ȸ¿ø´Ô! ¹æ¹®À» ȯ¿µÇÕ´Ï´Ù. ·Î±×ÀÎ ¸ÅÀå¾È³» °í°´Áö¿ø¼¾ÅÍ ÃÖ±Ùº»»óÇ° ÁÖ¹®/¹è¼ÛÁ¶È¸(¿µ¼öÁõ) ¿À½Ã´Â±æ Àüü¸Þ´º
 
Áö½Ä:   ÀÏ·º±âŸ µ¶ÇÐ ±³º» ÃßõºÎŹµå·Á¿ä
schoolmusic
°Ë»ö
°í°´Áö¿ø¼¾ÅÍ ºü¸¥ ¾È³» ÆÁ
1566-5150
0
0
ȸ¿ø´Ô
³ªÀÇ ½ºÄð¹ÂÁ÷
 
≡  Àüü Ä«Å×°í¸® ½ÅÁ¦Ç° BEST ½º¸¶Æ®¼¥ ¿À´Ã¸¸Æ¯°¡ À̺¥Æ® Áö½Ä¿Õ Çб³/°ü°ø¼­/´Üü°ßÀû

ÀÏ·º±âŸ

º£À̽º

Åë±âŸ

Ŭ·¡½Ä

¿ìÄð·¼·¹

¾ÚÇÁ¡¤ÇìµåÆù

ÀÌÆåÅÍ

ÇȾ÷/ºÎÇ°

·¹ÄÚµù¡¤¸¶ÀÌÅ©

°Ç¹Ý¡¤¹ÝÁÖ±â

µå·³

°üÇö¾Ç±â

½ºÆ®¸µ

¾Ç¼¼»ç¸®

µµ¼­¡¤Çϸð´ÏÄ«

Ư°¡Á¦Ç°

±³À°¿ë¾Ç±â
 
¡ã
TOP
DOWN
¡å

Ȩ   >   µµ¼­   >   ¼öÀÔµµ¼­ (¿µ¹®)   >   º£À̽º
»óÇ°¹øÈ£ : 24308
Bass Hanon<br>º£À̽º Çϳó (00696661)

 
  ÄíÆù°¡´É ÁÁ¾Æ¿ä 413 ¸í

Bass Hanon
º£À̽º Çϳó (00696661)

(2)

 
23,400¿ø
23,400¿ø(ºÎ°¡¼¼ Æ÷ÇÔ)
  

  ¹«ÀÌÀÚÇҺΠ| °¡°Ýº¯µ¿ ¾Ë¸² | ÀÔ°í ¾Ë¸²½Åû | Äü ÂøºÒ ¹è¼Û
¹è¼Ûºñ 5¸¸¿øÀÌÇÏ 2,500¿ø
¹è¼Û¾È³» Áö±Ý ÁÖ¹® ÇÏ½Ã¸é ³»ÀÏ Ãâ°í ¿¹Á¤
ÁÖ¹®¼ö·®
-
+
 EA
 
 
 
 
 
»óÇ° Àç°í ÇöȲ
ÀûÀ½ º¸Åë ¸¹À½


°°ÀÌ º¸¸é ÁÁÀº »óÇ°
[°ø½Ä¼öÀÔÁ¤Ç°]
Daddario - XL Nickel Regular Light Long Scale / º£À̽º ½ºÆ®¸µ 045-100 (EXL170)
29,900
Music Nomad - 2n1 Beyond Plush Players Cloth / ¹Ùµð, ½ºÆ®¸µ Ŭ¸®´× õ (MN241)
17,600
J.S. BACH FOR ELECTRIC BASS (00695643)
12,000



