ȸ¿ø´Ô! ¹æ¹®À» ȯ¿µÇÕ´Ï´Ù. ·Î±×ÀÎ ¸ÅÀå¾È³» °í°´Áö¿ø¼¾ÅÍ ÃÖ±Ùº»»óÇ° ÁÖ¹®/¹è¼ÛÁ¶È¸(¿µ¼öÁõ) ¿À½Ã´Â±æ Àüü¸Þ´º
 
Áö½Ä:   ts808 ±Ø¼º Áú¹®µå¸³´Ï´Ù.
schoolmusic
°Ë»ö
°í°´Áö¿ø¼¾ÅÍ ºü¸¥ ¾È³» ÆÁ
1566-5150
0
0
ȸ¿ø´Ô
³ªÀÇ ½ºÄð¹ÂÁ÷
 
≡  Àüü Ä«Å×°í¸® ½ÅÁ¦Ç° BEST ½º¸¶Æ®¼¥ ¿À´Ã¸¸Æ¯°¡ À̺¥Æ® Áö½Ä¿Õ Çб³/°ü°ø¼­/´Üü°ßÀû

ÀÏ·º±âŸ

º£À̽º

Åë±âŸ

Ŭ·¡½Ä

¿ìÄð·¼·¹

¾ÚÇÁ¡¤ÇìµåÆù

ÀÌÆåÅÍ

ÇȾ÷/ºÎÇ°

·¹ÄÚµù¡¤¸¶ÀÌÅ©

°Ç¹Ý¡¤¹ÝÁÖ±â

µå·³

°üÇö¾Ç±â

½ºÆ®¸µ

¾Ç¼¼»ç¸®

µµ¼­¡¤Çϸð´ÏÄ«

Ư°¡Á¦Ç°

±³À°¿ë¾Ç±â
 
¡ã
TOP
DOWN
¡å

Ȩ   >   µµ¼­   >   ¼öÀÔµµ¼­ (¿µ¹®)   >   º£À̽º
»óÇ°¹øÈ£ : 23646
BASS PLATERS HANDBOOK (50449511)

 
  ÄíÆù°¡´É ÁÁ¾Æ¿ä 355 ¸í

BASS PLATERS HANDBOOK (50449511)

21%
43,800¿ø
35,000¿ø(ºÎ°¡¼¼ Æ÷ÇÔ)
  

  ¹«ÀÌÀÚÇҺΠ| °¡°Ýº¯µ¿ ¾Ë¸² | ÀÔ°í ¾Ë¸²½Åû | Äü ÂøºÒ ¹è¼Û
¹è¼Ûºñ 5¸¸¿øÀÌÇÏ 2,500¿ø
¹è¼Û¾È³» Áö±Ý ÁÖ¹® ÇϽøé 1~3ÀÏ À̳»¿¡ ¹ÞÀ¸½Ç ¼ö ÀÖ½À´Ï´Ù.
ÁÖ¹®¼ö·®
-
+
 EA
 
 
 
 
 
»óÇ° Àç°í ÇöȲ
ÀûÀ½ º¸Åë ¸¹À½





Á¦Á¶»ç(»ý»êÀÚ), ¼öÀÔÀÚ Hal Leonard/(ÁÖ)½ºÄð¹ÂÁ÷ »ö»ó ÇÏ´Ü À̹ÌÁö ÂüÁ¶ »óÇ°º° ¼¼ºÎ»ç¾ç ÇÏ´Ü ½ºÆå ÂüÁ¶
Á¦Á¶±¹(¿ø»êÁö) Hal Leonard/USA  [ºê·£µå »óÇ° º¸±â] Å©±â ÇÏ´Ü ½ºÆå ÂüÁ¶ Ç°Áúº¸Áõ±âÁØ ÇÏ´Ü ¼³¸í ÂüÁ¶
Ç°¸í ¹× ¸ðµ¨¸í BASS PLATERS HANDBOOK (50449511) µ¿Àϸðµ¨ÀÇ Ãâ½Ã³â¿ù
(Á¦Á¶ÀÏÀÚ ¾Æ´Ô)
2013³â 07¿ù 26ÀÏ A/S ¾È³» (ÁÖ) ½ºÄð¹ÂÁ÷ / 1566-5150
ÀçÁú ÇÏ´Ü ½ºÆå ÂüÁ¶ Á¦Ç°±¸¼º ÇÏ´Ü À̹ÌÁö ÂüÁ¶    
 

