LESSON #1: Basic Comping Rhythm LESSON #2: Turnaround Improv LESSON #3: The Major II-V-I LESSON #4: The Minor II-V-I LESSON #5: Compin' the Blues LESSON #6: Chord-Tonin' the Blues LESSON #7: Tritone Substitution LESSON #8: Tritone Turnarounds LESSON #9: Minor Blues LESSON #10: Aim for the Change LESSON #11: Constant Phrase Shape Exercise LESSON #12: Changing Rhythmic Shape Exercise LESSON #13: Call and Response LESSON #14: Dominant Decisions LESSON #15: The Altered Angle LESSON #16: Altered Options LESSON #17: Blues Licks - Jazz Style LESSON #18: 3/4 Comping LESSON #19: 3/4 Soloing LESSON #20: Technical Tips for the Same-Fret Syndrome LESSON #21: Alternate Picking by Rhythm LESSON #22: Straight-4, Straight Ahead LESSON #23: Two-Note Chordal Shells LESSON #24: Jumping Tracks LESSON #25: "The Lick" LESSON #26: The Extension Dimension LESSON #27: Major Seven #11 LESSON #28: Bossa Rhythm LESSON #29: The Octaves Texture LESSON #30: Minor Shape Madness LESSON #31: The Chromatic Connection LESSON #32: Suspended Disbelief (Fun with Sus Chords) LESSON #33: High Suspense (Soloing on Sus Chords) LESSON #34: Sequential Essentials LESSON #35: Jazz Hemiola LESSON #36: A Sneaky Sub-Chord Cycle LESSON #37: Harmonizing One Tone LESSON #38: Double-Stop Delight LESSON #39: A Transposition Disposition LESSON #40: Slash Chords LESSON #41: Great Leaps, with Baby Strides LESSON #42: The Half-Step Houdini LESSON #43: Quintessential Quartals LESSON #44: Motion Within Chords LESSON #45: The Trouble with Scales LESSON #46: Comping Texture LESSON #47: On Simplicity (Within Complexity) LESSON #48: Transcription and Analysis LESSON #49: On Timing and Feel LESSON #50: Ballad Playing LESSON #51: Concept 101 LESSON #52: Creative Shifting LESSON #53: One String Thing LESSON #54: Two String Thing LESSON #55: Working with Arpeggios LESSON #56: Mini Barre Mini Sweep LESSON #57: Start Low, End High LESSON #58: Start High, End Low LESSON #59: Scale Positions and Broad Sequences LESSON #60: Modes in Jazz LESSON #61: Grouping Chords for Soloing LESSON #62: Pentatonics in Diatonics LESSON #63: Chord Shape Lines LESSON #64: Repeating Riff, New Position LESSON #65: Soloing Major to Minor LESSON #66: Pentatonic to Mixolydian LESSON #67: Playing Changes LESSON #68: Resolutions to the 5th LESSON #69: Change Down, Go Up LESSON #70: Many Scales over One Chord LESSON #71: Dominant b5 Polyphonic Harmony LESSON #72: Train Wreck Dissonance LESSON #73: Chromatic Ascending Riffs LESSON #74: Descending Chromatic Riffs LESSON #75: Diminished Fluency LESSON #76: Diminished Chord? Harmonic Minor LESSON #77: Augmented Chord? Harmonic Minor LESSON #78: Dominant Chord? Melodic Minor LESSON #79: Melodic Minor = Super Locrian LESSON #80: Half Step Neighbors LESSON #81: Mixing Pentatonic Scales LESSON #82: Geometric Designs LESSON #83: String Skipping LESSON #84: Interval Jumping with Riffs LESSON #85: Playing Down Two Whole Steps LESSON #86: Playing Off the Five LESSON #87: Whole Tone Totality LESSON #88: Enclosure Time LESSON #89: Free Form Targeting LESSON #90: Two Essential Chord Forms LESSON #91: Chord System LESSON #92: Chord Family Training LESSON #93: Building Altered Chords LESSON #94: Walking One Chord Bassline LESSON #95: Chord-Change Key LESSON #96: Adding Melody to Chords LESSON #97: Fundamental Chord Knowledge LESSON #98: Playing a Standard Freely LESSON #99: Doing Your Own Version LESSON #100: Extended Melodies