Á¦Á¶»ç(»ý»êÀÚ), ¼öÀÔÀÚ Hal Leonard/(ÁÖ)½ºÄð¹ÂÁ÷ »ö»ó ÇÏ´Ü À̹ÌÁö ÂüÁ¶ »óÇ°º° ¼¼ºÎ»ç¾ç ÇÏ´Ü ½ºÆå ÂüÁ¶
Á¦Á¶±¹(¿ø»êÁö) Hal Leonard/USA  [ºê·£µå »óÇ° º¸±â] Å©±â ÇÏ´Ü ½ºÆå ÂüÁ¶ Ç°Áúº¸Áõ±âÁØ ÇÏ´Ü ¼³¸í ÂüÁ¶
Ç°¸í ¹× ¸ðµ¨¸í Bass Hanon
º£À̽º Çϳó (00696661)
µ¿Àϸðµ¨ÀÇ Ãâ½Ã³â¿ù
(Á¦Á¶ÀÏÀÚ ¾Æ´Ô)
2013³â 10¿ù 10ÀÏ A/S ¾È³» (ÁÖ) ½ºÄð¹ÂÁ÷ / 1566-5150
ÀçÁú ÇÏ´Ü ½ºÆå ÂüÁ¶ Á¦Ç°±¸¼º ÇÏ´Ü À̹ÌÁö ÂüÁ¶    
 

 

 

 

Bass Hanon
75 Exercises to Build Endurance and Flexibility for Bass Guitar Players

ÃâÆÇ»ç Hal Leonard
ÀúÀÚ Scott Barnard
¾ÆÀÌÅÛ # 00696661
ºÐ·® 128 ÆäÀÌÁö
¿ø»êÁö ¹Ì±¹


º£À̽º¸¦ À§ÇÑ ÇÏ³ó ¿¬½ÀÀÔ´Ï´Ù.
Àç¹ÌÀÖ°í ü°èÀûÀÎ ¹æ¹ýÀ¸·Î º£À̽º ¿¬ÁÖÀÇ Áö±¸·Â°ú À¯¿¬¼ºÀ» Çâ»ó½Ãų ¼ö ÀÖ½À´Ï´Ù.
¿Þ¼Õ ÇΰŠÆÐÅÏ, Ç®-¿ÀÇÁ¿Í ÇظÓ-¿Â, ÁÙ °Ç³Ê¶Ù±â, Çϸð´Ð Å×Å©´Ð, ¾Æ¸£ÆäÁö¿À, ½ºÄÉÀÏ, ºí·ç½º ½ÃÄö½º, º£À̽º ÄÚµå, ²Ù¹ÒÀ½ ¿¬ÁÖ, ¸®µë, Çϸð´Ð½º µî ´Ù¾çÇÑ ÁÖÁ¦¿¡ °ÉÄ£ ¿¬½ÀÀÌ ½Ç·ÁÀÖ½À´Ï´Ù.
º£À̽º Ÿºê¾Çº¸·Î ±âº¸µÇ¾î ÀÖ½À´Ï´Ù.


- Contents -

PART I - CORE TECHNIQUE:
1. Left-hand Finger Patterns 1
2. Left-hand Finger Patterns 2
3. Left-hand Finger Patterns 3
4. Left-hand Finger Patterns 4
5. Left-hand Finger Patterns 5
6. Left-hand Finger Patterns 6
7. Left-hand Finger Patterns 7
8. Left-hand Finger Patterns 8
9. Pull-offs & Hammer-ons
10. Pull-offs & Hammer-ons (performance)
11. String Crossing
12. String Crossing (performance)
13. Large Position Changes

PART II - HARMONIC TECHNIQUE
14. Root Notes
15. 3rds and 7ths
16. High Fills with 3rds and 7ths
17. Major 9ths
18. Major Arpeggios
19. Dominant Seventh Arpeggios
20. Augmented 7th Arpeggios
21. Major/Dominant Seventh/Augmented Arpeggios (performance)
22. Minor Arpeggios
23. Diminished Arpeggios
24. Minor/Diminished Arpeggios (performance)
25. Major Scales
26. Minor Scales
27. Major Pentatonic Scales
28. Minor Pentatonic Scales
29. Chromatic Scales
30. Whole Tone Scales
31. Blues Scales
32. Scales (performance)
33. Guide Tones
34. Blues Sequence
35. Blues Sequence (performance)
36. Minor Blues
37. Minor Blues (performance)
38. Tritone Substitution Within a ii7-V7-I
39. Advancing the Harmony (ii Chord)