 

 

The Bass Player's Handbook

ÃâÆÇ»ç Berklee Press

ÀúÀÚ Greg Mooter

ºÐ·® 155 ÆäÀÌÁö

¿ø»êÁö ¹Ì±¹  

 

ÀÌ Ã¥¿¡´Â º£À̽ºÀÇ ±â¿ø°ú ¿ø¸®¿¡ ´ëÇÑ ÀÌÇظ¦ µ½±â À§ÇÑ ¿ÏÀüÇÑ °¡À̵尡 ½Ç·ÁÀÖ½À´Ï´Ù.
ÀúÀÚ Greg Mooter°¡ ¿Ã¹Ù¸¥ ÇΰŸµ, Åæ ¸¸µé±â, ±×¸®°í ¹Ù¶÷Á÷ÇÑ ¿¬½À¿¡ ´ëÇÑ ±âº» °³³äµéÀ» ¼³¸íÇÏ°í ÀÖ½À´Ï´Ù.
¶ÇÇÑ º£À̽º¸¦ ¿Ã¹Ù·Î °ü¸®ÇÏ°í Ç×»ó ÃÖ»óÀÇ ÄÁµð¼ÇÀ¸·Î À¯ÁöÇϱâ À§ÇÑ ¸®Æä¾î, °èÀýº° °ü¸® ¹× ¼Â¾÷, ¿¬ÁÖÀÚÀÇ ½Åü Á¶°Ç°ú ½ºÅ¸ÀÏ ¹× »ç¿îµå¿¡ ¸Â°Ô ¼Â¾÷ÇÏ´Â ¹ý µîÀÌ ¼ö·ÏµÇ¾î ÀÖ½À´Ï´Ù.
¿ö¹Ö¾÷°ú Àü½Å ½ºÆ®·¹Ä¡ ¿¬½À µîÀ» ÅëÇØ Æò»ý °Ç°­ÇÑ º£À̽º ¿¬ÁÖ¸¦ ÇÏ´Â ¹æ¹ýµµ Á¦°øÇÕ´Ï´Ù.

"ÀÌ Á¤È®ÇÏ°íµµ ½Ã±â ÀûÀýÇÑ '¹ÙÀ̺í'¿¡´Â ´Ù¸¥ ¾î¶² °÷¿¡µµ ³ª¿ÍÀÖÁö ¾ÊÀº Áß¿äÇÑ Á¤º¸µéÀÌ µé¾îÀÖ´Ù."
- Carole Kaye  

- Contents -

Illustrations
Acknowledgments
Preface
Introduction

1. Roots
Double
Electric

2. Instrument Construction
Double
Electric

3. Repairs, Adjustments, and Maintenance
Double
Electric

4. Fingerboard Theory
Equal Temperament
Geometric Patterns

5. Harmonics
Theory
Common Use

6. Setting the Intonation
Double
Fretted Electric
Fretless Electric

7. Fingering and Positions of the Left Hand
Double
Electric

8. Tone Production
Double
Right Hand
Pizzicato
Arco
Left Hand
Electric
Right Hand
Left Hand
Low Interval Limits

9. Special Considerations for 5- and 6-Stringed Electric Instruments
Musical Considerations
Upper Register
Lower Register
Physical Considerations
Right Hand
Left Hand

10. Creating and Maintaining an Effective Practice Schedule

11. Warm-Ups
Personal Preparation
Technical Promotion
Strengthening Weaknesses
Reup
Good Habit Cultivation

12. A Lifetime of Healthy Performance
Performance Anatomy
General Factors to Consider
Factors for Special Consideration
Common Bass Player Ailments
RICE and Rehabilitation
Preventive Care and Maintenance

13. Considerations When Purchasing an Instrument

Resources
About the Author
Index
 





 

 

 

ÀÏ¹Ý ±¸¸Å Èıâ( 0 )
[1]








Q&A ( 0 )
[1]

½ºÄð¹ÂÁ÷ ÀÌ´ÞÀÇ À̺¥Æ®
½ºÄð¹ÂÁ÷ ¹«·á ¹ÝÇ°!
2019. 4. 25. ~
Hotone Ampero ±¸ÀԽà Àü¿ë ±ã¹é ÁõÁ¤
2024.02.01. ~
ESP ÄÚ¸®¾Æ ¿öÅ©¼ó
2024.03.27. ~ 04.20
¶ó¿ìµå ºê¸´Áö Æ佺Ƽ¹ß ƼÄÏ À̺¥Æ®
2024.03.26 ~ 04.14
¹Úâ°ï 5Áý ¹ß¸Å ±â³ä Äܼ­Æ®
2024.03.25. ~ 04.20
 
