Á¦Á¶»ç(»ý»êÀÚ), ¼öÀÔÀÚ
Berklee Press/¹ÂÁ÷¾ØºÏ½º
»ö»ó
ÇÏ´Ü À̹ÌÁö ÂüÁ¶
»óÇ°º° ¼¼ºÎ»ç¾ç
ÇÏ´Ü ½ºÆå ÂüÁ¶
Á¦Á¶±¹(¿ø»êÁö)
Berklee Press/¹Ì±¹ [ºê·£µå »óÇ° º¸±â]
Å©±â
ÇÏ´Ü ½ºÆå ÂüÁ¶
Ç°Áúº¸Áõ±âÁØ
ÇÏ´Ü ¼³¸í ÂüÁ¶
Ç°¸í ¹× ¸ðµ¨¸í
¹öŬ¸® À½´ë ÀçÁî µå·³ ±³º» A Manual for the Modern Drummer (Berklee) [50449560]
µ¿Àϸðµ¨ÀÇ Ãâ½Ã³â¿ù (Á¦Á¶ÀÏÀÚ ¾Æ´Ô)
2017³â 06¿ù 01ÀÏ
A/S ¾È³»
(ÁÖ) ½ºÄð¹ÂÁ÷ / 1566-5150
ÀçÁú
ÇÏ´Ü ½ºÆå ÂüÁ¶
Á¦Ç°±¸¼º
ÇÏ´Ü À̹ÌÁö ÂüÁ¶
A Manual for the Modern Drummer (Berklee) ¹öŬ¸® À½´ë ÀçÁî µå·³ ±³º» Jazz Drums ÃâÆÇ»ç Berklee Press ÀúÀÚ Don DeMicheal, Alan Dawson ¾ÆÀÌÅÛ # 50449560 ºÐ·® 104 ÆäÀÌÁö ¿ø»êÁö ¹Ì±¹ Alan DawsonÀÌ ¾²°í ¹öŬ¸® À½´ë¿¡¼ ÃâÆÇÇÑ ÀçÁî µå·³ ±³º»ÀÔ´Ï´Ù. ÀçÁî ½ºÅ¸ÀÏÀÇ ´Ù¾çÇÑ µå·³ Å×Å©´Ð°ú Chick Webb, Gene Krupa, Buddy Rich, Max Roach, Art Blakey µî Àü¼³ÀûÀÎ ÀçÁî µå·³ °ÅÀåµéÀÇ µå·³ ¼Ö·Î ½ºÅ¸ÀÏÀ» ¼Ò°³ÇÏ°í ÀÖ½À´Ï´Ù. ¹ÚÀÚ°¨°ú ÀçÁî ´À³¦ Çâ»ó½ÃÅ°±â, ÀçÁî ¸®µë°ú ¹ÚÀÚ ¼÷·ÃÇϱâ, µ¶¸³¼º°ú Ç¥ÇöÀÇ ´µ¾Ó½º °ÈÇϱâ, ²À ÇÊ¿äÇÑ ÆÐÅÏµé ¿¬ÁÖÇϱâ, ¼Ö·Î ´É·Â Çâ»ó½ÃÅ°±â µî ´Ù¾çÇÑ ³»¿ëµéÀÌ ½Ç·ÁÀÖ½À´Ï´Ù. - Contents - FOREWDRD INTRODUCTION PART I. THE FUNDAMENTALS The Cymbal Beat: Interpretation and Application Putting the Left Hand with the Cymbal Beat Brushes The Feet Hi-Hat/Sock-Cymbal Beats Combining Feet and Hands: The Final Step PART II. DANCE BAND DRUMMING Playing Equipment Meter Syncopation and Tied Notes Two-Beat Dance Music The Dance-Band Drummer and 3/4 Lame Duck and Shuffle Rhythm World Rhythms Latin Rhythms The Tango The Beguine The Bolero The Conga The Rhumba The Samba Calypso The Mambo The Cha Cha Cha The Merengue Nanigo Latin Rhythms: Timbales and Finer Points PART Ill. JAZZ Drums in Perspective Triplets The Jazz Drummer and Double Time The Razz Drummer and "Odd" Time Signatures Hand Independence and Coordination Hand Independence Using Triplets Hand Independence Using Eighth and Sixteenth Notes The Jazz Drumrner and the Drum Solo Evolution of the Drum Solo Developing the Ability to Play Musical Drum Solos Bass/Snare Combinations Snare/Tom-Tom Combinations CONCLUSION ABOUT THE AUTHORS
½ºÄð¹ÂÁ÷ ÀÌ´ÞÀÇ À̺¥Æ®
½ºÄð¹ÂÁ÷ ¹«·á ¹ÝÇ°!