PART III - ADVANCED STUDY
40. Same Notes, Different Places
41. First-finger Barre Across Two Strings
42. First-finger Barre Across Three Strings
43. First- and Third-finger Barres
44- Chords on the Bass
45. Chords on the Bass (performance)
46. Playing in Octaves
47. Rakes
48. Slides - Short and Fast
49. Slides - Long and Over Multiple Strings
50. Left-hand Damping
51. Right-hand Damping
52. Right Hand as a Volume Pedal
53. Left-hand Mute
54. Left-hand Mute with a Rake (performance)
55. Slap - Thumb Only
56. Slap - Drum Loop
57. Slap (performance)
58. Articulation - Staccato
59. Articulation - Tenuto and Staccato (performance)
60. Articulation (performance)
61. Fast Control
62. Fast Control - String Crossing
63. Fast Control (performance)
64. Rhythm - Soca
65. Rhythm - Latin
66. Rhythm - Latin (performance)
67. Rhythm (performance)
68. Sul Tasto
69. Sul Tasto (performance)
70. Palm Muting
71. Palm Muting (performance)
72. Harmonics - Natural
73. Harmonics - Artificial
74. Harmonics - Artificial (performance)
75. Drop D Tuning (performance)

About the Author  







 


 

 

 

ÀÏ¹Ý ±¸¸Å Èıâ( 2 )
º°º°º°º° ÁÁ¾Æ¿ä ±¸¸Å skfls*** 2019-05-09
º°º°º°º°º° º£À̽º Çϳó?ÆÄÀÏ÷ºÎ ±¸¸Å astray3*** 2014-11-19
[1]








Q&A ( 0 )
[1]

½ºÄð¹ÂÁ÷ ÀÌ´ÞÀÇ À̺¥Æ®
½ºÄð¹ÂÁ÷ ¹«·á ¹ÝÇ°!
2019. 4. 25. ~
Hotone Ampero ±¸ÀԽà Àü¿ë ±ã¹é ÁõÁ¤
2024.02.01. ~
½ºÄð¹ÂÁ÷ 3¿ù Àå±âÀç°í Ư°¡Àü
2024.03.01. ~ 03.17
Rolling 29th Concert ƼÄÏ À̺¥
2024.01.03 ~ 03.31
Çѱ¹»ê LTD °ÔÀÌÅÍ °¡¹æ ÁõÁ¤ À̺¥Æ®
2023.11.29. ~
 
°ÔÀÌÅͶû °¡Æ¼ ³ª°¥±î~
2023. 3.30. ~
Å©·¡ÇÁÅÍ ±âŸ ÀÔÁ¡ ±â³ä »çÀºÇ° ÁõÁ¤
2024.03.01. ~
½ºÆÄÅ© ¹Ì´Ï ¾ÚÇÁ ½Ã±×³×Ãç ±×¸± Ä¿¹ö ÁõÁ¤
2024.02.01.~
½ºÄð¹ÂÁ÷ ESP ÇÁ¸®¿À´õ ¼­ºñ½º
2020. 6. 5. ~
ÇÁ¶ó³ëÀÌ ½ºÆ®·¦ ¹«¸­´ã¿ä ÁõÁ¤
2024.02.01. ~
ÃÖ±Ù º» Á¦Ç°
ÆǸÅÁßÀÎ µµ¼­ Ä«Å×°í¸® ½Ç½Ã°£ Àαâ»óÇ°
ÀçÁî ÇÇ¾Æ³ë ¼Ö·Î ¾Çº¸Áý - ÆÖ ¸Þ¾¾´Ï
Pat Metheny (Jazz Piano Solos) [00277058]
22,000
Power Chord Rock
ÆÄ¿ö ÄÚµå ±âŸ ¾Çº¸Áý (À½¿øÆ÷ÇÔ) [00001139]
23,300
à¾ÜŲ½º / ¸¶Å© ³ëÇ÷¯ ±âŸ ¾Çº¸
Chet Atkins / Mark Knopfler - Neck and Neck [00690163]
30,000
[ÇÁ·ÎÅøÁî ±³Àç]Sound Workshop ±¹³» ÃÖ°í À½ÇâÀü¹®°¡ 6ÀÎÀÇ ³ëÇÏ¿ì Áý¾à¼­
19,900
¿¡¸¯ Ŭ·¦Æ° ±âŸ ¾Çº¸Áý
Eric Clapton - I Still Do [00192383]
24,000
Âû¸® Å©¸®½ºÃµ ±âŸTAB ¾Çº¸Áý
Charlie Christian - The Definitive Collection [00690567]
30,000





