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¹öŬ¸® À½´ë ¸ð´ø ÀçÁî º¸ÀÌ½Ì Modern Jazz Voicings (Berklee) [50449485]
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Modern Jazz Voicings (Berklee) ¹öŬ¸® À½´ë ¸ð´ø ÀçÁî º¸ÀÌ½Ì Arranging for Small and Medium Ensembles Book & Online Audio ÃâÆÇ»ç Berklee Press ÀúÀÚ Ted Pease, Ken Pullig ¾ÆÀÌÅÛ # 50449485 ºÐ·® 144 ÆäÀÌÁö ¿ø»êÁö ¹Ì±¹ ¹öŬ¸® À½´ë¿¡¼ ¿À·¡ÀüºÎÅÍ ÄÚµå ½ºÄÉÀÏ °ÀÇ¿¡ »ç¿ëÇØ¿À´ø ³»¿ëµéÀ» ÇÑ ±ÇÀ¸·Î Á¤¸®ÇÑ ¸ð´ø ÀçÁî º¸ÀÌ½Ì ±³º»À¸·Î °¡´ÉÇÑ ¸ðµç ¾Ó»óºí Á¶Çյ鿡 ÃÊÁ¡À» ¸ÂÃß°í ¾î¶»°Ô ÄÚµå º¸À̽̿¡ »öä¿Í ¼º°Ý°ú ¼¼·Ã¹Ì¸¦ ´õÇÒ ¼ö ÀÖ´ÂÁö ¼³¸íÇÕ´Ï´Ù. ÀûÀýÇÑ Çϸð´Ð ÅÙ¼Ç ¼±ÅÃÇÏ´Â ¹ý, ÄÚµå º¸À̽ÌÀ¸·Î ¼º°Ý°ú ¼¼·Ã¹Ì¸¦ ´õÇÏ´Â ¹ý, Çϸð´ÏÀÇ ¾Ö¸Å¸ðÈ£ÇÔÀ» ±Øº¹ÇÏ´Â ¹ý, ÀϹÝÀûÀÌÁö ¾ÊÀº Á¶ÇÕµé°ú ÀüÅëÀûÀÌÁö ¾ÊÀº ÁøÇàµé·Î ½ÇÇèÇÏ´Â ¹æ¹ý µî ¸¹Àº ³»¿ëµéÀ» ´Ù·ç°í ÀÖ½À´Ï´Ù. ¿Â¶óÀÎÀ¸·Î Á¦°øµÇ´Â À½¿ø¿¡´Â ¼·Î ´Ù¸¥ ´Ù¾çÇÑ Æí°î ±â¼úÀ» »ç¿ëÇÑ ¸ð¹ü ¿¬ÁÖ°¡ ´ã°Ü ÀÖ½À´Ï´Ù. ½ºÆ®¸®¹Ö°ú ´Ù¿î·Îµå ¸ðµÎ °¡´ÉÇÑ À½¿øÀº PLAYBACK+ ±â´ÉÀÌ ³»ÀåµÇ¾î À½Á¤ º¯È ¾ø´Â ¼Óµµ Á¶Àý, ·çÇÁ Æ÷ÀÎÆ® ¼³Á¤, Á¶¹Ù²Þ, Á¿ì ÆÐ´× µîÀÇ ÀÛµ¿ÀÌ °¡´ÉÇÕ´Ï´Ù. - Contents - Introduction About the Authors How to Use This Book and AudioPART I: Background and Basics 1 Instrumental Information 1-1 Transposition 1-2 Ranges and Sound Characteristics 2 Fundamental Tools and Techniques 2-1 Tensions 2-2 Anticipation and Delayed Attack 2-3 Reharmonizing Approach Notes 3 Basic Voicings 3-1 Five-Part Soli Voicings 3-2 Five-Part Spreads 3-3 Five-Note Soli Voicings 3-4 Exercises 4 Chord Scales 4-1 Chord Scale Theory 4-2 Forming a Chord Scale 4-3 Avoid Notes 4-4 Notation and Labeling of Chord Scales 4-5 List of Tonal Chord Scales 4-6 List of Modal Chord Scales 4-7 ExercisesPART II: Modern Jazz Voicings 5 Voicings in Fourths 5-1 Characteristics 5-2 Five-Part Voicings in Fourths 5-3 Four-Part Voicings in Fourths 5-4 Three-Part Voicings in Fourths 5-5 Exercises 6 Voicings in Seconds (Clusters) 6-1 Characteristics 6-2 Five-Part Clusters 6-3 Four-Part Ousters 6-4 Three-Part Clusters 6-5 Using Clusters 6-6 Exercises 7 Voicing with Upper Structure Triads 7-1 Characteristics 7-2 Six-Part Upper Structure Triads 7-3 Five-Part Upper Structure Triads 7-4 Four-Part Upper Structure Triads 7-5 Three-Part Upper Structure Triads 7-6 Uses of Upper Structure Triads 7-7 Exercises 8 Writing for Six Parts 8-1 Basic Six-Part Writing 8-2 Six-Part Spreads 8-3 Six-Part Tutti Writing 8-4 Six-Part Voicings in Fourths 8-5 Six-Note Voicings in Fourths 8-6 Six-Part Spreads with Top Five Notes in Fourths 8-7 Six-Part Clusters 8-8 Exercises
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