful sounds at any setting
  • Adjustable input level switch to allow for both instrument and line level signals
  • Selectable Buffered or True Bypass
  • Full featured MIDI implementation via TRS or USB supporting MIDI CCs, MIDI clock sync, access to 300 preset locations

 

 

Ins, Outs, and Switches

  • High impedance ultra low-noise discrete Class A JFET TRS stereo input.
  • Low impedance independent TS stereo outputs.
  • Expression pedal input allows the connection of a TRS expression pedal, MiniSwitch, MultiSwitch Plus, or TRS MIDI connection.
  • USB jack for controlling via MIDI from a computer or for performing firmware updates.
  • Independent on/off footswitch for each phaser

 

 

Audio Quality and More

  • Premium JFET analog front end
  • Ultra low noise, high performance 24-bit 96kHz A/D and D/A converters provide uncompromising audio quality
  • 480MHz ARM Superscalar processor
  • 32-bit floating point processing
  • 20Hz to 20kHz frequency response
  • Audio Input Impedance: 1M Ohm
  • Audio Output Impedance: 100 Ohm
  • Strong and lightweight anodized dark purple aluminum chassis
  • Power requirements: maximum 9 volts DC center-negative, with a minimum of 300mA of current
  • Dimensions:
    4.5¡± deep x 4¡± wide x 1.75¡± tall
    11.4 cm deep x 10.2 cm wide x 4.4 cm tall
  • Designed and built in the USA

 

 

 

 

 

 

 

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