½ºÄð¹ÂÁ÷ ÀÌ¿ë¾È³»
±¸¸Å¾È³» Åù踦 ¹ÞÀ¸½Å ÈÄ »óÇ°À» ²À È®ÀÎÇØ ÁÖ¼¼¿ä.
»óÇ° ¼ö·ÉÈÄ 7ÀÏÀÌ Áö³ª¸é ¼ÒºñÀÚ °ú½Ç·Î ó¸®µÇ¾î ±³È¯/¹ÝÇ°/ȯºÒÀÌ ºÒ°¡´ÉÇÕ´Ï´Ù.
ÁÖ¹®¾È³» ½ºÄð¹ÂÁ÷ Àå¹Ù±¸´Ï´Â ½ÇÀç°í¿Í ¿¬µ¿µÇ°í ÀÖ½À´Ï´Ù.
ÁÖ¹® ÈÄ °¡»ó°èÁÂ(¹«ÅëÀå ÀÔ±Ý)´Â 3Àϳ»¿¡, °èÁÂÀÌü Ä«µå°áÁ¦´Â 1½Ã°£ ³»¿¡, ÀÔ±ÝÈ®ÀÎÀÌ µÇÁö ¾ÊÀ¸¸é
ÁÖ¹®¼­°¡ ÀÚµ¿À¸·Î Ãë¼ÒµË´Ï´Ù.
ÁÖ¹®ÀÚ¿Í ÀÔ±ÝÀÚÀÇ ¼ºÇÔÀÌ ´Ù¸¦ °æ¿ì ²À ½ºÄð¹ÂÁ÷À¸·Î ¿¬¶ôÀ» ÁÖ¼Å¾ß ºü¸¥ 󸮰¡ °¡´ÉÇÕ´Ï´Ù.
¹è¼Û¾È³» ½ºÄð¹ÂÁ÷¿¡¼­´Â ¹è¼Û¾÷ü¸¦ CJ´ëÇÑÅë¿î°ú ·ÎÁ¨ Áß ¿øÇÏ´Â Åùè»ç¸¦ ¼±ÅÃÇÒ ¼ö ÀÖ½À´Ï´Ù.
ÃÑ ±¸¸Å¾×ÀÌ 5¸¸¿ø ÀÌ»óÀÏ °æ¿ì ¹è¼Ûºñ´Â ½ºÄð¹ÂÁ÷¿¡¼­ ºÎ´ãÇÕ´Ï´Ù.
(´Ü, µµ¼­,»ê°£Áö¿ªÀº 5¸¸¿ø ÀÌ»óÀÏ °æ¿ì¿¡µµ º°µµÀÇ ¹è¼Ûºñ°¡ Ãß°¡µË´Ï´Ù.)
¹è¼Û±â°£ ´çÀÏ 16½Ã ÀÌÀü ±îÁö ÀÔ±ÝÈ®ÀÎµÈ °Ç¿¡ ÇÑÇØ ´çÀÏÃâ°í°¡ °¡´ÉÇÕ´Ï´Ù.
(´Ü, »óÇ°ÀÇ Àç°íÀ¯¹«¿¡ µû¶ó Â÷ÀÌ°¡ ÀÖÀ» ¼ö ÀÖ½À´Ï´Ù.)
Åä¿äÀÏ/ÀÏ¿äÀÏ/°øÈÞÀÏÀº ¹è¼Û±â°£¿¡ Æ÷ÇÔµÇÁö ¾Ê½À´Ï´Ù.
µµ¼­/»ê°£Áö¿ªÀº 2~3ÀÏ Á¤µµ Ãß°¡ ¼Ò¿äµË´Ï´Ù.
ºÒ°¡Ç×·ÂÀûÀÎ (ÀϽÃÇ°Àý, Á¦Á¶»ç »óÇ°¼ö±Þ ¹®Á¦, õÀçÁöº¯ µî) »çÀ¯·Î ¹è¼ÛÀÌ ´Ê¾îÁú¼ö ÀÖ½À´Ï´Ù.
±³È¯/¹ÝÇ°/AS/ȯºÒ ¾È³»
Á¦Ç°ÀÇ º»·¡ ¹Ú½ºÆ÷ÀåÀÌ À¯ÁöµÈ °æ¿ì, ¼ö·É ÈÄ 7ÀÏÀ̳»¿¡ ±³È¯/¹ÝÇ°/ȯºÒÀÌ °¡´ÉÇÕ´Ï´Ù.
(´Ü, Æ÷ÀåÀÌ ÈÑ¼ÕµÇ¾î »óÇ°ÀÇ °¡Ä¡°¡ »ó½ÇµÈ °æ¿ì¿¡´Â ¹ÝÇ° ¹× ±³È¯/ȯºÒÀÌ ºÒ°¡´ÉÇÕ´Ï´Ù.)
½ºÄð¹ÂÁ÷ÀÇ ½Ç¼ö·Î ÀÎÇÑ °æ¿ì 20ÀÏ À̳»¿¡ ±³È¯/¹ÝÇ°/ȯºÒÀÌ °¡´ÉÇÕ´Ï´Ù.
1Â÷ A/S ´ã´ç (ÁÖ)½ºÄð¹ÂÁ÷ / ¼Ûâ´ö ÀÌ»ç 1566-5150
2Â÷ A/S ´ã´ç (ÁÖ)½ºÄð¹ÂÁ÷ 1566-5150
 