°ÔÀÌÅͶû °¡Æ¼ ³ª°¥±î~
2023. 3.30. ~
Å©·¡ÇÁÅÍ ±âŸ ÀÔÁ¡ ±â³ä »çÀºÇ° ÁõÁ¤
2024.03.01. ~
½ºÆÄÅ©40 Àü¿ë ±ã¹é ÁõÁ¤ À̺¥
2024.03.28.~
½ºÄð¹ÂÁ÷ ESP ÇÁ¸®¿À´õ ¼­ºñ½º
2020. 6. 5. ~
ÇÁ¶ó³ëÀÌ ½ºÆ®·¦ ¹«¸­´ã¿ä ÁõÁ¤
2024.02.01. ~
ÃÖ±Ù º» Á¦Ç°
ÆǸÅÁßÀÎ µµ¼­ Ä«Å×°í¸® ½Ç½Ã°£ Àαâ»óÇ°
100 Country Lessons Keyboard
ÄÁÆ®¸® Å°º¸µå ±³º» CDÆ÷ÇÔ (00122265)
30,000
Àú´Ï ±âŸ ¾Çº¸Áý
Journey - Greatest Hits [00-33881]
36,000
[Alfred Music]
Pentatonic Soloing Strategies for Guitar (35302)
29,000
Cubase 7.5 ½Ç¹«ÀÚ°ÝÁõ ¹®Á¦Áý ¸Þ´º¾ó ºÏ
29,800
±è±¤¹ÎÀÇ ÀçÁî±³½Ç
25,200
[Alfred Music]
The Wes Montgomery Guitar Folio (NWES)
39,000





