2 Scales and Chords Major Scales and Modes Pentatonic and Blues Scales Triads and Seventh Chords Using Mixolydian Modes with Dominant Chords Using Pentatonic & Blues Scales with Dominant Chords
3 Blues Progressions and Left-Hand Patterns The Twelve-Bar Blues Left-Hand Patterns, Group One (using intervals) Left-Hand Patterns, Group Two (using three-note chords) Left-Hand Patterns, Group Three (using single notes) Left-Hand Patterns, Group Four (using rhythmic anticipations) Walking Bass Lines
4 Blues Voicings and Comping Triad Voicings Dominant Seventh and Ninth Voicings "Backcycled" Triad Voicings Mixolydian Third Intervals and Patterns Mixolydian Triad Patterns "Seven-Three" Voicings Blues Endings and Turnarounds
5 Right-Hand Techniques and Soloing Grace-Note Phrases Parallel Thirds and Sixths Mixolydian Sixths Drone Notes within Blues Scales Drone Notes with Half-Step Connecting Lines Combining Blues Scales When Soloing Octave Runs Using Blues Scales Crossover or "Resolving" Blues Licks Tremolos or "Rolls" "Cluster" Voicings and Arpeggios
6 Style File Meade's Boogie Chicago Breakup Every Night I Have the Blues Joe's Jump Fat Cat Blues Mardi Gras Groove Blue Stone Rock