±³È¯/¹ÝÇ°/ȯºÒ/ºÒ°¡ »çÀ¯ ¾È³»
°øÅë »óÇ° ¶Ç´Â Æ÷ÀåÀÌ ÈÑ¼ÕµÇ¾î »óÇ°ÀÇ °¡Ä¡°¡ °¨¼ÒÇÑ °æ¿ì
±³È¯ ¶Ç´Â ȯºÒ ½Åû ±â°£ÀÌ °æ°úÇÑ °æ¿ì(7ÀÏÀ̳»)
±¸¸Å ÈÄ »ç¿ë¿¡ ÀÇÇØ »óÇ°ÀÇ °¡Ä¡°¡ °¨¼ÒÇÑ °æ¿ì
±¸¼º»óÇ°ÀÇ ÀϺΰ¡ ´©¶ôµÇ°Å³ª ÈÑ¼ÕµÈ °æ¿ì
¿äû¿¡ ÀÇÇÑ ÁÖ¹® Á¦ÀÛ »óÇ°ÀÎ °æ¿ì
¾ÚÇÁ µî ÀüÀÚ ÀåÄ¡·ù »ç¿ëÀÚÀÇ °ú½Ç·Î ÇÕ¼±µî »óÇ°¿¡ °íÀåÀÌ ¹ß»ýÇÑ °æ¿ì
¼³Ä¡Çü ¾Ç±â
(°Ç¹Ý¾Ç±â/Ÿ¾Ç±â)
»óÇ°¿¡ ÇÏÀÚ°¡ ¾ø°í ¼³Ä¡°¡ ¿Ï·áµÈ °æ¿ì
ÃëÁ־DZ⠻óÇ°À» »ç¿ëÇÑ °æ¿ì
½ºÆ®¸µ/ÄÉÀÌºí »óÇ°À» °³ºÀÇÑ °æ¿ì
µµ¼­ »óÇ°ÀÇ Æ÷ÀåÀ» °³ºÀÇÏ¿© º¹Á¦ÀÇ ¿©Áö°¡ ÀÖ´Â °æ¿ì
¾×¼¼¼­¸® »óÇ°À» »ç¿ëÇÏ¿© º¯ÇüÀÌ »ý±ä °æ¿ì
Ç°Áú º¸Áõ ±âÁØ
±¸ÀÔ ÈÄ 7ÀÏ À̳»
»óÇ° ¹× Æ÷ÀåÀÇ ÈÑ¼Õ ¾øÀ½ ¹«»ó A/S, ±³È¯, ȯºÒ °¡´É
»óÇ° ¹× Æ÷ÀåÀÇ ÈÑ¼Õ A/S °¡´É
±¸ÀÔ ÈÄ 20ÀÏ À̳»
¿À¹è¼Û,´©¶ô,¹è¼ÛÁß ÆÄ¼Õ ¹«»ó A/S,±³È¯,ȯºÒ °¡´É
Á¦Ç°ÀÇ Ãʱ⠺ҷ® ¹«»ó A/S,±³È¯ °¡´É
Á¦°øÇÑ »óÇ° Á¤º¸¿Í ºÒÀÏÄ¡ ¹«»ó A/S,±³È¯,ȯºÒ °¡´É
»ç¿ëÁß ¹ß»ýÇÑ ÈÑ¼Õ ¹× ÇÏÀÚ A/S °¡´É
±¸ÀÔ ÈÄ 30ÀÏ À̳»
Á¦Ç°ÀÇ Ãʱ⠺ҷ® ¹«»ó A/S, ±³È¯ °¡´É
Á¦°øÇÑ »óÇ° Á¤º¸¿Í ºÒÀÏÄ¡ ¹«»ó A/S, ±³È¯, ȯºÒ °¡´É
»ç¿ëÁß ¹ß»ýÇÑ ÈÑ¼Õ ¹× ÇÏÀÚ A/S °¡´É
±¸ÀÔ ÈÄ 90ÀÏ À̳»
Á¦°øÇÑ »óÇ° Á¤º¸¿Í ºÒÀÏÄ¡ ¹«»ó A/S, ±³È¯, ȯºÒ °¡´É
»ç¿ëÁß ¹ß»ýÇÑ ÈÑ¼Õ ¹× ÇÏÀÚ A/S °¡´É
 