½ºÄð¹ÂÁ÷ ÀÌ¿ë¾È³»
±¸¸Å¾È³» Åù踦 ¹ÞÀ¸½Å ÈÄ »óÇ°À» ²À È®ÀÎÇØ ÁÖ¼¼¿ä.
»óÇ° ¼ö·ÉÈÄ 7ÀÏÀÌ Áö³ª¸é ¼ÒºñÀÚ °ú½Ç·Î ó¸®µÇ¾î ±³È¯/¹ÝÇ°/ȯºÒÀÌ ºÒ°¡´ÉÇÕ´Ï´Ù.
ÁÖ¹®¾È³» ½ºÄð¹ÂÁ÷ Àå¹Ù±¸´Ï´Â ½ÇÀç°í¿Í ¿¬µ¿µÇ°í ÀÖ½À´Ï´Ù.
ÁÖ¹® ÈÄ °¡»ó°èÁÂ(¹«ÅëÀå ÀÔ±Ý)´Â 3Àϳ»¿¡, °èÁÂÀÌü Ä«µå°áÁ¦´Â 1½Ã°£ ³»¿¡, ÀÔ±ÝÈ®ÀÎÀÌ µÇÁö ¾ÊÀ¸¸é
ÁÖ¹®¼­°¡ ÀÚµ¿À¸·Î Ãë¼ÒµË´Ï´Ù.
ÁÖ¹®ÀÚ¿Í ÀÔ±ÝÀÚÀÇ ¼ºÇÔÀÌ ´Ù¸¦ °æ¿ì ²À ½ºÄð¹ÂÁ÷À¸·Î ¿¬¶ôÀ» ÁÖ¼Å¾ß ºü¸¥ 󸮰¡ °¡´ÉÇÕ´Ï´Ù.
¹è¼Û¾È³» ½ºÄð¹ÂÁ÷¿¡¼­´Â ¹è¼Û¾÷ü¸¦ CJ´ëÇÑÅë¿î°ú ·ÎÁ¨ Áß ¿øÇÏ´Â Åùè»ç¸¦ ¼±ÅÃÇÒ ¼ö ÀÖ½À´Ï´Ù.
ÃÑ ±¸¸Å¾×ÀÌ 5¸¸¿ø ÀÌ»óÀÏ °æ¿ì ¹è¼Ûºñ´Â ½ºÄð¹ÂÁ÷¿¡¼­ ºÎ´ãÇÕ´Ï´Ù.
(´Ü, µµ¼­,»ê°£Áö¿ªÀº 5¸¸¿ø ÀÌ»óÀÏ °æ¿ì¿¡µµ º°µµÀÇ ¹è¼Ûºñ°¡ Ãß°¡µË´Ï´Ù.)
¹è¼Û±â°£ ´çÀÏ 16½Ã ÀÌÀü ±îÁö ÀÔ±ÝÈ®ÀÎµÈ °Ç¿¡ ÇÑÇØ ´çÀÏÃâ°í°¡ °¡´ÉÇÕ´Ï´Ù.
(´Ü, »óÇ°ÀÇ Àç°íÀ¯¹«¿¡ µû¶ó Â÷ÀÌ°¡ ÀÖÀ» ¼ö ÀÖ½À´Ï´Ù.)
Åä¿äÀÏ/ÀÏ¿äÀÏ/°øÈÞÀÏÀº ¹è¼Û±â°£¿¡ Æ÷ÇÔµÇÁö ¾Ê½À´Ï´Ù.
µµ¼­/»ê°£Áö¿ªÀº 2~3ÀÏ Á¤µµ Ãß°¡ ¼Ò¿äµË´Ï´Ù.
ºÒ°¡Ç×·ÂÀûÀÎ (ÀϽÃÇ°Àý, Á¦Á¶»ç »óÇ°¼ö±Þ ¹®Á¦, õÀçÁöº¯ µî) »çÀ¯·Î ¹è¼ÛÀÌ ´Ê¾îÁú¼ö ÀÖ½À´Ï´Ù.
±³È¯/¹ÝÇ°/AS/ȯºÒ ¾È³»
Á¦Ç°ÀÇ º»·¡ ¹Ú½ºÆ÷ÀåÀÌ À¯ÁöµÈ °æ¿ì, ¼ö·É ÈÄ 7ÀÏÀ̳»¿¡ ±³È¯/¹ÝÇ°/ȯºÒÀÌ °¡´ÉÇÕ´Ï´Ù.
(´Ü, Æ÷ÀåÀÌ ÈÑ¼ÕµÇ¾î »óÇ°ÀÇ °¡Ä¡°¡ »ó½ÇµÈ °æ¿ì¿¡´Â ¹ÝÇ° ¹× ±³È¯/ȯºÒÀÌ ºÒ°¡´ÉÇÕ´Ï´Ù.)
½ºÄð¹ÂÁ÷ÀÇ ½Ç¼ö·Î ÀÎÇÑ °æ¿ì 20ÀÏ À̳»¿¡ ±³È¯/¹ÝÇ°/ȯºÒÀÌ °¡´ÉÇÕ´Ï´Ù.
1Â÷ A/S ´ã´ç (ÁÖ)½ºÄð¹ÂÁ÷ / ¼Ûâ´ö ÀÌ»ç 1566-5150
2Â÷ A/S ´ã´ç ¹ÂÁ÷¾ØºÏ½º 031-955-4994
 