2019. 4. 25. ~
Hotone Ampero ±¸ÀԽà Àü¿ë ±ã¹é ÁõÁ¤
2024.02.01. ~
ESP ÄÚ¸®¾Æ ¿öÅ©¼ó
2024.03.27. ~ 04.20
¶ó¿ìµå ºê¸´Áö Æ佺Ƽ¹ß ƼÄÏ À̺¥Æ®
2024.03.26 ~ 04.14
¹Úâ°ï 5Áý ¹ß¸Å ±â³ä ÄܼƮ
2024.03.25. ~ 04.20
°ÔÀÌÅͶû °¡Æ¼ ³ª°¥±î~
2023. 3.30. ~
Å©·¡ÇÁÅÍ ±âŸ ÀÔÁ¡ ±â³ä »çÀºÇ° ÁõÁ¤
2024.03.01. ~
½ºÆÄÅ©40 Àü¿ë ±ã¹é ÁõÁ¤ À̺¥
2024.03.28.~
½ºÄð¹ÂÁ÷ ESP ÇÁ¸®¿À´õ ¼ºñ½º
2020. 6. 5. ~
ÇÁ¶ó³ëÀÌ ½ºÆ®·¦ ¹«¸´ã¿ä ÁõÁ¤
2024.02.01. ~
ÆǸÅÁßÀÎ
µµ¼ Ä«Å×°í¸® ½Ç½Ã°£ Àαâ»óÇ°
±³È¯/¹ÝÇ°/ȯºÒ/ºÒ°¡ »çÀ¯ ¾È³»
°øÅë
»óÇ° ¶Ç´Â Æ÷ÀåÀÌ ÈÑ¼ÕµÇ¾î »óÇ°ÀÇ °¡Ä¡°¡ °¨¼ÒÇÑ °æ¿ì
±³È¯ ¶Ç´Â ȯºÒ ½Åû ±â°£ÀÌ °æ°úÇÑ °æ¿ì(7ÀÏÀ̳»)
±¸¸Å ÈÄ »ç¿ë¿¡ ÀÇÇØ »óÇ°ÀÇ °¡Ä¡°¡ °¨¼ÒÇÑ °æ¿ì
±¸¼º»óÇ°ÀÇ ÀϺΰ¡ ´©¶ôµÇ°Å³ª ÈÑ¼ÕµÈ °æ¿ì
¿äû¿¡ ÀÇÇÑ ÁÖ¹® Á¦ÀÛ »óÇ°ÀÎ °æ¿ì
¾ÚÇÁ µî ÀüÀÚ ÀåÄ¡·ù
»ç¿ëÀÚÀÇ °ú½Ç·Î ÇÕ¼±µî »óÇ°¿¡ °íÀåÀÌ ¹ß»ýÇÑ °æ¿ì
¼³Ä¡Çü ¾Ç±â (°Ç¹Ý¾Ç±â/Ÿ¾Ç±â)
»óÇ°¿¡ ÇÏÀÚ°¡ ¾ø°í ¼³Ä¡°¡ ¿Ï·áµÈ °æ¿ì
ÃëÁ־DZâ
»óÇ°À» »ç¿ëÇÑ °æ¿ì
½ºÆ®¸µ/ÄÉÀ̺í
»óÇ°À» °³ºÀÇÑ °æ¿ì
µµ¼