Ç°Áú º¸Áõ ±âÁØ
ȯºÒ °úÁ¤ ¹ÝÇ°µÈ »óÇ°ÀÌ ÆǸÅÀÚ¿¡°Ô µµÂøÇÑ ÈÄ 3ÀÏ À̳»¿¡ ȯºÒ ¾È³» ¹× ó¸®
ȯºÒ Áö¿¬ ¹ÝÇ°µÈ »óÇ°ÀÌ ÆǸÅÀÚ¿¡°Ô µµÂøÇÑ ÈÄ È¯ºÒ ó¸® ¿Ï·á±îÁö 3ÀÏ ÀÌ»ó °æ°ú
ȯºÒ Áö¿¬ ¹è»ó±Ý ȯºÒ Áö¿¬ÀÌ ¹ß»ýÇÏ´Â °æ¿ì ÇØ´ç ȸ¿ø°í°´¿¡°Ô 5,000¿øÀÇ ¸¶Àϸ®Áö º¸»ó
½ºÄð¹ÂÁ÷ ¼îÇθôÀº °øÁ¤°Å·¡À§¿øȸ¿¡¼­ ½ÉÀÇÇÑ Ç¥Áؾà°üÀ» »ç¿ëÇÏ°í ÀÖ½À´Ï´Ù. ¾à°üº¸±â

Áö±Ý 4¸íÀÇ °í°´ÀÌ ÀÌ »óÇ°À» º¸°í °è½Ê´Ï´Ù. Close
¿À´Ã 12¸íÀÌ ÀÌ »óÇ°À» »ìÆì º¸¼Ì½À´Ï´Ù. Close

 