±³È¯/¹ÝÇ°/ȯºÒ/ºÒ°¡ »çÀ¯ ¾È³»
°øÅë »óÇ° ¶Ç´Â Æ÷ÀåÀÌ ÈÑ¼ÕµÇ¾î »óÇ°ÀÇ °¡Ä¡°¡ °¨¼ÒÇÑ °æ¿ì
±³È¯ ¶Ç´Â ȯºÒ ½Åû ±â°£ÀÌ °æ°úÇÑ °æ¿ì(7ÀÏÀ̳»)
±¸¸Å ÈÄ »ç¿ë¿¡ ÀÇÇØ »óÇ°ÀÇ °¡Ä¡°¡ °¨¼ÒÇÑ °æ¿ì
±¸¼º»óÇ°ÀÇ ÀϺΰ¡ ´©¶ôµÇ°Å³ª ÈÑ¼ÕµÈ °æ¿ì
¿äû¿¡ ÀÇÇÑ ÁÖ¹® Á¦ÀÛ »óÇ°ÀÎ °æ¿ì
¾ÚÇÁ µî ÀüÀÚ ÀåÄ¡·ù »ç¿ëÀÚÀÇ °ú½Ç·Î ÇÕ¼±µî »óÇ°¿¡ °íÀåÀÌ ¹ß»ýÇÑ °æ¿ì
¼³Ä¡Çü ¾Ç±â
(°Ç¹Ý¾Ç±â/Ÿ¾Ç±â)
»óÇ°¿¡ ÇÏÀÚ°¡ ¾ø°í ¼³Ä¡°¡ ¿Ï·áµÈ °æ¿ì
ÃëÁ־DZ⠻óÇ°À» »ç¿ëÇÑ °æ¿ì
½ºÆ®¸µ/ÄÉÀÌºí »óÇ°À» °³ºÀÇÑ °æ¿ì
µµ¼­ »óÇ°ÀÇ Æ÷ÀåÀ» °³ºÀÇÏ¿© º¹Á¦ÀÇ ¿©Áö°¡ ÀÖ´Â °æ¿ì
¾×¼¼¼­¸® »óÇ°À» »ç¿ëÇÏ¿© º¯ÇüÀÌ »ý±ä °æ¿ì
Ç°Áú º¸Áõ ±âÁØ
±¸ÀÔ ÈÄ 7ÀÏ À̳»
»óÇ° ¹× Æ÷ÀåÀÇ ÈÑ¼Õ ¾øÀ½ ¹«»ó A/S, ±³È¯, ȯºÒ °¡´É
»óÇ° ¹× Æ÷ÀåÀÇ ÈÑ¼Õ A/S °¡´É
±¸ÀÔ ÈÄ 20ÀÏ À̳»
¿À¹è¼Û,´©¶ô,¹è¼ÛÁß ÆÄ¼Õ ¹«»ó A/S,±³È¯,ȯºÒ °¡´É
Á¦Ç°ÀÇ Ãʱ⠺ҷ® ¹«»ó A/S,±³È¯ °¡´É
Á¦°øÇÑ »óÇ° Á¤º¸¿Í ºÒÀÏÄ¡ ¹«»ó A/S,±³È¯,ȯºÒ °¡´É
»ç¿ëÁß ¹ß»ýÇÑ ÈÑ¼Õ ¹× ÇÏÀÚ A/S °¡´É
±¸ÀÔ ÈÄ 30ÀÏ À̳»
Á¦Ç°ÀÇ Ãʱ⠺ҷ® ¹«»ó A/S, ±³È¯ °¡´É
Á¦°øÇÑ »óÇ° Á¤º¸¿Í ºÒÀÏÄ¡ ¹«»ó A/S, ±³È¯, ȯºÒ °¡´É
»ç¿ëÁß ¹ß»ýÇÑ ÈÑ¼Õ ¹× ÇÏÀÚ A/S °¡´É
±¸ÀÔ ÈÄ 90ÀÏ À̳»
Á¦°øÇÑ »óÇ° Á¤º¸¿Í ºÒÀÏÄ¡ ¹«»ó A/S, ±³È¯, ȯºÒ °¡´É
»ç¿ëÁß ¹ß»ýÇÑ ÈÑ¼Õ ¹× ÇÏÀÚ A/S °¡´É
 
Ç°Áú º¸Áõ ±âÁØ
ȯºÒ °úÁ¤ ¹ÝÇ°µÈ »óÇ°ÀÌ ÆǸÅÀÚ¿¡°Ô µµÂøÇÑ ÈÄ 3ÀÏ À̳»¿¡ ȯºÒ ¾È³» ¹× ó¸®
ȯºÒ Áö¿¬ ¹ÝÇ°µÈ »óÇ°ÀÌ ÆǸÅÀÚ¿¡°Ô µµÂøÇÑ ÈÄ È¯ºÒ ó¸® ¿Ï·á±îÁö 3ÀÏ ÀÌ»ó °æ°ú
ȯºÒ Áö¿¬ ¹è»ó±Ý ȯºÒ Áö¿¬ÀÌ ¹ß»ýÇÏ´Â °æ¿ì ÇØ´ç ȸ¿ø°í°´¿¡°Ô 5,000¿øÀÇ ¸¶Àϸ®Áö º¸»ó
½ºÄð¹ÂÁ÷ ¼îÇθôÀº °øÁ¤°Å·¡À§¿øȸ¿¡¼­ ½ÉÀÇÇÑ Ç¥Áؾà°üÀ» »ç¿ëÇÏ°í ÀÖ½À´Ï´Ù. ¾à°üº¸±â

ÀÌ »óÇ°Àº ÇöÀç Àç°í°¡ 1°³ ³²¾Æ ÀÖ½À´Ï´Ù. Close
ÃÖ±Ù 1½Ã°£ µ¿¾È 3¸íÀÇ °í°´ÀÌ ÀÌ »óÇ°À» »ìÆì º¸¼Ì½À´Ï´Ù. Close

 

