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Essential Bass Technique (00695652)

 
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Á¦Á¶»ç(»ý»êÀÚ), ¼öÀÔÀÚ Hal Leonard/(ÁÖ)½ºÄð¹ÂÁ÷ »ö»ó ÇÏ´Ü À̹ÌÁö ÂüÁ¶ »óÇ°º° ¼¼ºÎ»ç¾ç ÇÏ´Ü ½ºÆå ÂüÁ¶
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ÀçÁú ÇÏ´Ü ½ºÆå ÂüÁ¶ Á¦Ç°±¸¼º ÇÏ´Ü À̹ÌÁö ÂüÁ¶    
 

 

 


Essential Bass Technique - 2nd Edition
The Definitive Technique Manual for Bass Guitar



ÃâÆÇ»ç Hal Leonard

ÀúÀÚ Peter Murray


ºÐ·® 48 ÆäÀÌÁö

¿ø»êÁö ¹Ì±¹  

 

Bass Player ¸Å°ÅÁø¿¡¼­ A+¸¦ ¹ÞÀº Peter MurrayÀÇ ÀÌ Ã¥Àº º£À̽ýºÆ®µéÀÌ È¿°úÀûÀ¸·Î ¿¬ÁÖÇϱâ À§ÇÑ ¸ðµç °Íµé°ú ±âÃʸ¦ ¸¶½ºÅÍÇϴµ¥ ÇÊ¿äÇÑ °Íµé, ±×¸®°í ±× ÈÄÀÇ °è¹ß¿¡ ´ëÇÑ ¸ðµç °ÍµéÀ» ´Ù·ç°í ÀÖ½À´Ï´Ù.
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¿¹Á¦´Â Ÿºê¾Çº¸·Î ¼ö·ÏµÇ¾î ÀÖ½À´Ï´Ù.

"°¡²û¾¿, ¾Ç±âÁ¡¿¡ Áø¿­µÈ ¹«¼öÇÑ '±³º»'µé »çÀÌ¿¡¼­ ƯÃ⳪°Ô ºûÀ» ¹ßÇϴ åÀÌ ÃâÆǵȴÙ. ÀÌ Ã¥ÀÌ ¹Ù·Î ±×·¯ÇÑ Æ¯º°ÇÑ Ã¥ÀÌ´Ù. ´ç½ÅÀÌ Ãʺ¸ÀÚ¶ó¸é, óÀ½ºÎÅÍ ¼ÕÀ» »ç¿ëÇÏ´Â ¿Ã¹Ù¸¥ ¹æ¹ýÀ» °¡¸£Ä¡°í ÀÖ´Â ÀÌ MurrayÀÇ Ã¥À» ÅëÇØ ÇêµÇÀÌ ³¶ºñÇÏ´Â ½Ã°£À» ÁÙÀÏ ¼ö ÀÖ°í(±×¸®°í ¾Æ¸¶µµ ºÎ»óµµ ¿¹¹æÇÒ ¼ö ÀÖ´Ù.), ¸¸¾à ´ç½ÅÀÌ ¾î´À Á¤µµ ¼÷´ÞµÈ Ç÷¹À̾î¶ó¸é ´ç½ÅÀÇ ´É·ÂÀ» ÀçÁ¡°ËÇÏ°í ´õ ÀÌ»óÀÇ ¹ßÀüÀ» °¡·Î¸·°í ÀÖ´ø ±â¼úÀû À庮µéÀ» ±Øº¹ÇÒ ¼ö ÀÖ´Ù. ºê¶óº¸!"
- Jim Roberts, Bass Player ¸Å°ÅÁø  

- Contents -

Foreword

To the Left-Handed, Fretless and Many Stringed

Basic Principles of Technique
Economy of Motion
Tone Quality and Consistency
Natural Movement
Strength
Chops & the Chops "Reservoir"
Factors Related to Technique
(Stress, String Action, String Gauge, Weight and Weighting of the Bass, Standing and Sitting, Size of Hands & Length of Fingers, Hearing, Alcohol & Drugs)

The Study of Technique
For Beginners
For Intermediate Players
For Advanced Players

Practicing Technique
Tools
Practicing Technique
Divide and Conquer

Using This Book

Right Hand Technique
Thumb Position
The Opposable Thumb
Finger Technique
Direction of Finger Movement
Finger Distance from the Strings
Finger Pressure
Alternating Fingers
Raking
String Skipping
Pinky and Ring Fingers
Right Wrist and Forearm

Left-Hand Technique
Thumb Position
Spacing of Fingers
Finger/String Contact
Left-Hand Muting
Finger Position
Fretting Position
Finger Pressure
Ascending on One String
Transitions Between Hand Positions
(Anticipation, Inchworming, Shifting, Sliding)
Barring
Hammer-Ons and Pull-Offs
String Bending and Vibrato
Playing Harmonics
Left Arm Position

Quasi-Chromatic Exercise

Muting Summary 





 

 

 

 

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