ȸ»ç¼Ò°³ | ÀÌ¿ë¾à°ü | °³ÀÎÁ¤º¸Ã³¸®¹æħ | ÀÎÀçä¿ëÁ¤º¸ | À¯Æ©ºê | ÆäÀ̽ººÏ | Á¦ÈÞ¹®ÀÇ | Åë½ÅÆǸŻç¾÷ÀÚÁ¤º¸È®ÀÎ | ¹ÌÈ®ÀÎÀÔ±ÝÀÚ | ÆǸżøÀ§
°í°´Áö¿ø¼¾ÅÍ
1566-5150
ÆòÀÏ ¿ÀÀü 10½Ã ~ ¿ÀÈÄ 6½Ã
Á¡½É ¿ÀÈÄ 1½Ã ~ ¿ÀÈÄ 2½Ã
Åä¿äÀÏ, ÀÏ¿äÀÏ/°øÈÞÀÏ ÈÞ¹«
ÀԱݰèÁÂ
¿¹±ÝÁÖ : (ÁÖ)½ºÄð¹ÂÁ÷
¿ì¸®ÀºÇà
1005-401-286115
³óÇù
146-01-113676
±¹¹ÎÀºÇà
651001-01-288453
±³È¯ ¹ÝÇ° A/S º¸³¾°÷
(22315) ÀÎõ Áß±¸ ½ÅÆ÷·Î
27¹ø±æ 16 ÇÁ¸°½ººôµù 6Ãþ
(°üµ¿3°¡)
±¸ÁÖ¼Ò
(22315) ÀÎõ Áß±¸ °üµ¿3°¡
5-1 ÇÁ¸°½ººôµù 6Ãþ
½ºÄð¹ÂÁ÷ ¼­ºñ½º
Çб³/°ü°ø¼­/´Üü°ßÀû
¿ø°ÝÁö¿ø ¼­ºñ½º
°í°´ÀÇ ¼Ò¸® Á¦¾ÈÇϱâ
ÃÖÀú°¡º¸»ó¾È³»
±¤°í/À̺¥Æ®/ÇÁ·Î¸ð¼Ç
½ºÄð¹ÂÁ÷ SNS
½ºÄð¹ÂÁ÷ ÆäÀ̽ººÏ
½ºÄð¹ÂÁ÷ ÀνºÅ¸±×·¥
½ºÄð¹ÂÁ÷ ºí·Î±×
½ºÄð¹ÂÁ÷ À¯Æ©ºê
½ºÄð¹ÂÁ÷ ¸ÞÀÏ
´ëÇ¥ÀÚ¸ÞÀÏ : webmaster@schoolmusic.co.kr
´ÜüÁÖ¹® : singman13@schoolmusic.co.kr
¼­ºñ½º°³¼± : webmaster@schoolmusic.co.kr
Á¦Ç°°³¹ß : tubedd@schoolmusic.co.kr
ÀÎÀçä¿ë : nunocd@schoolmusic.co.kr
¸¶ÄÉÆÃ/±âŸ°ÇÀÇ : tubedd@schoolmusic.co.kr
º»»ç: (22315) ÀÎõ Áß±¸ ½ÅÆ÷·Î27¹ø±æ 16 ÇÁ¸°½ººôµù 3,4,5,6Ãþ(°üµ¿3°¡)
±¸ÁÖ¼Ò : (22315) ÀÎõ Áß±¸ °üµ¿3°¡ 5-1 ÇÁ¸°½ººôµù 3,4,5,6Ãþ
Tel: 1566-5150 | Æѽº: 032-232-8001 | E-mail: webmaster@schoolmusic.co.kr
»óÈ£¸í: (ÁÖ)½ºÄð¹ÂÁ÷ | »ç¾÷ÀÚ µî·Ï¹øÈ£: 121-81-89714 | Åë½ÅÆǸž÷½Å°í: Á¦ 2002-ÀÎõÁß±¸-0017È£
´ëÇ¥ÀÌ»ç: ¾ÈÁ¤¸ð | °³ÀÎÁ¤º¸°ü¸®Ã¥ÀÓÀÚ: ±èµ¿¿ì | À̸ÞÀÏÁÖ¼Ò¹«´Ü¼öÁý°ÅºÎ
ºÐÀïÁ¶Á¤ ±â°üÇ¥½Ã: ¼ÒºñÀÚº¸È£¿ø/ÀüÀÚ°Å·¡ºÐÀïÁßÀçÀ§¿øȸ