ȸ»ç¼Ò°³ | ÀÌ¿ë¾à°ü | °³ÀÎÁ¤º¸Ã³¸®¹æħ | ÀÎÀçä¿ëÁ¤º¸ | À¯Æ©ºê | ÆäÀ̽ººÏ | Á¦ÈÞ¹®ÀÇ | Åë½ÅÆǸŻç¾÷ÀÚÁ¤º¸È®ÀÎ | ¹ÌÈ®ÀÎÀÔ±ÝÀÚ | ÆǸżøÀ§
°í°´Áö¿ø¼¾ÅÍ
1566-5150
ÆòÀÏ ¿ÀÀü 10½Ã ~ ¿ÀÈÄ 6½Ã
Á¡½É ¿ÀÈÄ 1½Ã ~ ¿ÀÈÄ 2½Ã
Åä¿äÀÏ, ÀÏ¿äÀÏ/°øÈÞÀÏ ÈÞ¹«
ÀԱݰèÁÂ
¿¹±ÝÁÖ : (ÁÖ)½ºÄð¹ÂÁ÷
¿ì¸®ÀºÇà
1005-401-286115
³óÇù
146-01-113676
±¹¹ÎÀºÇà
651001-01-288453
±³È¯ ¹ÝÇ° A/S º¸³¾°÷
(22315) ÀÎõ Áß±¸ ½ÅÆ÷·Î
27¹ø±æ 16 ÇÁ¸°½ººôµù 6Ãþ
(°üµ¿3°¡)
±¸ÁÖ¼Ò
(22315) ÀÎõ Áß±¸ °üµ¿3°¡
5-1 ÇÁ¸°½ººôµù 6Ãþ
½ºÄð¹ÂÁ÷ ¼­ºñ½º
Çб³/°ü°ø¼­/´Üü°ßÀû
¿ø°ÝÁö¿ø ¼­ºñ½º
°í°´ÀÇ ¼Ò¸® Á¦¾ÈÇϱâ
ÃÖÀú°¡º¸»ó¾È³»
±¤°í/À̺¥Æ®/ÇÁ·Î¸ð¼Ç
½ºÄð¹ÂÁ÷ SNS
½ºÄð¹ÂÁ÷ ÆäÀ̽ººÏ
½ºÄð¹ÂÁ÷ ÀνºÅ¸±×·¥
½ºÄð¹ÂÁ÷ ºí·Î±×
½ºÄð¹ÂÁ÷ À¯Æ©ºê
½ºÄð¹ÂÁ÷ ¸ÞÀÏ
´ëÇ¥ÀÚ¸ÞÀÏ : webmaster@schoolmusic.co.kr
´ÜüÁÖ¹® : singman13@schoolmusic.co.kr
¼­ºñ½º°³¼± : webmaster@schoolmusic.co.kr
Á¦Ç°°³¹ß : tubedd@schoolmusic.co.kr
ÀÎÀçä¿ë : nunocd@schoolmusic.co.kr
¸¶ÄÉÆÃ/±âŸ°ÇÀÇ : tubedd@schoolmusic.co.kr
º»»ç: (22315) ÀÎõ Áß±¸ ½ÅÆ÷·Î27¹ø±æ 16 ÇÁ¸°½ººôµù 3,4,5,6Ãþ(°üµ¿3°¡)
±¸ÁÖ¼Ò : (22315) ÀÎõ Áß±¸ °üµ¿3°¡ 5-1 ÇÁ¸°½ººôµù 3,4,5,6Ãþ
Tel: 1566-5150 | Æѽº: 032-232-8001 | E-mail: webmaster@schoolmusic.co.kr
»óÈ£¸í: (ÁÖ)½ºÄð¹ÂÁ÷ | »ç¾÷ÀÚ µî·Ï¹øÈ£: 121-81-89714 | Åë½ÅÆǸž÷½Å°í: Á¦ 2002-ÀÎõÁß±¸-0017È£
´ëÇ¥ÀÌ»ç: ¾ÈÁ¤¸ð | °³ÀÎÁ¤º¸°ü¸®Ã¥ÀÓÀÚ: ±èµ¿¿ì | À̸ÞÀÏÁÖ¼Ò¹«´Ü¼öÁý°ÅºÎ
ºÐÀïÁ¶Á¤ ±â°üÇ¥½Ã: ¼ÒºñÀÚº¸È£¿ø/ÀüÀÚ°Å·¡ºÐÀïÁßÀçÀ§¿øȸ