»óÇ°ÀÇ Æ÷ÀåÀ» °³ºÀÇÏ¿© º¹Á¦ÀÇ ¿©Áö°¡ ÀÖ´Â °æ¿ì
¾×¼¼¼¸®
»óÇ°À» »ç¿ëÇÏ¿© º¯ÇüÀÌ »ý±ä °æ¿ì
Ç°Áú º¸Áõ ±âÁØ
±¸ÀÔ ÈÄ 7ÀÏ À̳»
»óÇ° ¹× Æ÷ÀåÀÇ ÈÑ¼Õ ¾øÀ½
¹«»ó A/S, ±³È¯, ȯºÒ °¡´É
»óÇ° ¹× Æ÷ÀåÀÇ ÈѼÕ
A/S °¡´É
±¸ÀÔ ÈÄ 20ÀÏ À̳»
¿À¹è¼Û,´©¶ô,¹è¼ÛÁß ÆļÕ
¹«»ó A/S,±³È¯,ȯºÒ °¡´É
Á¦Ç°ÀÇ Ãʱ⠺ҷ®
¹«»ó A/S,±³È¯ °¡´É
Á¦°øÇÑ »óÇ° Á¤º¸¿Í ºÒÀÏÄ¡
¹«»ó A/S,±³È¯,ȯºÒ °¡´É
»ç¿ëÁß ¹ß»ýÇÑ ÈÑ¼Õ ¹× ÇÏÀÚ
A/S °¡´É
±¸ÀÔ ÈÄ 30ÀÏ À̳»
Á¦Ç°ÀÇ Ãʱ⠺ҷ®
¹«»ó A/S, ±³È¯ °¡´É
Á¦°øÇÑ »óÇ° Á¤º¸¿Í ºÒÀÏÄ¡
¹«»ó A/S, ±³È¯, ȯºÒ °¡´É
»ç¿ëÁß ¹ß»ýÇÑ ÈÑ¼Õ ¹× ÇÏÀÚ
A/S °¡´É
±¸ÀÔ ÈÄ 90ÀÏ À̳»
Á¦°øÇÑ »óÇ° Á¤º¸¿Í ºÒÀÏÄ¡
¹«»ó A/S, ±³È¯, ȯºÒ °¡´É
»ç¿ëÁß ¹ß»ýÇÑ ÈÑ¼Õ ¹× ÇÏÀÚ
A/S °¡´É
Ç°Áú º¸Áõ ±âÁØ
ȯºÒ °úÁ¤
¹ÝÇ°µÈ »óÇ°ÀÌ ÆǸÅÀÚ¿¡°Ô µµÂøÇÑ ÈÄ 3ÀÏ À̳»¿¡ ȯºÒ ¾È³» ¹× ó¸®
ȯºÒ Áö¿¬
¹ÝÇ°µÈ »óÇ°ÀÌ ÆǸÅÀÚ¿¡°Ô µµÂøÇÑ ÈÄ È¯ºÒ ó¸® ¿Ï·á±îÁö 3ÀÏ ÀÌ»ó °æ°ú
ȯºÒ Áö¿¬ ¹è»ó±Ý
ȯºÒ Áö¿¬ÀÌ ¹ß»ýÇÏ´Â °æ¿ì ÇØ´ç ȸ¿ø°í°´¿¡°Ô 5,000¿øÀÇ ¸¶Àϸ®Áö º¸»ó
½ºÄð¹ÂÁ÷ ¼îÇθôÀº °øÁ¤°Å·¡À§¿øȸ¿¡¼ ½ÉÀÇÇÑ Ç¥Áؾà°üÀ» »ç¿ëÇÏ°í ÀÖ½À´Ï´Ù. ¾à°üº¸±â